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With natural and colorful Impressionism design, construct, and process, I attempt to present Yunlin''s beauty of humanity in my works. Based on practices and theories, through the linear and color, I tried to carry out many touching works to convey my thoughts and inspirations of the nature in the two-year research and creation. I understands that creation is an hardship. However, in my belief, God gives everyone talent to make life meaningful. I hope my works will promote art activities in Yunlin, and portray her scenes in another way, further sharing her beauty with the public.
Compared with other counties, Yunlin seems to be late developed and less urbanized. However, she preserves the original nature and precious agricultural features in Taiwan. Recently, my friends living in Taipei tell me that they adore Yunlin''s beauty. In Yunlin, straw''s fragrance makes them relaxed, the air breathed so fresh, life in farmhouse is leisure, and the locales are always warmhearted. This is Yunlin, a distinct county.
Yunlin county is regarded as the agricultural capital in Taiwan, offering people a great opportunity to appreciate her valuable cultural properties, marvelous landscapes, bountiful produces, and multiple humanities.
This study aimed to address that creations are inspired by emotions rather than concepts. Further, base on this, the research investigated how does nature and immanence interact with each other in creations. In literature reviews, by examining the inspiration of Taoism aesthetic and the creation of Impressionism, I intended to discuss the oriental and the occidental perspectives on art. This study included concepts and practices applied to the works. It examined concepts and emotions developed through the perspectives. On the other hand, contents, styles, and skills adopted in the practices were explored in the study. The analyses described the application of topics, styles, and techniques in the works. In sum, the study reviewed my creation experience and offered implications for future works.
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