臺灣博碩士論文加值系統

本設計為表現參與者在虛實共構空間的視覺回饋模擬以及參與者感知的互動經驗，分別對於空間(space)、視覺模擬(Virtual simulation)、互動介面(Interaction/Interface)等領域的交集作為文獻探討範圍。數位建築以2008年「澳底大地建築國際計畫」-Next-Gene由AleppoZone設計的狂草住屋(Calligraphic House)作為虛實共構空間。數位資訊化的時代同時也帶來對「空間」另一種新的解釋與可能性。運用不同的科技技術或是不同的數位媒材與不同的參與者互動方式，而產生多種不同形式的空間呈現，而這些數位媒材的整合主要在於是否能引發參與者的空間知覺，而產生身處於虛擬空間的存在感受。本創作設計主要目的是表現參與者在空間中直覺感知的互動形式以及虛擬空間中視覺回饋的模擬，以自然、直覺地形式融入虛實共構的空間中；表達知覺互動的經驗對於參與者的投入(involvement)與沉浸(immersion)的程度與現象，並且詳盡紀錄此設計理念的推論與過程。下世代介面設計(Next Gene Interface Design)的形成，由心智空間(mental space)開始論述，到數位資訊化時代而產生的虛實共構空間，因多元化的媒材整合，進而改變人類的互動行為與對空間的重新認知，在這樣的條件之下，設計因此形成。虛擬到實體，實體又回到虛擬，以一種自然的方式來銜接虛實共構的空間，本論文以此概念設計一段3分30秒的視覺動畫模擬影片做為與參與者互動的呈現探討。

This design presents the simulation feedback from visual and participants’ perceptual interaction and experience under the Virtual-Physical Space. The reference reviews cover the intersection of several domains, includes space, virtual simulation, interaction. The digital architecture uses “Calligraphic House” designed by Aleppo Zone in NEXT-GENE“Ao-Di Grand Land Architecture International Project Taiwan 2008”as the presentation of the Virtual-Physical Space. The age of digital information also brings another explanation and possibility of space. It generates various different styles to display space by applying different science technology, digital multimedia, and interactive style. Also, the intention of integrating of various digital multimedia is to cause the participants to sense spatial perception, and feel that they are in virtual space with sense of presence further. The primary objective of this design is to present the interactive style of space percipience and the simulation feedback from visual of participants in virtual space, and merge the presentation and real space naturally and intuitively. It will also present the degree and phenomenon of participants’ involvement and immersion with experience of perception interaction, and record the discussion and process of the design philosophy in detail. The next generation interface design comes into being from mental space to the Virtual-Physical Space produced by the age of digital information. Therefore, integrating of various multimedia changes human’s interaction behaviors and space cognition, and the design is formed in such conditions. From virtual to reality, and then back to virtual, the Virtual-Physical Space is combined by applying a nature style. The design result is presented as a visual anime of 3 minutes and 30 seconds duration.

中文摘要 . i
Abstract ii
謝誌 . iii
目錄 . iv
第1 章 緒論 ..1
1.1 前言 .1
1.2 設計問題與目標 ..4
1.3 設計流程 4
1.3.1 第一階段：創作理論的推論研究 .5
1.3.2 第二階段：數位資料的建構 6
1.3.3 第三階段：整合數位資料與虛擬空間 .6
第2 章 文獻探討 .7
2.1 實體與虛擬共構的空間 ..7
2.1.1 由數位發生的實體空間 ..7
2.1.2 感知空間：想像與具體化的虛擬空間 .8
2.2 視覺模擬 .11
2.2.1 從傳統設計媒材到電腦輔助設計的視覺呈現 11
2.2.2 虛擬實境的視覺呈現 .12
2.3 人機介面互動形式 16
2.3.1 人機互動發展的過程概述 ..16
2.3.2 人機互動的呈現形式 .19
第3 章 創作內容 .22
3.1 設計理念 .22
3.1.1 設計理念之形成 22
3.1.2 設計理念之架構 23
3.2 設計理論基礎 .24
3.2.1 感知空間(perceptual space) ..24
3.2.2 存在感(sense of presence ) 25
3.2.3 消失的互動介面(the vanishing interaction interface) 26
3.3 設計形式與技法 27
3.3.1 設計形式 27
3.3.2 設計技法 30
第4 章 設計成果 .33
4.1 數位建築動畫引導模擬互動場所 (AleppoZONE Design, 2008) ..33
4.2 知覺現象-視覺模擬與互動形式 .34
4.2.1 連接Connect-位置(00:41:00~01:05:00) 34
4.2.2 方向Direction-光影(01:06:00~02:12:00) .35
4.2.3 距離Distance-遠近(02:12:00~02:11:00) 36
4.2.4 向量Velocity-深度 37
4.3 創作成果 .38
第5 章 結論 40
5.1 創作結論 .40
5.2 未來研究與貢獻 41
5.2.1 未來研究 41
5.2.2 創作貢獻 42
References ..43
附錄一：影片分鏡表 . 46
附錄二：設計連續圖檔輸出-2D 狂草轉3D 模型(AleppoZONE Design, 2008) .. 51
附錄三：設計連續圖檔輸出-3D 虛擬建築空間動畫引導至互動場所(AleppoZONE Design, 2008).. 52
附錄四：設計連續圖檔輸出-下世代介面設計之參與者與「位置」知覺互動模擬表現 53
附錄五：設計連續圖檔輸出-下世代介面設計之參與者與「方向」知覺互動模擬表現 54
附錄六：設計連續圖檔輸出-下世代介面設計之手部互動與「方向」知覺互動模擬表現 . 55
附錄七：設計連續圖檔輸出-下世代介面設計之參與者與「距離」知覺互動模擬表現 56
附錄八：設計連續圖檔輸出-下世代介面設計之手部互動與「距離」知覺互動模擬表現 . 58

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