臺灣博碩士論文加值系統

本論文旨在探討夏綠蒂．萊諾克斯《女吉訶德》中的中產階級和浪漫小說兩種意識型態的衝突和對立，筆者希望藉著分析十八世紀英國社會的景況來描繪出當時女性的社會地位及角色，並勾勒出當時所盛行的中產階級價值觀的大致樣貌，以突顯其和書中女主角艾拉貝拉所深信的浪漫小說價值觀的差異和衝突。
在第一章中，筆者從艾拉貝拉的閱讀行為著眼，分析當時社會對女性閱讀的敵對態度，顯示中產階級意識型態中的理想女性形象是無聲又謙卑的，且被限制在家庭內；這和浪漫小說中女性高高在上的地位大相逕庭。第二章接著探討艾拉貝拉的想像及操弄力量，以及浪漫小說中的男女權力結構。在第三章中，筆者視書中的婚姻結局為兩股對立的意識型態的折衷，艾拉貝拉的婚姻一方面滿足了浪漫小說所追求的情愛結局，也同時符合了當時社會視婚姻為商業活動的期望。

My thesis aims to explore the conflict between bourgeois and romance ideologies in Charlotte Lennox’s The Female Quixote in terms of women’s reading, power, and marriage in the eighteenth century. In chapter one, I focus on Arabella’s access to romantic fantasies, offering an overview of women’s position and reading in bourgeois society. Through examining the society’s attitude to and concerns with reading, we can see that in the bourgeois ideal women are voiceless and restrained within the domestic domain, the one that offers no opportunities for the significance that romance heroines enjoy. Also, both women’s motives to read and the society’s eagerness to prohibit it reflect the economical and capitalistic sides of the bourgeoisie. Then, Arabella’s exclusive reading of romance makes her totally subject to it; the canonized romances become the female tradition for Arabella. By comparing the quasi-classicism of romance to the contemporaneity of novel, the discrepancy between Arabella and the outside world is clearly shown. She endeavors to yearn for significance in the prosaic reality which offers no opportunity.
Consequently, chapter two examines Arabella’s power on two levels. Arabella, trying to mediate the gap, constructs her romantic counter-reality with the help of the power of imagination. Arabella manipulates her surroundings to make them meet the requirements of the romantic world, which appears to be an autonomous domain governed by love, excluding the laws, morality, and secularity of the reality. Furthermore, in the love-ruled realm the power structure of bourgeois society seems to be reversed. Women have power over their submissive and constant suitors. The typical images of both genders are reversed. However, heroines’ possession of power is at the expense of rejecting and denying female sexuality and desire. Therefore the autonomy and the reversal of power structure proposed by romance are actually illusive; the power only exists by sacrificing female subjectivity.
In chapter three I will probe into the double-edged role marriage plays. The marriage between Arabella and Glanville can be seen as the compromise between romance and bourgeois ideologies. With the help of her manipulation of the reality, Arabella’s marriage does exemplify the romantic ideal. Glanville is romantically presented as a hero performing countless actions to win his lover. Their marriage is depicted as an amatory union, which is the essential ending in romances wherein love is sanctified. On the other hand, the marriage ending also satisfies the concerns of middle-class society, wherein marriage is considered as a trade and bears an economic mission rather than connecting two lovers. Hence the marriage plot functions as a happy ending that settles the two confronting ideologies.

Introduction …………………………………………………………………………………...1
Chapter One
The Conflict between Bourgeois Ideology and Romance Ideology ………………………6
Chapter Two
The Love-Ruled World and the Fantasy of Power ………………………………………47
Chapter Three
Marriage as Compromise and Happy Ending …………………………………………...72
Conclusion …………………………………………………………………………………...89
Works Cited ………………………………………………………………………………….90

Aristotle. The Poetics. Trans. W. Hamilton Fyfe and W. Rhys Roberts. Aristotle The Poetics Longinus On the Sublime Demetrius On Style. The Loeb Classical Library Aristotle XXIII. 1927. Cambridge: Harvard UP, 1932. 1-118.
Armstrong, Nancy. “The Rise of the Novel.” Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford UP, 1987. 96-134.
Ballaster, Ros. “Romancing the Novel: Gender and Genre in Early Theories of Narrative.” Spender 188-200.
Brownstein, Rachel M. Becoming a Heroine: Reading about Women in Novels. 1982. Harmondsworth: Penguin, 1984.
Campbell, Colin. The Romantic Ethic and the Spirit of Modern Consumerism. 1987. Oxford: Blackwell, 1989.
Craft, Catherine A. “Reworking Male Models: Aphra Behn’s Fair Vow-Breaker, Eliza Haywood’s Fantomina, and Charlotte Lennox’s Female Quixote.” Modern Language Review 86.4 (1991): 821-38.
De Michelis, Lidia. “Unsettling the Cultural Gender Divide: Reading, Writing and Storytelling in The Female Quixote.” Textus XVI (2003): 187-212.
Donovan, Josephine. Women and the Rise of the Novel, 1405-1726. London: Macmillan, 1999.
Doody, Margaret Anne. Introduction. The Female Quixote: Or the Adeventures of Arabella. By Charlotte Lennox. Ed. Margaret Dalziel. Oxford: Oxford UP, 1989. xi-xxxii.
Gordon, Scott Paul. “The Space of Romance in Lennox’s Female Quixote.” Studies in English Literature, 1500-1900 38.3 (1998): 499-516.
Green, Katherine Sobba. The Courtship Novel 1740-1820: A Feminized Genre. Lexington: UP of Kentucky, 1991.
Hall, K. G. The Exalted Heroine and the Triumph of Order: Class, Women and Religion in the English Novel, 1740-1800. 1993. Lanham: Barnes, 1994.
Hammond, Brean. “Romance and the Didactic in the Eighteenth-Century Novel: An Elaboration upon Andrew Varney.” Connotations 3.3 (1993-94): 305-11.
Harth, Erica. “The Virtue of Love: Lord Hardwicke’s Marriage Act.” Cultural Critique 9 (1988): 123-54.
Hunter, J. Paul. Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction. New York: Norton, 1990.
Langbauer, Laurie. “Romance Revised: Charlotte Lennox’s The Female Quixote.” Novel: A Forum on Fiction 18.1 (1984): 29-49.
Lemmings, David. “Marriage and the Law in the Eighteenth Century: Hardwicke’s Marriage Act of 1753.” Historical Journal 39.2 (1996): 339-60.
Lennox, Charlotte. The Female Quixote: Or the Adventures of Arabella. 1752. Ed. Margaret Dalziel. Oxford: Oxford UP, 1989.
Martin, Mary Patricia. “‘High and Novel Adventures’: Reading the Novel in The Female Quixote.” Novel: A Forum on Fiction 31.1 (1997): 45-62.
McKeon, Michael. The Origins of the English Novel 1600-1740. 1987. London: Century-Radius, 1988.
Palo, Sharon Smith. “The Good Effects of a Whimsical Study: Romance and Women’s Learning in Charlotte Lennox’s The Female Quixote.” Eighteenth Century Fiction 18.2 (2005-06): 203-28.
Pearson, Jacqueline. Women’s Reading in Britain 1750-1835: A Dangerous Recreation. Cambridge: Cambridge UP, 1999.
Richetti, John. “Women Novelists and the Transformation of Fiction.” The English Novel in History 1700-1780. London: Routledge, 1999. 196-242.
Ross, Deborah. “Mirror, Mirror: The Didactic Dilemma of The Female Quixote.” Studies in English Literature, 1500-1900 27.3 (1987): 455-73.
Schmid, Thomas H. “‘My Authority’: Hyper-Mimesis and the Discourse of Hysteria in The Female Quixote.” Rocky Mountain Review of Language and Literature 51.1 (1997): 21-35.
Schofield, Mary Anne. Masking and Unmasking the Female Mind: Disguising Romances in Feminine Fiction, 1713-1799. Newark: U of Delaware P, 1990.
Spacks, Patricia Meyer. “Subtle Sophistries of Desire: The Female Quixote.” Desire and Truth: Functions of Plot in Eighteenth-Century English Novels. Chicago: U of Chicago P, 1990. 12-33.
---. “The Consciousness of the Dull: Eighteenth-Century Women, Boredom, and Narratives.” Boredom: The Literary History of a State of Mind. Chicago: U of Chicago P, 1995. 60-82.
Spencer, Jane. The Rise of the Women Novelist: From Aphra Behn to Jane Austen. Oxford: Blackwell, 1986.
Spender, Dale, ed. Living by the Pen: Early British Women Writers. New York: Teachers College, 1992.
---. “A Vindication of the Writing Woman.” Introduction. Spender 1-35.
Stone, Lawrence. The Family, Sex, and Marriage in England 1500-1800. Abr. ed. London: Penguin, 1988.
Thomson, Helen. “Charlotte Lennox’s The Female Quixote: A Novel Interrogation.” Spender 113-25.
Todd, Janet. The Sign of Angelica: Women, Writing and Fiction, 1660-1800. New York: Columbia UP, 1989.
Turner, Cheryl. Living by the Pen: Women Writers in the Eighteenth Century. London: Routledge, 1992.
Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Berkeley: U of California P, 1957.
Yeazell, Ruth Bernard. “Modest Blushing.” Fictions of Modesty: Women and Courtship in the English Novel. Chicago: U of Chicago P, 1991. 65-80.