跳到主要內容

臺灣博碩士論文加值系統

(3.236.110.106) 您好!臺灣時間:2021/07/24 06:57
字體大小: 字級放大   字級縮小   預設字形  
回查詢結果 :::

詳目顯示

: 
twitterline
研究生:陳思瑩
研究生(外文):CHEN,SZU-YING
論文名稱:約翰.埃弗雷特.米雷(JohnEverettMillais)拉菲爾前派時期繪畫之研究
論文名稱(外文):A Study in the Pre-Raphaelite Art of Sir John Everett Millais
指導教授:倪明萃倪明萃引用關係
指導教授(外文):Ming Tsuey Ni
學位類別:碩士
校院名稱:國立臺北教育大學
系所名稱:藝術學系碩士班
學門:藝術學門
學類:應用藝術學類
論文種類:學術論文
論文出版年:2007
畢業學年度:96
語文別:中文
論文頁數:301
中文關鍵詞:維多利亞時期拉菲爾前派約翰‧埃弗雷特‧米雷象徵語彙中世紀主義自然寫實主義女性形象
外文關鍵詞:Victorian AgePre-RaphaeliteJohn Everett Millaissymbolic languagemedievalismnatural realismthe images of women
相關次數:
  • 被引用被引用:0
  • 點閱點閱:2185
  • 評分評分:
  • 下載下載:453
  • 收藏至我的研究室書目清單書目收藏:2
本文研究英國維多利亞時期的藝術家-約翰.埃弗雷特.米雷,在拉菲爾前派時期的繪畫創作。米雷於1848年到1860年間的創作具有不同的繪畫主題與風格,而本論文研究的重心,即透過米雷拉菲爾前派時期的作品,分析不同主題所傳達的內涵,以及繪畫風格所呈現的獨特性。米雷的藝術風格在遠離拉菲爾前派之後產生轉變,並因而遭致褒貶不一的評價,其中的創作脈絡將是重新定位米雷的重要線索,而這也將是本文對於米雷繪畫探討的問題。
本篇論文由時代背景、繪畫主題、繪畫風格及拉菲爾前派之後的風格轉變四個層面加以探討。第一章由米雷身處的維多利亞時代背景出發,探究拉菲爾前派的創立與特色,進而了解米雷創作的根源及影響。第二章從米雷的繪畫主題切入,除了分析作品內容,並對於米雷畫作中女性形象的塑造提出進一步闡述。第三章對於米雷的繪畫風格與表現進行分析,分別從中世紀主義、象徵語彙的運用、自然寫實主義三個主軸逐步探究,希望在深具意涵的圖像中解析其獨特的意義。第四章探討米雷在拉菲爾前派之後繪畫風格的轉變,嘗試將前後時期的作品並置討論,從中釐清其風格演變的脈絡,並藉此針對褒貶不一的評價提出驗證。
米雷在拉菲爾前派時期開創英國藝術史嶄新的一頁,為維多利亞時期的繪畫增添豐富的內涵,而在時代的轉輪中,米雷不斷積極的呈現其創新的觀念,並提升藝術的普及性,在前衛與流行的的平衡點上,透過其深印人心的繪畫,傳遞給大眾豐富美好的視覺意涵,在藝術史上的貢獻是不容抹滅的。
This thesis studies the Victorian artist, John Everett Millais, and his works in the Pre-Raphaelite period. Millais’ works had diverse motifs and genres between 1848 and 1860. This thesis focuses on Millais’ pieces in the Pre-Raphaelite period, and discusses their connotations and ingenuity respectively. Millais’ painting style manifested a great change after he left the Pre-Raphaelite period, which, as a result, got mixed reviews. His background and the creative context of his works may serve as indispensable clues to repositioning Millais. A discussion on them is included in the
study.
This thesis also deals with Millais’ works in terms of his social background, motifs, genres, and the conversion after he left the Pre-Raphaelite period. The first chapter gives a brief review on Victorian art, how Millais developed his artistic skills and the formation of the Pre-Raphaelite Brotherhood and its influence on Millais. Chapter two intends to take a close look at the motifs of Millais’ artwork. Not only are the contents analyzed, the images of women constructed in his works will also be discussed. In chapter three, Millais’ styles are examined from the perspective of medievalism, the symbolic language and natural realism in order to convey their uniqueness. In chapter four, Millais’ subjects and style in his Pre-Raphaelite period are compared with those after that period. The mixed reviews are then examined to
assess Millais’ achievement.
In his Pre-Raphaelite period, Millais started a whole new page for the English art history and enriched art in the Victorian Age. As his artistic career continued, Millais never stopped displaying innovative style, popularizing his art, and striking a balance between high and popular arts. Millais definitely made an indisputable contribution to the development of art history.
前 言 ………………………………………………………1
緒 論 ………………………………………………………3
第一章 時代背景與創作歷程……………………………12
第一節 維多利亞時代背景與藝術思潮…………………13
第二節 拉菲爾前派的創立…………………………… 28
一、米雷的生平 ………………………………………… 29
二、創立拉菲爾前派………………………………………46
三、米雷的交遊與作品 ……………………………………60

第二章 繪畫主題的探究 ………………………………… 84
第一節 文學主題 …………………………………………84
第二節 宗教主題 ………………………………………114
第三節 歷史主題 ………………………………………132
第四節 抒情氣氛的營造 ………………………………145
第五節 女性形象的塑造 ………………………………172

第三章 繪畫風格與表現 …………………………………198
第一節 中世紀主義 ……………………………………199
第二節 象徵語彙的運用 ………………………………216
第三節 自然寫實主義……………………………………226

第四章 拉菲爾前派之後-繪畫風格的轉變……………… 231
第一節 主題與技法的改變 …………………………………233
第二節 褒貶不一的評價 …………………………………259

結 論 ……………………………………………………………274

參考書目 …………………………………………………………281

附 錄
一、米雷生平記事摘要 ………………………………………287
二、圖版目次……………………………………………………292
英文書籍
Adams, Steven. The Art of the Pre-Raphaelites. London:Quintet Publishing Limited,1988.
Arnold , Matthew. Culture and Anarchy : with Friendship's Garland and
Some Literary Essays. edited by R.H. Super.Ann Arbor : University of Michigan Press, c1965.
Ash, Russell. Sir John Everett Millais. London : Academy Editions,1979.
Barlow, Paul. Time Present and Time Past:The Art of John Everett Millais.Burlington : Ashgate Publishing Comany, 2005.
Barnes, Rachel. The Pre-Raphaelites and Their World .London: Tate Gallery Publishing, 1998.
Barring, Tim. Reading the Pre-Raphaelites.London: The Orion Publishing Group,1998.
Bendiner, Kenneth. An Introduction to Victorian Painting. New Haven and London:Yale University Press,1985.
Bullen, J. B. The Pre-Raphaelite Body: Fear Desire in Painting, Poetry, and Criticism. Oxford: Clarendon Press, 1998.
Carlyle, Thomas. Past and Present .New York : New York Univ. Press,
c1977.
Carlyle, Thomas. Sartor Resartus. Oxford [Oxfordshire] New York :
Oxford University Press, 1987.
Cars, Laurence Des. The Pre-Raphaelites: Romance and Realism. London:
Thames and Hudson Ltd, 2000.
Casteras, Susan P and Faxon, Alicia Craig. Pre-Raphaelite Art in Its
European Context. London : Associated University Presses, 1995.
Corbett, David Peters and Perry, Lara,eds. English Art, 1860-1914 :
Modern Artists and Identity. New Brunswick, N.J. : Rutgers University Press, 2001.
Corelli, Marie. The Sorrows of Satan. Philadelphia : Lippincott, 1923
Dickens, Charle . Dombey and Son. Oxford : Oxford University Press,1966.
Disraeli, Benjamin. Sybil : or, The Two Nations. ed. Sheila M.Smith.
Oxford : Oxford University Press, 1998.
Dorment, Richard and MacDonald, Margaret F.,eds. James McNeill
Whistler. London:Tate Gallery Publications, c1994.
Eliot, George. Middlemarch. New York: W.W. Norton & Company,Inc, 1997.
Fleming, Gordon H . John Everett Millais : A Biography. London:
Constable, 1998.
Funnell, Peter, et al. Millais : Portraits. London: National Portrait Gallery, 1999.
Gaskell, Elizabeth Cleghorn. North and South. ed. Angus
Easson .Oxford : Oxford University Press, 1998.
Gaunt, William. English Painting: A Concious History. London: Thames and Hudson Ltd, 1985.
Goldman, Paul. John Everett Millais : Illustrator and Narrator.
London: Birmingham Museums and Art Gallery, 2004.
Hardin, Terri. The Pre-Raphaelites: Inspiration from the Past. New
York: Todtri Productions Limited, 1996.
Hilton, Timothy. The Pre-Raphaelites. London: Thames and Hudson Ltd,
1970.
Hunt, William Holman. Pre-Raphaelitism and the Pre-Raphaelite
Brotherhood. New York:AMS Press, 1967.
Ruskin, John. Stones of Venice. ed. J.G. Links. London : Pallas
Athene in conjunction with Ostara Publishing, 2001.
Lambourne ,Lionel. Victorian Painting. London:Phaidon Press
Limited,1999.
Lockett ,Richard. Pre-Raphaelites Art: from the Birmingham Museum and
Art Gallery. Hong Kong: Hong Kong Museum of Art,1984.
Maas, Jeremy.Victorian Painters. New York: Harrison House,1988.
Macleod, Dianne Sachko. Art and Victorian Middle Class: Money and the
Making of Cultural Identity. Cambridge: Cambridge University Press, 1996.
Mancoff, Debra N. ed. John Everett Millais : Beyond the Pre-Raphaelite Brotherhood. London:Yale University Press, 2001.
Marsh, Jan. Pre-Raphaelite Women : Images of Femininity. New York :
Harmony Books, 1988.
Marsh, Jan. Insights The Pre-Raphaelite Circle. London : National
Portrait Gallery, 2005.
Millais, John Guille. The Life and Letters of Sir John Everett Millais. London :Methuen, 1899.
Nelson, Claudia and Vallone, Lynne.The Girl's Own : Cultural Histories of the Anglo-American Girl, 1830-1915. Athens : University of Georgia Press, c1994.
Ni, Ming Tsuey. The Construction of Childhood Space as Represented in Victorian Art. Louisville:University of Louisville, 2002.
Panofsky, Erwin. Meaning in the Visual Arts. Chicago :The University of Chicago Press,1982.
Pater, Walter. The Renaissance : Studies in Art and Poetry. Oxford :Oxford University Press, 1998.
Patterson, Miles L. Nonverbal Behavior : A Functional Perspective.New York :Springer-Verlag, c1983.
Peters Corbett, David. The World in Paint : Modern Art and Visuality
in England, 1848-1914. Manchester: The Pennsylvania State University,2004.
Pointon, Marcia. Pre-Raphaelites Reviewed. Manchester: Manchester University Press, 1989.
Prettejohn, Elizabeth. The Art of the Pre-Raphaelites. London:Tate Gallery Publishing Limited, 2000.
Riding, Christine. John Everett Millais. London : Tate Publishing, 2006.
Sambrook, James. Pre-Raphaelitism : A collection of Critical Essays.Chicago and London: The University of Chicago, 1974.
Shakespeare, William. Hamlet: Modern Text with Introduction. ed.Rowse, A.L. New York : McGraw-Hill, 1984.
Shefer, Elaine. Birds, Cages, and Women in Victorian and Pre- Raphaelite Art. New York : P. Lang, c1990.
Suriano, Gregory R. The Pre-Raphaelite Illustrators. New Castle:Oak
Knoll Press,2000.
Taylor, Joshua Charles. Nineteen-Century Theories of Art. Berkeley :University of California Press, 1987.
Tennyson, Alfred Lord. Idylls of the king : the Coming of Arthur,
Lancelot and Elaine, Gareth and Lynette, the Holy Grail, the Passing of Arthur. Boston : Allyn and Bacon, c1923.
Tennyson, Alfred Lord. In Memoriam. ed. Robert H.Ross. New York:W.W.Norton & Company, Inc.,1973.
Tennyson, Alfred Lord. Tennyson: A Selected Edition. ed .Christopher Ricks. London: Longman Group UK Limited,1989.
Thomas ,Julia. Victorian Narrative Painting. London: Tate Gallery Publishing Ltd.,2000.
Tickner, Lisa. Dante Gabriel Rossetti. London : Tate Enterprises Ltd , 2003.
Ubstone ,Robert. The Pre-Raphaelites Dream. London: Tate Gallery,2000.
Warner ,Walcolm. The Victorians: British Painting 1837-1901.
Washington: National Gallery of Art,1997.
Warner ,Walcolm. Pre-Raphaelites in Context. San Marino, Calif. :
H.E. Huntington Library and Art Gallery, 1992 .
Welland, Dennis Sydney Reginald. The Pre-Raphaelites in Literature
and Art.London: George G.. Harrap& Co.Ltd ,1953.
Werner, Marcia. Pre-Raphaelite Painting and Nineteen-Century Realism.Cambridge :Cambridge University Press,2005.
Wood, Christopher. The Pre-Raphaelites. London: Seven Dials Press,
2000.

中文書籍
Baudelaire, Charles著,《惡之華》(Les Fleurs du Mal),莫渝譯,台北:志文,1985。Boccaccio, Giovanni著,《十日譚》(The Decameron),魏良雄譯,台北:志文,1988。
Carlyle, Thomas著,《過去與現在》(Past and Present),朱良箴譯,台北:協志工商,1979。
Keats, John著,《濟慈詩選》,馬文通譯,台北:桂冠,1995。
Khayyam, Omar著,《魯拜集》(The Rubaiyat),黃克孫衍譯,台北:書林,1989。
Pollock, Griselda著,《視線與差異:女性主義與藝術歷史》(Vision and difference:femininity﹐feminism﹐and the histories of art),陳香君譯,台北:遠流,2000。Reynolds, Donald Martin著,《劍橋藝術史:十九世紀》(The CambridgeIntroduction To Art:The Nineteenth Century),錢乘旦譯,台北:桂冠,2000。
Shakespeare, William著,《哈姆雷特》(Hamlet),方平譯,台北:志文,1988。
朱伯雄,《拉菲爾前派與象徵主義美術》,台北:藝術家,2003。
陳英輝,《維多利亞文學風貌:小說、詩歌及散文作家群像》,台北:書林,2005。
黃文叡,《現代藝術啟示錄》,台北:藝術家,2000。
閣林國際圖書有限公司,《先拉菲爾派神童:米雷》,台北:閣林,2001。
劉振源,《拉菲爾前派》,台北:藝術圖書,2000。
瀾工,《唯美主義大師圖鑑》,台中:好讀,2004。


期刊
Brrown, Nicola. “‘Will he, won't he? Will she, won't she? ’Fortune-telling and Female Subjectivity in John Everett Millais's The Bridesmaid.” Women﹐vol. 13, issue 1,(Spring 2002):73-83.
Codell, Julie F. “The Dilemma of the Artist in Millais’s Lorenzo and Isabella:Phrenology, the Gaze and the Social Discourse .”
Art History﹐vol. 14 ,no. 1, (March 1991):51-66.
Reis, Pamela Tamarkin. “Victorian Centerfold: Another Look at Millais's Cherry Ripe." Victorian Studies 35 (Winter 1992):201-205.
Polhemus, Robert M. “John Millais's Children: Faith, Erotics, and The Woodman’s Daughter." Victorian Studies 40 (Spring 1994):445-449.
賴瑞鎣,〈十五世紀上半葉義大利與尼德蘭繪畫之寫實主義〉,《藝術評論》,第九期,1998年,頁143- 154。
賴瑞鎣,〈哥德教堂形式與宗教意涵研究〉,《靜宜人文學報》,第十五卷,第二期,2003年,頁27-46。
賴瑞鎣,〈十五世紀西洋繪畫的寫實主義和理想-以早期尼德蘭和文藝復興繪畫為研究對象〉,《藝術評論》,第十五期,2004年,頁191- 218。
QRCODE
 
 
 
 
 
                                                                                                                                                                                                                                                                                                                                                                                                               
第一頁 上一頁 下一頁 最後一頁 top