外文書目
Antokoletz, Elliott. Béla Bartók: A Guide to Research. New York: Garland Pub., 1997.
----------------------. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. California: University of California Press, 1984.
Bayley, Amanda. The Cambridge Companion to Bartók. New York: Cambridge University Press, 2001.
Burge, David. Twentieth-Century Piano Music. New York: Maxwell Macmillan International, 1990.
Cooper, David. Bartók, Concerto for Orchestra. New York: Cambridge University Press, 1996.
Crow, Todd. Bartók Studies. Detroit: Information Coordinators, 1976.
Dahlhaus, Carl. Nineteenth -Century Music. Berkeley: University of California Press, 1989.
Gillies, Malcolm. Bartók Remembered. London: Norton, 1990.
Gillies, Malcolm. The Bartók Companion. Portland, OR: Amadeus Press, 1994.
Gordon, Stewart. A History of Keyboard Literature. London: Prentice Hall International, c1996.
Harley, Maria Anna. “"Natura naturans, natura naturata" and Bartók''s Nature Music Idiom.” Studia Musicologica Academiae Scientiarum Hungaricae, T. 36 Fasc. 4/3 (July, 1995): 329-349.
Horn, Herbert Alvin. Idiomatic Writing of the Piano Music of Béla Bartók. Los Angeles, Calif.: University of Southern California, 1963.
Kárpáti, János. Bartók’s Chamber Music. Stuyvesant, N.Y.: Pendragon Press,c1994.
Kirby, F. E. Music for the Piano. Portland,OR: Amadeus Press, 1995.
Laki, Peter. Bartók and His World. New Jersey: Priceton University Press, 1995.
Leeuw, Ton de. Music of the Twentieth Century: A Study of its Elements and Structure. Amsterdam: Amsterdam University Press, c2005.
Moevs, Robert. “ George Crumb: Music for a Summer Evening (Makrokosmos III). For Two Amplified Pianos and Percussion.” The Musical Quarterly, Vol. 62, No. 2 (Apr., 1976): 293-302.
Morgan, Robert P. Twentieth-Century Music: A History of Musical Style in Modern Europe and America. New York: Norton, c1991.
Schneider, David E. Bartók, Hungary, and the Renewal of Tradition : Case Studies in the Intersection of Modernity and Nationality. Berkeley: Univesity of California Press, c2006.
Simons, Haley Ann, “Béla Bartók’s Sonata for Two Pianos and Percussion.” D.M., University of Alberta (Canada), 2000.
Stevens, Halsey. The Life and Music of Béla Bartók. New York: Oxford University Press, 1993.
Somfai, László. Béla Bartók: Composition, Concepts, and Autograph Sources. Berkeley: University of California Press, 1996.
Somfai, László. “Analytical Notes on Bartók’s Piano Year of 1926.” Studia Musicologica Academiae Scientiarum Hungaricae, T. 26, Fasc. 1/4(July, 1984): 5-58.
Suchoff, Benjamin. Béla Bartók Essays. Lincoln: University of Nebraska Press, 1992, c1976.
----------------------. Bartók, Concerto for Orchestra: Understanding Bartók''s World. New York: Schirmer Books, c1995.
Temperley, Nicholas. “John Field and the First Nocturne.” Music and Letter, Vol. 56, No.3/4 (Oct., 1975): 335-340.
The New Grove Dictionary of Music and Musicians, s.v.“Bartók, Béla”by Malcolm Gillies.
The New Grove Dictionary of Music and Musicians, s.v.“Hungary”by Bálint Sárosi.
The New Grove Dictionary of Music and Musicians, s.v.“Nocturne”by Maurice J.E. Brown/ Kenneth L. Hamilton.
Wilson, Paul. The Music of Béla Bartók. London: Yale University Press, 1992.
Weissmann, John. “ Bartók''s Piano Music.” Tempo, New Series, No. 14(Winter1949-1950): 8-19.
Yeomans, David. Bartók for Piano. Bloomington: Indiana University Press, 2000.
中文書目
哈密許˙麥恩(Hamish Milne)著,林靜枝譯。 《巴爾托克》。 台北:智庫文化出版,1996。
史蒂芬˙華許(Stephen Walsh)著,鄭朔譯。 《巴爾托克室內樂》。台北:世界文物出版,1996。
吳雅婷。 《淺談巴爾托克對二十世紀鋼琴音樂的貢獻》。 台南女子技術學院學報17。趙映蘋。 《巴爾托克鋼琴曲在戶外之研究》。 碩士論文,台北市立師範大學,2003。錫特龍著,李哲洋譯。 《巴托克》。 台北:全音樂譜出版社,1971。