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研究生:林蘭君
研究生(外文):Lan-chun Lin
論文名稱:屠利納《三首安達魯西亞舞曲》之作品研究與詮釋/林蘭君鋼琴獨奏會
論文名稱(外文):Study of Trois Danses Andaluses op. 8 by Joaquin Turina/ Lan-chun Lin Piano Recital
指導教授:叢培娣
指導教授(外文):Ingrid Tsung
學位類別:碩士
校院名稱:東吳大學
系所名稱:音樂學系
學門:藝術學門
學類:音樂學類
論文種類:學術論文
論文出版年:2006
畢業學年度:97
語文別:中文
論文頁數:77
中文關鍵詞:三首安達魯西亞舞曲佩特內拉舞曲探戈舞曲察帕泰阿多舞曲佛拉明哥佛里吉安調式西班牙作曲家屠利納
外文關鍵詞:Trois Danses AndalusesPeteneraTangoZapateadoFlamencoPhrygian modeSpanish composerJ. Turina
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  • 收藏至我的研究室書目清單書目收藏:4
出生於西班牙南部安達魯西亞地區的屠利納,為二十世紀初期西班牙著名的作曲家之一,他擁有多達五十組的鋼琴音樂作品,創作出許多富西班牙色彩的性格小品及舞曲,並且慣以組曲的形式來表現。於巴黎留學期間受到同鄉阿爾貝尼士與法雅的指引,使燃起其對於國家民族音樂的重視,這組《三首安達魯西亞舞曲》(Trois Danses Andaluses op. 8) 鋼琴作品包含了三首不同的民族舞蹈節奏音樂,完成於1912年,適逢其寫作民族音樂之初期,具有開創性的意義存在,本論文將以此組作品作為研究對象。
研究範圍包括了1. 屠利納的生平與鋼琴音樂風格;2. 分析《佩特內拉》、《探戈》、《察帕泰阿多》三首舞曲的寫作風格在節奏、曲式及調性上的特色;3. 將此曲中,所運用到的演奏技巧與詮釋作探討,以期對於實際演奏此作品時,能更有效率且精確地掌握樂曲特性的精髓。
整體而言,此作品在曲式方面,屠利納並未使用複雜的變化,而是將注意力放在舞蹈節奏上;在和聲與旋律方面,融合了法蘭克、德布西兩位作曲家以及安達魯西亞等三種風格的和聲語法,展現出的特色為將屬和絃的五音升高半音、附加六音、增六和絃、和聲進行常出現平行五度、全音音響效果、佛里吉安調式等。但是以運用佛里吉安終止式為主,使全曲充滿了西班牙南部安達魯西亞的音樂特色,充份表達了民族主義作曲家的精神。筆者盼望此論文的研究能夠引起讀者們對於屠利納與西班牙音樂有更深一層的認識與喜愛,並且在演奏時,有更多實質性的幫助。

音樂會曲目:
史卡拉第:G大調奏鳴曲,作品 (K.) 一六九
C大調奏鳴曲,作品 (K.) 一三二
貝多芬:鋼琴奏鳴曲 降E大調,作品三十一之三

蕭邦:F小調幻想曲,作品四十九

屠利納:三首安達魯西亞舞曲,作品八
J. Turina, born in Andalucia of South Spain, is one of the famous Spain composers in early 20th century. With more than fifty piano works, mainly Spanish pieces and dance music works, he was accustomed to express his work in suite. Directed by fellow countryman Albeniz and Falla in his oversea study in Paris, Turina’s attention toward national folk music was enlightened. The piano work, Trois Danses Andaluses op. 8, containing three different folk dance rhythms, was finished in 1912 when the folk music was onset. Therefore, this work had special meaning of pioneering within, and the purpose of this study is to discuss the interpretations and performance of this special work.
The research fields of this thesis include:
1. The career of J. Turina and his piano work style.
2. The composition analysis of three dance music (Petenera, Tango, and Zapateado) and their distinguishing features in rhymes, musical forms, and keys.
3. The discussion of the performing technique and interpretation about this work.
By this research, the author is looking forward to correctly control the property of this work more efficiently and accurately when performing.
According to the musical form of this work, J. Turina focused on the dance rhythms rather than any complicated changes. In harmonies and melodies, he integrated three kinds of harmonic styles, including post-Franckian atmosphere, Debussy, and Andalucia. He also showed characteristics in this work, such as the frequent use of the dominant chords with the augmented dominant, the chords with the added sixth, the augmented sixth chord, the appearance of parallel fifths in the progress of harmony, the whole-tone coloring and the Phrygian mode. However, composed mainly of Phrygian cadence, this work filled with features from Andalucia of South Spain and also expressed the spirit of a nationalism composer. The author expects that this study may bring about deeper understanding of J. Turina and Spanish music to readers and more support to performers.

Program:
D. Scarlatti: Sonata in GM, K. 169
Sonata in CM, K. 132
L. v. Beethoven: Piano Sonata in E-flat Major, op. 31 Nr. 3
F. Chopin: Fantasy in f minor, op. 49

J. Turina: Trois Danses Andaluses, op.8
目 錄
第一章 前言…………………………………………………………5
第二章 屠利納的生平與鋼琴音樂風格
第一節 屠利納的生平……………………………………………10
第二節 屠利納鋼琴音樂風格與特色……………………………15
第三章 安達魯西亞音樂風格
第一節 安達魯西亞的人文地理環境……………………………24
第二節 音樂上的特徵……………………………………………27
第四章 寫作手法之探討
第一節 節奏………………………………………………………31
第二節 曲式結構…………………………………………………34
第三節 調性 (調式)與和聲…………………………………… 41
第五章 演奏詮釋之探討
第一節 力度與表情………………………………………………58
第二節 演奏上的實際問題………………………………………64
第六章 總結…………………………………………………… 72
參考書目…………………………………………………………… 75
參考書目
一、中文資料

五十嵐正 (1999)。〈Zapateado〉。《新訂標準音樂辭典》M-Z初版,音樂之友社 編,林勝儀 譯,頁2042。台北市,美樂出版社。

的場裕子 (1999)。〈Tango flamenco〉。《新訂標準音樂辭典》M-Z初版,音樂之友社 編,林勝儀 譯,頁1841。台北市,美樂出版社。

島田 耕 (1999)。〈Petenera〉。《新訂標準音樂辭典》M-Z版,音樂之友社 編,林勝儀 譯,頁1413。台北市,美樂出版社。

陳佩周 (1994)。《西班牙萬歲》。台北市:民生報社。

陳昱奾 (2002)。《葛拉納多斯作品─〈哥雅之畫第一首:情話〉之寫作手法運用》。 台北市:東吳大學音樂學系研究所,未出版之碩士論文。

�膝迡�郎 (1999)。〈Turina, Joaquin〉。《新訂標準音樂辭典》M-Z初版,音樂之友社 編,林勝儀 譯,頁1912-1913。台北市,美樂出版社。

二、西文資料

Amat, C. G. (2005). Turina, Joaqu�瀋. Grove Music Online. Retrieved July 6, 2006, from Web site: http://www.grovemusic.com

Bergerac, L. C. de (1972). The Andalusian Music Idiom. The Music Review, 33, 157-166.

Castro, D. S. (1986). Popular Culture as A Source for The Historians The Tango in Its Epoca de Oro, 1917-1943. Journal of Popular Culture, 20, 45-71.

Chase, G. (1939). Oscar Espl��. Monthly Musical Record, 69, 199.

Chase, G. (1940). Falla’s Music for Piano Solo. The Chesterian, 21, 43.

Chase, G. (1959). The Music of Spain. New York: W. W. Norton.

Cunningham, M. (2001). Spain. The New Grove Dictionary of Music and Musicians (Vol. 24, pp. 114-152). London: Macmillan Publishers Limited.

Devoto, D. (1973). Music in the Modern Age (pp. 316-317). New York: Praeger Publishers.

Ewen, D. (1969). Composers since 1900 (pp. 596-598). New York: H. W. Wilson.

Katz, I. J. (2005). Flamenco. Grove Music Online. Retrieved November 28, 2005, from Web site: http://www.grovemusic.com

Kirby, F. E. (1995). Music for Piano : A Short History. Pompton Plains: Amadeus Press.

Mayer-Serra, O. (1943). Falla’s Musical Nationalism. The Music Quarterly, 29(1), 1-17.

Newman, E. (1917). The Granados of the Goyescas. The Musical Times, 58, 343-347.

Newman, W. S. (1969). The Sonata Since Beethoven. Chapel Hill: The University of North Carolina Press.

Paine, R. (1989). Hispanic Traditions in Twentieth-Century Catalan Music. New York: Garland Publishing, Inc.

Powell, L. E. (1974). The Piano Music of Joaquin Turina. Ph. D. dissertation, University of North Carolina.

Powell, L. E. (1975-1976). Guitar Effects in Spanish Piano Music. Piano Quarterly, 24, 40-43.

Powell, L. E. (1976). The Influence of Dance Rhythms on the Piano Music of Joaquin Turina. Music Review, 37, 143-151.

Salazar, A. (1930). La M�礬ica Contempor�鴨ea en Espa�狒 (p. 207). Madrid: Ediciones La Nave.

Salmon, R. O. (1977). The Tango: Its Origins and Meaning. Journal of Popular Culture, 10, 859-866.

Sope�狒, F. (1956). Joaquin Turina (p. 43). Madrid: Editora Nacional.

Starkie, W. (1958). Spain: A Musician’s Journey through Time and Space. Geneva: Edisli
Turina, J. (1917). Enciclopedia Abreviada de Musica (p. 263). Madrid: Renacimiento.

Turina, J. (1926). Music in Spain. The Chesterian, 8, 94-95.

WiKipedia (2001). Andalusia. Wikipedia. Retrieved October 28, 2005, from Web site: http://en.wikipedia.org/wiki/Andalusia

三、樂譜資料
Turina, J. (1991). Joaquin Turina Piano Solo. Paris: Salabert.

四、有聲資料
Mas��, J. (2004). Turina: Danzas Fant�龍ticas [CD]. Naxos, 8.557150.
Buechner, S. D. (1990). Turina: Mujeres Espa�瓨las [CD]. Koch, 3-7590-2.
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