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Primary Sources Cunningham, Michael. The Hours. London, New York, Toronto and Sydney: Harper Perennial, 2006. Print. Hare, David. The Hours: A Screenplay. New York: Miramax Books, 2002. Print. The Hours. Screenplay by David Hare. Dir. Stephen Daldry. Perf. Meryl Streep. Julianne Moore, and Nicole Kidman. Miramax International and Paramax Pictures, 2002. Film.
Secondary Sources Braidotti, Rosi. Metamorphoses: Towards A Materialist Theory of Becoming. Cambridge: Polity Press, 2002. Print. ---. “Nomadism with Difference: Deleuze's Legacy in a Feminist Perspective.” Man and World 29: (1996): 305-14. Print. Brower, Reuben. “Something Central Which Permeated: “Mrs. Dalloway.” Modern Critical View: Virginia Woolf. ed. Harold Bloom. New York and Philadelphia: Chelsea House Publishers, 1986. Print. Buchanan, Ian, and Claire Colebrook, eds. Deleuze and Feminist Theory. Edinburgh: Edinburgh University Press, 2000. 1-18. Print. Colebrook, Claire. Gilles Deleuze. London and New York: Routledge, 2002. Print. Deleuze, Gilles. Bergsonism. Trans. Hugh Tomlinson and Barbara Habberiam. New York: Zone Books, 1997. Print. ---, Difference and Repetition. Trans. Paul Patton. London:The Athlone Press, 1994. Print. Deleuze, Gilles, and Guattari F?翼ix. A Thousand Plateaus:Capitalism and Schizophrenia.Trans. Brian Massumi. Minneapolis and London: U of Minnesota P, 1987. Print. ---, Anti-Oedipus: Capitalism and Schizophrenia. Trans. Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis: U of Minnesota P, 1983. Print. Driscoll, Catherine. “The Woman in process: Deleuze, Kristeva, and Feminism.” Deleuze and Feminist Theory. Eds. Buchanan Ian and Claire Colebrook. Edinburgh: Edinburgh UP, 2000. 64-85. Print. Grosz, Elizabeth, ed. Becomings. Ithaca and London: Cornell UP, 1999. Print. Hughes, Mary Joe. “Michael Cunningham’s The Hours and Postmodern Artistic Re-presentation.” Critique 45.4 (2004): 349-61. Print. LeBlanc, Michael. “Melancholic Arrangements: Music, Queer Melodrama, and the Seeds of Transformation in The Hours.” Camera Obscura 21.1 (2006): 105-45. Print. Leavenworth, Maria Lindgren. “‘A Life as Potent and Dangerous as Literature Itself’: Intermediated from Mrs. Dalloway to The Hours.” The Journal of Popular Culture 43.3 (2010):503-23. Print. Lorraine, Tamsin. Irigaray and Deleuze: Experiments in Visceral Philosophy. Ithaca and London: Cornell UP. 1999, Print. Olkowski, Dorothea. “Flows of Desire And The Body-Becoming.” Becomings: Explorations in Time, Memory and Futures. Ed. Elizabeth Grosz. Ithaca and London: Cornell UP, 1999. 98-116. Print. Pearson, Keith Ansell. Philosophy And The Advanture of The Virtual: Bergson And The Time of Life. London and New York: Routledge,2002. Print. Schiff, James. “Rewriting Woolf's Mrs. Dalloway: Homage, Sexual Identity, and the Single-Day Novel by Cunningham, Lippincott, and Lanchester.” Critique 45.4 (2004): 363-82. Print. Woolf, Virginia. Mrs. Dalloway. Ed. David Bradshaw. New York: Oxford UP, 2000. Print. ---, A Room of One's Own. Orlando: Harcourt, 1981. Print. Yen, Hua-Chu. The Practice of Cinematic in Everyday Life: Moving Image, Time and the Journey to the Unknown. Diss. Columbia U. 2009. Ann Arbor: UMI, 2010. Print.
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