[1] E.W. Large and J. F. Kolen, “Resonance and the perception of musical meter,” Connection Science, vol. 6, pp. 177-208, 1994.
[2] P. Toivianen, “An interactive midi accompanist,” Computer Music Journal, vol. 22, no. 4, pp. 63-75, 1998.
[3] D. Rosenthal, “Emulation of human rhythm perception,” Computer Music journal, vol. 16, no. 1, pp. 64-76, 1992.
[4] J. C. Brown, “Determination of the meter of musical scores by autocorrelation,” Journal of the Acoustical Society of America, Vol. 94, No. 4, 1993.
[5] C. Raphael, “Automated rhythm transcription,” Proceedings of International Symposium on Music Information Retrieval, pp. 99-107, 2001.
[6] S. Dixon, “Automatic extraction of tempo and beat from expressive performance,” Journal of New Music Research, vol. 30, no. 1, pp. 39-58, 2001.
[7] J. Laroche “Efficient tempo and beat tracking in audio recordings,” Journal of the Audio Engineering Society, Vol. 51, No. 4, 2003.
[8] D. P. Ellis, “Beat tracking with dynamic programming,” Proceeding of the 2nd Music Information Retrieval Evaluation eXchange (MIREX 2006), 2006.
[9] G. Peeters. “Template-based estimation of time-varying tempo,” EURASIP Journal on Advances in Signal Processing, pp.14, 2007.
[10] E.D. Scheirer, “Tempo and beat analysis of acoustic musical signals,” Journal of Acoustical Society of America, vol. 103, no. 1, pp. 588–601, 1998.
[11] M. Goto, “An audio-based real-time beat tracking system for music with or without drum-sounds,” vol. 30, no. 2, pp. 159-171, June 2001.
[12] P. E. Allen and R. B. Dannenberg, “Tracking musical beats in real time,” Proceedings of International Computer Music Conference, pp. 140-143, 1990.
[13] M. E. P. Davies and M. D. Plumbley, “Causal tempo tracking of audio,” Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, 2004.
[14] M. E. P. Davies, P. Brossier and M. D. Plumbley. “Beat Tracking Towards Automatic Musical Accompaniment,” In Proceedings of the AES 118th Convention, Barcelona, 2005.
[15] 虞敬業, “音樂節拍辨識,” 國立台灣大學電機工程學研究所碩士論文, 2002.[16] http://aubio.org/doc/files.html資料庫中所有的函數列表.
[17]http://aubio.org/news/screenshots應用Aubio實現的軟體WaveSurfer.
[18] http://aubio.org/news/screenshots應用Aubio實現的軟體Audacity.
[19] http://aubio.org/news/screenshots應用Aubio實現的軟體插件Audacity Plugin.
[20] http://aubio.org/news/screenshots應用Aubio實現的軟體Live.
[21] J. P. Bello, L. Daudet, S. Abdallah, C.Duxbury, M.E. Davies and M. B. Sandler “A tutorial on onset detection in music signals”, IEEE.
[22] 張柏雄, “中文語音情緒之自動辨識,” master thesis of Engineering Science department of the National Cheng Kung University, 2002.
[23] 王玉, “以內容為基礎的音頻信號之切割與分類之研究,” 國立成功大學碩士論文, 民國90年。
[24] L. Rabiner, and R. Schafer, “Digital processing of speech signals,” Prentice-Hall, Inc., N. J, 1978.
[25] P. Masri. “Computer modeling of sound for transformation and synthesis of musical signal,” PhD dissertation, University of Bristol, UK, 1996.
[26] J.P. Bello, M. P. Davies, and M. B. Sandler, “Phase-based note onset detection for music signals,” In Proceedings of the IEEE International Conference on Acoustics Speech and Signal Processing, pp. 441-444, Hong-Kong, 2003.
[27] J. Foote and S. Uchihashi, “The beat spectrum: a new approach to rhythm analysis,” In IEEE International Conference on Multimedia and Expo (ICME 2001), pp. 881-884, Tokyo, Japan, August 2001.
[28] S. Hainsworth and M. Macleod, “Onset detection in music audio signals,” In Proceedings of the International Computer Music Conference (ICMC), Singapore, 2003.
[29] C. Duxbury, M. E. Davies, and M. B. Sandler, “Complex domain onset detection for musical signals,” In Proceedings of the Digital Audio Effects Conference, DAFx-03, pp. 90-93, London, UK, 2003.
[30] P. Masri and A. Bateman “Improved modelling of attack transients in music analysis-resynthesis,” Proceedings of International Computer Music Conference, pp. 100-103, 1996.
[31] J. P. Bello, C. Duxbury, M. E. Davies and M. B. Sandler, “On the use of phase and energy for musical onset detection in the complex domain”, IEEE Signal Processing Letters, Vol. 11, No. 6, pp. 553-556, June 2004.
[32] C. Duxbury, “Signal models for polyphonic music,” Ph.D. Thesis (submitted), Department of Electronic Engineering, Queen Mary, University of London, 2004.
[33] P. Fraisse, “Rhythm and tempo,” In D. Deutsch, editor, The Psychology of Music, Academic Press, 1982.
[34] http://phys.thu.edu.tw/~ctshih/teach/linux_intro1/linux_introduction_1.htm, Linux簡介.
[35] http://linux.vbird.org/, Linux的特色與優點.
[36] http://sun.cis.scu.edu.tw/~89b13/Linux/Linux_2.htm, VMware簡介.
[37] http://aubio.org/pub/, 下載aubio-0.3.2.tar.gz檔.
[38] http://www.fftw.org/download.html, 下載fftw-3.1.2.tar.gz檔.
[39] http://www.mega-nerd.com/libsndfile/#Download, 下載libsndfile-1.0.17.tar.gz檔
[40] http://www.mega-nerd.com/libsamplerate/download.html, 下載libsamplerate-0.1.3.tar.gz檔.
[41] http://jackaudio.org/download, 下載jack-audio-connection-kit-0.109.2.tar.gz.檔.
[42] http://www.alsa-project.org/main/index.php/Main_Page, 下載alsa-lib-1.0.16.tar.bz2檔.
[43] M. Bosi, R. E. Goldberg, “Introdution to Digital Audio Coding and Standard,” Kluwer Academic Publishers, 2003.
[44]陳立峰, 余兆棠, 侯安桑, “基於ARM-9實現可攜式無線多媒體播放系統,” 第一屆智慧生活科技研討會(ILT’06)論文集, 勤益技術學院, 2006.
[45] MPlayer官方網站 http://www.mplayerhq.hu