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研究生:林美滿
研究生(外文):May-Man Lin
論文名稱:教師會核心成員的行動歷程-以情緒為分析焦點
論文名稱(外文):The Action Progress of Key Members of Teacher’s Association - Focusing on the Analysis of Emotion
指導教授:洪志成洪志成引用關係
指導教授(外文):Chih-Cheng Hung
學位類別:碩士
校院名稱:國立中正大學
系所名稱:教育研究所
學門:教育學門
學類:綜合教育學類
論文種類:學術論文
論文出版年:2008
畢業學年度:96
語文別:中文
論文頁數:218
中文關鍵詞:教師會敘說探究情緒行動情緒勞動
外文關鍵詞:emotional laboremotional actionnarrative inquiryteacher’s association
相關次數:
  • 被引用被引用:1
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  • 下載下載:0
  • 收藏至我的研究室書目清單書目收藏:4
本研究的目的是以敘說探究的研究方法,瞭解剛鐸國小教師會核心成員的行動歷程,以情緒為分析焦點,利用深度訪談的方式對三位教師會核心成員進行為期十個月之研究。本研究在敘說分析後有如下主要的發現:
一、核心成員情緒行動類型共有五類,包括:替他人發聲的行動(目的-幫同事爭取刪除不適當的導師辦法)、反壓迫的行動(目的-要求與學校有平等對話的窗口)、大我之愛的行動(目的-給予同事關懷與協助、為共同的理想而奮鬥及凝聚會員向心力和提高出席率)、諜對諜的行動(目的-兵來將擋、水來土淹與讓主任無計可施)及負向情緒的轉化(目的-當成教學上的歷練與教學責任大過個人情緒)。
二、本研究探討核心成員的情緒勞動共七項,其中本研究有五項與前面學者曾提過的情緒勞動類型與目的相似,但仍有些陵t異之處,包括:正向情緒的呈現(目的-讓教師會成立過程較為圓滿順利與教師會的提案能被學校接受)、負向情緒的壓抑(目的-刻意維繫教師會的和諧形象與留住會員)、負向情緒的呈現(目的-讓教師會的提案能施行、制止造謠者繼續傷害教師會及要求行政提出合理解釋)、負向情緒的演出(目的-維護教師會的名譽)及中性情緒的呈現(目的-扮演好理事長的角色與讓對方信服)。
三、本研究有兩項情緒勞動的新類型,分別為:放大鏡下的勞動(目的-不願意增加人事的困擾與避免落人口實)及正向情緒的武裝(目的-隱藏內心脆弱、假裝樂在其中)。
四、在正向情緒的三種演出中,與過去研究較為不同:「信以為真的演出」係指核心成員全心全意投入在工作中,完全融入其所扮演的工作角色中,是真正地發自內心、打從心底,演出的程度上更進一步地主動演出到連自己都「信以為真」而充分地融入在此情境之中。
五、本研究中的「深層演出」與前面學者所提差異點在於:核心成員在深層演出上,都是因為有「愛的原素」(包含對教師會、會員及夥伴的愛)存在。
六、情緒行動後對教師會運作的策略改變有:只能提最低衝擊力的方案、先增設會員提案單制度、及再以會員大會取代理事會決議提案的弁遄C
七、情緒行動後對教師會的領略有:自我肯定(第一次研習辦得很成央B能光明正大的集結教師們的力量及教師會發揮制衡作用)與自我懷疑(行政人員壁壘分明、行政人員處心積慮阻撓教師會的提案、同事明哲保身及教師會的貢獻輸給耳語)。
八、情緒行動後對核心成員所帶來的領略分別為:對教學專業(專業改道與專業成長)、對耳語的態度(冷處理與同仇敵愾)、情緒規則的形成(教師角色與自身家教)、對英語比賽的態度(行政不予協助與夥伴相互支援)、夥伴之間的關係(情誼裂痕到情誼修補)及學校期末聚尷漁y位學(核心成員被否定與被肯定)。
The purpose of this research is to understand the action development of key members of teacher’s association in Gondor elementary school by narrative inquiry method. By focusing on three teachers’ emotion, profoundly interviews have been taken with three key members for ten month. The main achievements of this study are described as the followings.
1.There are five emotional action express types of key members. They are: the action of making statements for others (in order to prune off unsuitable tutor’s regulation for their colleagues), the action of against oppression (request for a equal window with the school), atman’s love (provide care and help for their colleagues, flight for the same goal, condense members’ centripetal force and raise up the attendance), the action of spy to spy (well handled with the school directors by prior sand table simulation) and transformation of negative emotion (the teaching responsibility is more important than personal emotion and take negative emotion as teaching experience).
2.Although many emotional labor types were well discussed and addressed by formal studies, there are still differences among the following five emotional labor. They are: the display of positive emotion (let the development of teacher’s association goes more successfully and the proposal of teacher’s association becomes more acceptable for the school), depression of negative emotion (maintain the harmonious appearance of teacher’s association painstakingly and hold together with the members), display of positive emotion (let the proposal of teacher’s association can put into practice, stop the gossip spreads and request the administrators for reasonable explanations), display of negative emotion (keep the fame of teacher’s association) and display of neutral emotion (play the good role of president of teacher’s association to convince the others).
3.There are two new types of emotional labor found in this study. They include: the labor of working under magnifying glass (be unwilling to provoke personnel matters and avoid gossip), armaments of positive emotion (hide the weakness of their heart and pretend they enjoy it)
4.Among three kinds of positive emotional acting, the “truthfully believed” acting is different from the previous studies. It means that the key members do their work wholeheartedly, they completely fit in their role and act willingly from their heart, and they even act like they are truthfully believed they should under such circumstance.
5.The difference of “deep acting” between formal studies and this research is that the key members involve “love” in their acting, include love to the teacher’s association, members and partners.
6.After the emotional action, a few functioning strategies of teacher’s association have been changed. They can only propose the lowest impact proposal, establish draft resolution system for members and make a resolution by all members instead of the council.
7.There are two tastes for teacher’s association after the emotional action. Self approval: the key member can marshal teacher’ strength and elaborate the equilibrant of teacher’s association after the success of first research activity. Self doubts: there is great gap between the key members and the administrators. The administrators seek any chance to obstruct their proposal by all means. Most of their colleagues care only about how to protect their fame. The contribution of teacher’s association can’t resist whisper between the administrators and colleagues unexpectedly.
8.For the key members, there are six tastes after the emotional action. They are: teaching profession (change nicknamed “firefly” teacher’s route of profession and enhance their profession), the attitude toward whispers (cold treatment and share a bitter hatred of the administrators), forming with regular mood (teacher’s role and one''s own family education), attitude toward English match (the administrators refuse to support, but their partners help each other), relationship between partners (friendship break up after some strikes and then recover through communications) and feast seat in the end of school term (the key members were negated at the beginning, but finally accepted by the principle).
目 錄
第一章 緒論………………………………………………………………………..01
第一節、研究動機………………………………………………………………..01
第二節、研究目的與問題………………………………………………………..05
第三節、名詞釋意………………………………………………………………..05

第二章 文獻探討……………………………………………………………………07
第一節、 情緒…………………………………….………………………………07
第二節、 情緒勞動..…………………………….………………………………..08
第三節、情緒勞動的內涵………………………………………………………..13
第四節、情緒行動後的改變……………………………………………………..20
第五節、學校教師會……………………………………………………………..23

第三章 研究方法…………………………………………………………………..31
第一節、尋找故事中的聲音……………………………………………………..31
第二節、資料的蒐集與分析……………………………………………………..39
第三節 、研究的可信賴度………………………………………………………47
第四節、研究倫理的考量………………………………………………………..48
第五節、研究限制………………………………………………………………..49

第四章 剛鐸國小教師會的故事…………………………………………………..51
第一節、剛鐸國小之魔戒現身…………………………………………………..51
第二節、剛鐸國小成立教師會的緣起…………………………………………..56
第三節、剛鐸國小教師會的誕生………………………………………………..63

第五章 研究結果分析與討論……………………………………………………113
第一節、教師會核心成員情緒行動類型與目的………………………………113
第二節、在面具外與行動中----正向情緒的表現………………………………132
第三節、情緒行動後對教師會運作和核心成員帶來的領略與改變…………149
第四節、教師會核心成員的情緒勞動…………………………………………173

第六章 結論、建議及省思………………………………………………………..191
第一節、研究結論………………………………………………………………191
第二節、建議……………………………………………………………………200
第三節、省思……………………………………………………………………. 202

參考文獻……………………………………………………………………………209
附錄一………………………………………………………………………………217

表 次
表3-1 主軸編碼舉例………………………………………………………………..44
表3-2 開放性編碼舉例……………………………………………………………..46
表4-1 剛鐸國小教師會重大事件發生的時間表..…………………………………55
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