中文專書：
畢恆達、洪文龍（2006）。《GQ男人在發燒》。台北：女書文化。
平珩編（1995）。《舞蹈欣賞》。台北：三名書局。
慕羽（2004）。《百老匯音樂劇：美國夢和一個永恆的象徵》。台北：大地。
杜聲鋒 (1989)。《拉康結構主義精神分析學》。台北：遠流。
唐荷（2003）。《女性主義文學理論》。台北：揚智文化
李立亨（2000）。《我的看戲隨身書》。台北：天下遠見。
李立亨（2000）。《我的看舞隨身書》。台北：天下遠見。
藍凡（2002）。《芭蕾》。上海：三聯書店。
藍劍虹（1999）。《現代戲劇的追尋：新演員或是新觀眾？－布雷希特、莫雷諾比較研究》。
台北：唐山出版社。
廖金鳳編（2001）。《電影指南》。台北：遠流。
顧燕翎（2000）。《女性主義理論與流派》。台北：女書。焦雄屏（1993）。《歌舞電影縱橫談》。台北：遠流。
邱瑗（1997）。《歌舞線上》。台北：燿文。
張靜二（1999）。《西洋戲劇與戲劇家》。台北：翰盧。
陳煒智、陳芸芸（2006）。《黃金年華舊歡如夢：音樂史記第一部－歌舞劇場的絕代巨擘
1900－1960》。台北：音樂時代文化。
陳煒智、陳芸芸（2006）。《革新歲月錦繡前程：音樂史記第二部－歌舞劇場的絕代巨擘
1960－》台北：音樂時代文化。
伍曼麗編（1999）。《舞蹈欣賞》。台北：五南。
王國芳、郭本禹（1997）。《拉岡》。台北：生智文化。
溫明麗、洪萬生、梁一萍、潘慧玲、洪久賢、鄔佩麗等（2003）。《性別議題導論》。台
北：高等教育。
學位論文：
馮靖評（2003）。《優美之代價－論規訓下女芭蕾舞者的性別化程式》。南華大學
美學與藝術管理研究所，碩士論文。
論文集：
倪淑蘭（2004）。＜身體政策：論碧那包許舞蹈劇場之社會姿態＞。《表演藝術國
際學術研討會論文集》，朱俐主編，頁114－124。台北：國立台灣藝術大學。
翻譯著作：
米勒亞格尼斯（1969）。《芭蕾舞劇欣賞》，何恭上譯。台北：大江。
米勒亞格尼斯（1970）。《英國皇家芭蕾舞團》，何恭上譯。台北：大江。
R. W. 科內爾 (R. W. Connell)(2004)。《性╱別》（Gender），劉泗翰譯。台北：書林。
肯尼斯．克拉特鮑 (Kenneth Clatterbaugh) (2003)。《男性氣慨的當代觀點》(Contemporary Perspectives on Masculinity)，劉建台、林宗德譯。台北：女書文化。
尼可拉斯•羅得史特姆 (Niklas Radstrom)(2002)。《瑞典查甫人：八個瑞典男人談平等、
男性氣質與親情》(Men on men: Eight Swedish men’s personal view on equality,
masculinity and parenthood)，朱恩伶譯。台北：女書文化。
格蕾．格林 (Gayle Greene)、考比里亞．庫恩 (Coppelia Kahn) (1995)。《女性主義文學批
評》(Making a Difference: Feminist Literary Criticism)，陳引馳譯。板橋：駱駝。
約翰•阿卻爾(John Archer)、芭芭拉•洛伊德(Barbra Lloyd)(2002)。《性與性別》(Sex &;
Gender)，簡皓瑜譯。台北：巨流圖書。
外文專書：
Ashton, Geoffrey (1985). Petrushka. UK: Aurum Press Ltd.
Aston, Elaine (1995). An introduction to feminism and theatre. UK: Routledge.
Au, Susan (2002) Ballet and Modern Dance. London: Thames &; Husdon Ltd.
Banes, Sally (1998). Dancing Women: Female Bodies on Stage. London: Routledge.
Bourne, Matthew and Macaulay, Alastair (1999). Matthew Bourne and his Adventure in
Motion Pictures. US: Faber and Faber Inc.
Brecht, Bertolt (1964). Brecht on Theatre. John Willett (Tran. and Ed.) New York: Hill and
Wang.
Brockett, Oscar G. and Ball, Robert J (2000). The Essential Theatre. USA: Wadsworth Group/
Thomas Learning.
Brockett, Oscar G. and Hildy, Franklin J. (2003). History of the Theatre. USA: Ally &; Bacon.
Buckle, Richard (1982). In the Wake of Diaghilev. New York: Holt, Rinehart and Winston.
Burt, Ramsay (1995). The Male Dancer：Bodies, Spectacle and Sexuality. London: Routledge.
Burt, Ramsay (1998). Nijinsky: modernism and heterodox representations of masculinity.
The Routlege Dance Studies Reader. London and New York: Routledge.
Butler, Judith. (1990). Gender Trouble: Feminism and Subversion of Identity. New York &;
London: Routledge.
Carlson, Marvin (1996). Performance: A Critical Introduction. London and New York:
Routlege.
Desmond, Jane C. (1998). Embodying difference: issues in dance and cultural studies. The
Routledge Dance Reader. London and New York: Routledge.
Desmond, Jane C. (1999). Feminist inquiry and dance research. Researching Dance:
Evolving Modes of Inquiry. Horton Fraleigh and Penelope Hanstein (ed.) USA:
University of Pittsburgh Press.s
Dolan, Jill (1991). The Female Spectator as Critic. USA: University of Michigan Press.
Duroke, Bernard (ed.) (1974). Dramatic Theory and Criticism. New York: Holt, Rinehart and
Winston, Inc.
Eddershaw, Margaret (1996). Performing Brecht. NY: Routledge.
Esslin, Martin (1985). Brecht. New York: Methuen
Franchi, Christina (2004). Frederick Ashton. UK: the Royal Opera House and Oberon Books
Ltd.
Freud, Sigmund. (1962). Three Essays on the Theory of Sexuality. Strachey, James (Trans.).
New York: Basic Books, Inc.
Gassner, John and Quinn, Edward (ed.) (2002). The Reader’s Encyclopedia of World Drama.
USA: Dover Publications
Harris, Thomas J. (1989). Children’s Live-Action Musical Film. USA: McFarland.
Johnstone, Albert A. (1984). Language and non-language of dance. Illuminating Dance:
Philosophical Explorations. USA: Associated University Press, Inc.
Jordan, Stephanie, &; Thomas, Helen (1998). Dance and Gender: Formalism and Semiotics
Reconsidered. The Routledge Dance Reader. Alexander Carter. ed. London: Routledge.
Klein, Dennis A. (1993). Peter Shaffer. New York: Twayne Publisher.
Kraus, Richard and Chapman, Sarah (1981). History of the Dance in Art and Education.
USA: Prentice-Hall, Inc.
Kurtti, Jeff (1996). The Great Movie Musical Trivia Book. NY: Applause Boks.
Lieven, Prince Peter (1973). The Birth of the Ballet-Russes. USA: Dover Publications, Inc.
Mitter, Shomit. (2005) Bertolt Brecht. Fifty Key Theatre Directors, NY: Routledge.
Michell, Juliet and Rose Jacqueline. (eds.). (1985). Feminine Sexuality. USA: W. W. Norton
and Pantheon Books.
Macauley, Alastair (2004). Matthew Bourne, dance history and Swan Lake. Rethinking
Dance History, 157-169, London and New York: Routledge.
Meyer, Baron Adolf de, Dunning, Jennifer, Buckle, Richard, and Guest, Ann Hutchinson
(1993). L'apr&;egrave;s-midi d'un Faune. New York: Horizon
Nectoux, Jean-Michel (ed.). (1990). Nijinsky Prelude L'apr&;egrave;s-midi d'un Faune. London:
Thames and Guest.
Novack, Cynthia J. (1993). Ballet, gender and cultural power. Dance Gender and Culture.
UK: Macmillan Press.
Nugent, Ann (1985). Swan Lake. UK: Aurum Press Ltd.
Parker, Derek (1988). Nijinsky: God of the Dance. UK: Equation.
Philp, Richard and Whitney, Mary (1977). Danseur the Male in Ballet. USA: McGraw-Hill
Book Company.
Polhemus, Ted (1993). Dance, gender and culture. Dance, Gender and Culture. London:
Macmillan Press LTD.
Reynolds, Nancy and Reimer-Torn, Susan (1991). Dance Classics. USA: A Cappella Books.
Rimmer, Valerie (1993). The anxiety of dance performance. Dance, Gender and Culture,
London: Macmillan Press LTD.
Robinson, Hilary (ed). (2001). Feminism-Art-Theory, USA: Blackwell Publisher.
Roebuck, Chris. (2004). “Queering” the king: a remedial approach to reading masculinity
in dance. Rethinking Dance History, 46-58. London and New York: Routledge.
Rowell, Bonnie (2000). Dance Umbrella: the First Twenty-One Years. UK: H. Charlesworth
and Co. Ltd. Huddersfield.
Shaffer, Peter. (1974). Equus. London: Penguin Books.
Sklar, Deidre (2001). Five premises for a culturally sensitive approach to dance. Moving
History / Dancing Culture, USA: Wesleyan University Press.
外文期刊：
Diamond, Elin. (1998). Brechtian theory / feminism theory. TDR, 32, 82-94.
Drumond, Kent G. (2003). The queering of Swan Lake: a new male gaze for the
performance of sexuality. Journal of Homosexuality, 45, 235-255.
Juhasz, Suzanne. (2008). Queer swans: those fabulous avians in the Swan Lakes of Les
Ballets Trockadero and Matthew Bourne. Dance Chronicle, 31, 54-83.
報章雜誌評論：
Atwood, Robert. (1999). Matthew Bourne’s “Swan Lake.” Attitude: The Dancer’s Magazine,
13, 11-13.
Finkle, David. (1998). Re: Bourne: British choreographer brings boy birds to Broadway.
The Villiage Voice, 43, 39.
Finkle, David. (1998). Nasty boys. The Village Voice, 43, 162.
Lampert-Greaux, Ellen. (1998). Reinvented classics. TCI, 32, 44.
Wolf, Matt. (1997). Matthew Bourne: a bow for bravado. American Theatre, 14, 33.
影像資料：
《七對佳偶》，台北：長影國際多媒體股份有限公司。
Ardolino, Emile (1998). Nureyev and the Joffrey Ballet in Tribute to Nijinsky [VHS] . USA: Nonesuch.
Bourne, Matthew (1996). Swan Lake [DVD]. UK: BBC
Bourne, Matthew (2003). Nutcracker [DVD]. UK: Screen Stage Ltd.
Donen, Stanly and Kelly, Gene (1952) Singing in the Rain [DVD]. USA: Warner
Haley Jr., Jack (1985) That’s Dancing [DVD]. USA: MGM.
Petipa, Marius, Ivanov, Lev and Wright, Peter. Swan Lake [DVD]. UK: BBC Worldwide Ltd.
網路評論：
Brown, Ismene. (May 10, 2008) Magical dancing swans set the West End aflutter.
The Daily Telegraph. http://www.swanlaketour.com/reviews/review11.pdf [1996]
Craine, Debra. (May 10, 2008). Swan Lake. The Times.
http://www.swanlaketour.com/reviews/review17.pdf [Dec. 9th, 2004]
Hchenadel, Kristin. (May 2nd, 2008) Guys and swans—L.A. Times Interview
http://www.dance90210.com/swaninter.html [April 20, 1997]
Isherwood, Charles (May 10, 2008). Swan Lake. Variety.
http://www.swanlaketour.com/reviews/review05.pdf [Oct. 12th, 1998]
Mackrell, Judith. (May 10, 2008). Who dares swims. The Guardian.
http://www.swanlaketour.com/reviews/review09.pdf [Sep. 14, 1996]
Oxman, Steven. (May 10, 2008). Matthew Bourne’s Swan Lake. Vaiety.
http://www.swanlaketour.com/reviews/review02.pdf. [Mar. 10, 2006]
Parry, Jann. (May 10, 2008). The swan that I want. The Observer.
http://www.swanlaketour.com/reviews/review15.pdf [Oct. 12th, 2004]
Roberts, David. (2008, May 10) “Swan Lake” by Matthew Bourne, music by Peter Ilyich Tchaikovsky at the Neil Simon Theatre. Theatre Review
http://www.theatrereviews.com/pastreviews/swanlake.html
Sacks, Anne. (May 10, 2008) The birdmen have landed. Evening Standard.
http://www.swanlaketour.com/reviews/review03.pdf. [Feb. 8th, 2000]
Winn, Steven. (May 10, 2008) Matthew Bourne’s “Swan Lake” hatches a new vision of the
ballet that was just waiting to take flight. San Francisco Chronicle.
http://www.swanlaketour.com/reviews/review01.pdf. [Mar. 24, 2006]
參考網站：
馬修．柏恩《天鵝湖》網站。http://www.swanlaketour.com/（2008年5月2日）
馬修．柏恩《胡桃鉗》網站。http://www.matthewbournesnutcracker.com/（2008年10月
10日）
「新冒險舞團」網站。http://www.new-adventures.net/index.php（2008年5月2日）
李其昌。布雷希特史詩劇場的社會理念http://ed.arte.gov.tw/uploadfile/Periodical/728_140_8085.pdf（2008年5月2日）