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研究生:蔡雅蒨
研究生(外文):Ya-chien Tsai
論文名稱:流轉的自我意識:以麥可康寧漢《時時刻刻》與大衛海爾《時時刻刻》電影劇本為例
論文名稱(外文):Flowing Identity in Michael Cunningham's Novel and David Hare's Screenplay The Hours
指導教授:柯瑋妮柯瑋妮引用關係
指導教授(外文):Whitney C. Dilley
學位類別:碩士
校院名稱:世新大學
系所名稱:英語學研究所(含碩專班)
學門:人文學門
學類:外國語文學類
論文種類:學術論文
論文出版年:2012
畢業學年度:100
語文別:英文
論文頁數:88
中文關鍵詞:時時刻刻戴洛維夫人德勒茲生成/演化自我意識
外文關鍵詞:The HoursMrs. DallowayGilles Deleuzebecomingidentity
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由一九九八年麥可‧康寧漢的小說著作《時時刻刻》、二零零二年史蒂芬‧戴爾卓的改編電影作品《時時刻刻》與大衛‧海爾的電影劇本探討,可發現此三作品旨在刻畫作品中人物的生與死和對人生未來嚮往所延伸出多樣的自我意識的生成/演化過程。本論文從作品人物的遭遇出發,穿越單一的時空背景與記憶,試從吉爾.德勒茲的後現代人文哲學與性別研究的觀點闡述三位女主角搖擺在過去經驗與現在當下的自我意識。根據《時時刻刻》的情節片段,維吉尼亞‧吳爾芙於一九二五年的作品《戴洛維夫人》串連了三位女主角不同的故事發展。吳爾芙流動的意識與她的小說《戴洛維夫人》創作思想形塑了《時時刻刻》與康寧漢筆下吳爾芙夫人在內三位女主角的故事發展,同時也啟發三位女主角對於人生不同面向發展的生命創造力。在吳爾芙與文學的意識流影響之下,文本裡三位女人經歷了忠於自己無拘束、最原始慾望的生成/演化(becoming)過程。德勒茲生成/演化的哲學論域也呼應各個主要角色躊躇在生命與死亡的抉擇,透過生命的流變,三位女士重生且重新定義自己的人生價值。延伸探討的則是生命流變裡生成女人(becoming-woman)的自我性別認同角色,懸滯於同性戀與異性戀的中間狀態。雖然文本裡主角們存在在一成不變的生活模式當中,但是從德勒茲的時間與記憶的超越性概念,讀者將會看到三位女主角的自我覺醒以及對人生未來的期待與創造性。
The context of Michael Cunningham's The Hours (1998), Stephen Daldry's film adaption The Hours (2002) and its screenplay by David Hare illustrate the characters'contemplation on life and death within a condition of becoming toward future. The aim of this thesis is to traverse one's time and memory in the Deleuzian sense and to elaborate the theme of three women's fluid identity which is vacillating between the past and the present using Gillies Deleuze's post-structuralist approach in the realm of philosophical and postmodern thought,involving with ideas from feminist studies.
Haunted by Virginia Woolf's novel Mrs. Dalloway (1925), three female characters in The Hours are loosely connected to each other in different time and space. Starting from Virginia Woolf's wandering thinking toward her life and her novel, the fixed image of Mrs. Dalloway and Woolf's nomadic thought gradually provides multiple life potentiality within three women's lives. Under a strong feeling of displacement, three women desperately want to free themselves from gloomy daily life. Owing to the flux of fluid self, they struggle between life and death, freewill and responsibility, fragmentary memory and recollection infusing with emotion. Through this dynamic flow of consciousness, three women in The Hours revive and redefine themselves out of the unbounded desire and nature within a process of becoming.
As a consequence, the dynamics of becoming induces a renewed sense in three women's ordinary life. The application of Deleuze's notion of becoming would correspond to main characters’variable decision of choosing life or death. Furthermore, Deleuze's insistence on becoming-woman is possible for solving the complex problem of character's flowing condition of gender identity between heterosexuality and homosexuality. Besides, encompassing Deleuze's theoretical concept of memory and time as a background, we would perceive that a creative sense of everyday life lies in the resurrection of the three involuntary hostesses.
Acknowledgements…………………………………………………………………ii
Abstract in Chinese……………………………………………………………iv
Abstract in English……………………………………………………………v
Introduction………………………………………………………………………1
Chapter One: A Single Day Extends into Eternity………………………22
I. The Transcendental Love and Youth………………………………23
II. The Everlasting Trauma ……………………………………………28
III. The Beginning of Plunging into Mrs. Dalloway's World
…………………………………………………………………………31
Chapter Two: The Surfacing of A Second Self……………………………39
I. The Identity of Returning to A Girl……………………………40
II. The Identity of Androgynous Housewives………………………48
Chapter Three: The Metamorphosis of Mrs. Dalloway……………………54
I. The Personification and Anti-personification of Mrs. Dalloway
…………………………………………………………………………………55
II. The Transsexual Identity of A Modern Mrs. Dalloway
…………………………………………………………………………………62
Conclusion…………………………………………………………………………70
Works Cited…………………………………………………………………………79
Primary Sources
Cunningham, Michael. The Hours. London, New York, Toronto and Sydney: Harper Perennial, 2006. Print.
Hare, David. The Hours: A Screenplay. New York: Miramax Books, 2002. Print.
The Hours. Screenplay by David Hare. Dir. Stephen Daldry. Perf. Meryl Streep. Julianne Moore, and Nicole Kidman. Miramax International and Paramax Pictures, 2002. Film.

Secondary Sources
Braidotti, Rosi. Metamorphoses: Towards A Materialist Theory of Becoming. Cambridge: Polity Press, 2002. Print.
---. “Nomadism with Difference: Deleuze's Legacy in a Feminist Perspective.” Man and World 29: (1996): 305-14. Print.
Brower, Reuben. “Something Central Which Permeated: “Mrs. Dalloway.” Modern Critical View: Virginia Woolf. ed. Harold Bloom. New York and Philadelphia: Chelsea House Publishers, 1986. Print.
Buchanan, Ian, and Claire Colebrook, eds. Deleuze and Feminist Theory. Edinburgh: Edinburgh University Press, 2000. 1-18. Print.
Colebrook, Claire. Gilles Deleuze. London and New York: Routledge, 2002. Print.
Deleuze, Gilles. Bergsonism. Trans. Hugh Tomlinson and Barbara Habberiam. New York: Zone Books, 1997. Print.
---, Difference and Repetition. Trans. Paul Patton. London:The Athlone Press, 1994. Print.
Deleuze, Gilles, and Guattari F?翼ix. A Thousand Plateaus:Capitalism and Schizophrenia.Trans. Brian Massumi. Minneapolis and London: U of Minnesota P, 1987. Print.
---, Anti-Oedipus: Capitalism and Schizophrenia. Trans. Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis: U of Minnesota P, 1983. Print.
Driscoll, Catherine. “The Woman in process: Deleuze, Kristeva, and Feminism.” Deleuze and Feminist Theory. Eds. Buchanan Ian and Claire Colebrook. Edinburgh: Edinburgh UP, 2000. 64-85. Print.
Grosz, Elizabeth, ed. Becomings. Ithaca and London: Cornell UP, 1999. Print.
Hughes, Mary Joe. “Michael Cunningham’s The Hours and Postmodern Artistic Re-presentation.” Critique 45.4 (2004): 349-61. Print.
LeBlanc, Michael. “Melancholic Arrangements: Music, Queer Melodrama, and the Seeds of Transformation in The Hours.” Camera Obscura 21.1 (2006): 105-45. Print.
Leavenworth, Maria Lindgren. “‘A Life as Potent and Dangerous as Literature Itself’: Intermediated from Mrs. Dalloway to The Hours.” The Journal of Popular Culture 43.3 (2010):503-23. Print.
Lorraine, Tamsin. Irigaray and Deleuze: Experiments in Visceral Philosophy. Ithaca and London: Cornell UP. 1999, Print.
Olkowski, Dorothea. “Flows of Desire And The Body-Becoming.” Becomings: Explorations in Time, Memory and Futures. Ed. Elizabeth Grosz. Ithaca and London: Cornell UP, 1999. 98-116. Print.
Pearson, Keith Ansell. Philosophy And The Advanture of The Virtual: Bergson And The Time of Life. London and New York: Routledge,2002. Print.
Schiff, James. “Rewriting Woolf's Mrs. Dalloway: Homage, Sexual Identity, and the Single-Day Novel by Cunningham, Lippincott, and Lanchester.”
Critique 45.4 (2004): 363-82. Print.
Woolf, Virginia. Mrs. Dalloway. Ed. David Bradshaw. New York: Oxford UP, 2000. Print.
---, A Room of One's Own. Orlando: Harcourt, 1981. Print.
Yen, Hua-Chu. The Practice of Cinematic in Everyday Life: Moving Image, Time and the Journey to the Unknown. Diss. Columbia U. 2009. Ann Arbor: UMI, 2010. Print.
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