中文書籍:
王慧華(清瀅),2003,迪士尼新浪潮卡通電影中兩性角色的呈現,《語言與文化》,戴維揚、梁耀南主編,台北:文鶴出版公司,頁189-206。
呂秀蓮,2008,《新女性主義》,台北:聯合文學出版社有限公司。
余為政,1997,《動畫電影的探索》,台北:遠流出版事業股份有限公司。
李淑珺譯,Sheldon Cashdan著,2001,《巫婆一定得死》,台北:張老師文化事業股份有限公司。
林文淇,1997,《電影的社會實踐》,台北:遠流出版事業股份有限公司。
林立樹,2005,《美國文化史-民主與平等》,台北:五南圖書出版股份有限公司。
林佑聖、葉欣怡譯,Janet Wasko著,2001,《認識迪士尼》,台北市:弘智文化。
林苑文譯,Key, Ellen Karolina Sofier著,1969,《婦女運動》,台北:台灣商務印書館。
林麗珊,2007,《女性主義與兩性關係》,台北:五南圖書出版股份有限公司。
洪如玉,2006,《人權教育的理論與實踐》,台北:五南圖書出版股份有限公司。
張子樟譯,Jack Zipes著,2006,《童話.兒童.文化產業》,台北:台灣東方出版社股份有限公司。
張明貴譯,Larry Elowitz著,1995,《美國政府與政治》,台北:桂冠圖書股份有限公司。
張南星譯,Audree Michel著,1989,《女權主義》,台北:遠流出版事業公司。
張錦華、劉容玟譯,Liesbet van Zoonen著,2001,《女性主義媒介研究》,台北:遠流出版事業公司。
程予誠,2008,《電影敘事影像美學:剪接理論與實證》,五南圖書出版股份有限公司。
鄭玉菁譯,Clair Wallace, Melissa Tyler, Pamela Abbott著,2008,《女性主義社會學》,台北市:巨流圖書股份有限公司。
梁庭嘉,2010,《迪士尼公主與女生的戰爭》,台北:秀威資訊科技股份有限公司。
鄭祥福,1996,《後現代政治意識》,台北:楊智文化事業股份有限公司。
顧燕翎主編,2001,《女性主義理論與流派》,台北:女書文化事業有限公司。
中文期刊論文:
呂文珊,2005,《當迪士尼公主遇上信徒慕詩–閱讀基督教、時裝、資本與媒體所建構的女性(基督徒)性別定型》,香港嶺南大學女性主義與文化研究期末論文。
呂妮霖,2008,《好萊塢後現代童話電影的敘事轉向分析》,政治大學廣播電視學系碩士論文。李映,2000,《解讀迪士尼動畫電影中的社會意涵–以1989-1999年為例》,中國文化大學新聞研究所碩士論文。李盈穎,2009,《公主徹夜未眠–論《義大利童話》中的公主》,台東大學進修部暑期兒文所碩士論文。江秋玟,1999,《美國黑人女性於60年代婦女運動扮演的角色:消極疏離與被動》,淡江大學美國研究所碩士論文。
金莉,2009,美國女權運動女性文學女權批評,美國研究,第1期,頁62-79。
邱子修,2009,西方第三波女性主義思潮概述,婦研縱橫,第90期,頁56-61。邱子修,2010(12月),台灣女性主義批評三波論,女學學誌:婦女與性別研究,第27期,頁251-273。
俞彥娟,2001(8月),從婦女史和性別史的爭議談美國婦女史的研究發展,近代中國婦女史研究,第9期,頁209-234。俞彥娟,2002(6月),女性主義者對母親角色的批判:波娃和傅瑞丹,成大西洋史集刊,第10期,頁311-337。俞彥娟,2003(9月),從母親角色爭議看第二波美國婦女運動中的種族歧視,新史學,第14卷,第3期,頁45-80。俞彥娟,2004(12月),從美國平權修正案的爭議看男女平權和母親角色,女學學誌:婦女與性別研究,第18期,頁109-154。俞彥娟,2004(12月),美國第二波婦女運動歷史研究之回顧:兼評王雅各《台灣婦女解放運動史》,女學學誌:婦女與性別研究,第18期,頁215-237。俞彥娟,2005(12月),女性主義對母親角色研究的影響:以美國婦女史為例,女學學誌:婦女與性別研究,第20期,頁1-40。俞彥娟,2008(6月),托育:美國第二波婦女運動女性主義者的理念與實踐,女學學誌:婦女與性別研究,第25期,頁1-43。
施舜翔,2010(10月),自主女子的被巫婆化與獻祭過後的再處女化:論迪士尼童話對女性醜化與壓迫,文化研究月報,第109期,頁159-167。
范博毓,2006,《從動畫事業角度探討迪士尼集團之經營模式》,台灣大學商學院研究所碩士論文。陳宜琴,2009,《性別意識、女權意識與台灣社會女性政黨支持之研究》,台北大學公共行政暨決策學系碩士論文。陳彥甄,2010,《同話故事的象徵符號及其意象之探討–以迪士尼公主系列為例》,台灣藝術大學視覺傳達設計學系碩士論文。陳伯拯,2005,《以符號學觀點分析動畫角色圖像的象徵性》,中原大學商業設計學系碩士論文。陳瀅娟,2002,《蘇珊.安東妮與美國婦女運動之研究》,淡江大學美國研究所碩士論文。張湘君,1998,童書的女性角色需要現代化,兩性平等教育季刊,第3期,頁119-122。張輝潭,1995,《台灣當代婦女運動與女性主義實踐初探:一個歷史的觀點》,清華大學社會人類學研究所碩士論文。曾奕筑,2005,《誰是「惡棍」?迪士尼反派角色形象研究–以1989年至2004年間之迪士尼動畫為例》,淡江大學大眾傳播學系碩士論文。
曾蘭芷,1983,《婦女平等權修憲提案運動之研究》,淡江大學美國研究所碩士論文。游素玲,2008,第三波美國族裔女性的個人敘述,行政院國家科學委員會專題研究計畫成果報告,(編號:NSC96-2411-H-006-019),未出版。
游素玲,2010,第三波女性主義:跨國觀點,成大研發快訊,第14卷,第6期。http://research.ncku.edu.tw/re/articles/c/20100625/1.html<2011/07/21>
葉桂伶,2006,《台灣小學生看迪士尼「花木蘭」的文化認知–一個多元文化教育的行動研究》,淡江大學美國研究所碩士論文。楊婉瑩,2008(3月),女性主義與後物質主義的關係探究–世界價值變遷的一個側面考察,問題與研究,第47卷,第1期,頁1-27。塗翔文,1999,能歌擅舞的迪士尼動畫英雄,明道文藝,第277期,頁14-18。
蔣萍,2010,尋夢之旅–公主與青蛙,電影評介,第12期,頁58-59。
劉志銘,2005,《資訊安全情境認知模式之研究》,淡江大學資訊管理學系碩士論文。鄭舒蘭,1974,《當代美國新女權運動研究》,淡江大學歐洲研究所美國研究組碩士論文。鄭語謙,2010,《從皮克斯到迪士尼–皮克斯:一個傳播政治經濟學的初探分析》,淡江大學大眾傳播學系傳播碩士論文。謝世明,2003,“父子情深”勇創票房神話–漫談《海底總動員》,電影評介,第9期,頁26-27。
謝佩芸,2004,《美國女權運動者包艾莉與第十九條憲法修正案之研究》,淡江大學美國研究所碩士論文。鍾旻家,2006,迪士尼與宮崎駿動畫作品特質與女性角色詮釋之比較,視覺藝術論壇,第一期,頁157-176。中文網站:
公主與青蛙。網址:http://disney.lovesakura.com/Text/c49.htm<2010/09/14>
迪士尼動畫王國。網址:http://disney.lovesakura.com/index.htm<2010/09/14>
華特迪士尼的輝煌與晦暗。網址:http://disney.lovesakura.com/Special/2001/011201.htm<2011/01/20>
英文書籍:
Banner, Louis W. (1974). Women in Modern America. New York: Harcourt Brace Jovanovich.
Bell, Elizabeth & Haas, Lynda & Sells, Laura. (1995). From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Indianapolis: Indiana University Press.
Brode, Douglas. (2005). Multiculturalism and the Mouse: Race and Sex in Disney Entertainment. Austin, USA: University of Texas Press.
Duckene, Francois. (1970). The Endless Crisis. New York: Simon and Schuster.
Chafe, William H. (1980). The American Women. New York: Oxford University Press.
Gillis, Stacy & Howie, Gillian & Munford ,Rebecca. (Eds). (2007). The wave feminism: A critical exploration. New York: Palgrave Macmillan.
Gutner, Barrie. (1995). Television and Gender Representation. London: John Libbey & Company Ltd.
Hole, Judith & Levine, Ellen. (1971). Rebirth of Feminism. New York: Quadrangle Books.
Hooks, Bell. (1981). Ain’t I a Woman: Black Woman and Feminist (pp.269). Boston: South End Press.
Kimmel, Michael& Aronson, Amy. (1998).Introduction to Charlotte Perkins Gilman, Women and Economics. Berkeley: University of California Press.
Leggon, Cheryl B. (1980). Black Female Professionals: Dilemmas and Contradictions of Status. In The Black Woman (pp. 189-202). Edited by La Frances Rodgers-Rose. Beverly Hills, Calif, : Sage Pubs.
Matthews, Nicole. (2000). Comic politics: Gender in Hollywood comedy after the new right. Manchester, England: Manchester University Press.
Miller Nancy K. (1991). Going Personal: Feminist Occasions and Other Autobiographical Acts. New York: Rutledge.
O’Neill, William L. (1969). Everyone Was Brave: The Rise and Fall of Feminism in America. Chicago: Quadrangle Books.
Real, Michael R. (1977). The Disney Universe: Morality Play. In Mass-Mediated Culture. Englewood Cliffs: Prentice-Hall.
Rosalyn Terborg-Penn. (1981). Discrimination Against Afro-American Women in the Woman’s Movement, 1830-1920. In The Black Woman Cross-Culturally (pp. 301-314). Edited by Filomina Chioma Steady. Cambrdge, Mass, : Schenkman Publishing Co.
Stanton, Elizabeth C. (1992). Eighty Tears and More. New York: Northeastern University Press.
Stone, Pauline T. (1979). Feminist Consciousness and Black Women. In Women: A Feminist Perspective (pp. 575-588). 2nd ed. Edited by Jo Freeman. Palo Alto, Calif. : Mayfield Publishing Co.
Thompson, Mary L. (1971). Voices of the New Feminism. Boston: Beacon Press.
Thomas, Bob. (1997). Disney''s Art of Animation: From Mickey Mouse To Hercules. New York: Hyperion.
Zipes, Jack. (1995). Breaking the Disney Spell. Bloomington: Indiana University Press.
Zipes, Jack. (1997). Happily Ever After: Fairy Tales, Children, and the Culture Industry .New York: Routledge.
Zipes, Jack. (2002). Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales. Lexington: The University Press of Kentucky.
英文期刊論文:
Artz, Lee. (2004). “The Righteousness of self-centred royal: The World According to Disney Animation”. Critical Arts Journal. Vol.18, No.1, pp. 116-146.
Bart, Pauline. (1971, Nov). “Mother Protnoy''s complaints”. Trans Action, pp.74.
Cochran, J. (1998, Feb). “Some of their Parts?”. Entertainment Weekly, pp. 64-65.
Editorial Research Report. (1987). The Rights Revolution (pp.26). Washington D.C. : Congressional Quarterly Inc.
Cowley, Joyce. (1955). “Women Who Won The Right to Vote- The Suffragist Movement”. Fourth International. Vol.16, No. 2, pp. 48-56.
Craven, Allison. (2002). “Beauty and the Belles: Discourses of Feminism and Femininity in Disneyland”. The European Journal of Women’s Studies. Vol. 9, No. 2, pp.123-142.
Davis, Amy Michele. (2005). “The ‘Dark Prince’ and dream women: Walt Disney and midtwentieth century American feminism”. Historical Journal of Film, Radio and Television. Vol. 25, No. 2, pp. 213-230.
Ellington, Emily Sears. (2009). “Is Disney Surfing the Third Wave? A Study of the Depiction of Womanhood in Disney’s Female Protagonists”. Unpublished manuscript, Honors Program, Liberty University, Lynchburg, VA. Retrieved from http://digitalcommons.liberty.edu/cgi/viewcontent.cgi?article=1097&context=honos<2011/09/12>
Fox, Lauren A. (2000).“Disney’s Magic:Dispelling the Myth of The New Heroine in Disney Animated Fairy Tales”. Dissertation of Master Degree, University of Southern Connecticut State, USA.
Henke, Jill B. & Umble Diane Z. & Smith, Nancy J. (1996). “Construction of the female self: Feminist readings of the Disney heroine”. Women Studies in Communication. Vol. 19, No. 2, pp. 229-250.
Inge, Thomas M. (2004) . “Walt Disney’s Snow White and the Seven Dwarfs”. Journal of Popular Film & Television. Vol.32, No.3, pp. 132-142.
Jackson, Kathy M. (1996). “Walt Disney: Its Persuasive Products and Cultural Contexts”. Journal of Popular Film and Television. Vol. 24, No. 2, pp.50-52.
Jordan, Rosan A. & F. A. de Caro. (1986). “Women and the Study of Folklore”. In Journal of Women in Culture and Society. Vol. 11, No.3, pp. 507-508.
Kerber, Linda K. (1988). “Separate spheres, women’s world, woman’s place: The rhetoric of women’s history”. Journal of American history. Vol. 75, No.1, pp. 9-39.
LaCroix, Celeste. (2004). “Images of Animated Others: The Orientalization of Disney’s CartoonHeroines From The Little Mermaid to The Hunchback of Notre Dame”. Popular Communication. Vol.2, No.4, pp. 213-229.
Mann, Susan Archer & Huffman, Douglas J. (2005). “The Decentering of Second Wave Feminism and the Rise of the Third Wave”. Science & Society. Vol. 69, No. 1, Jan., pp. 56-91.
Matyas, Vanessa. (2010). TALE AS OLD AS TIME: A Textual Analysis of Race and Gender in Disney Princess Films. Dissertation of Master Degree of Arts in Communication and New Media, University of McMaster, USA.
O‘Brien, Pamela Colby. (1996). “The Happiest Films on Earth: A Textual and Contextual Analysis of Walt Disney‘s Cinderella and The Little Mermaid”. Women’s Studies in Communication. Vol. 19, No.2, pp. 155-183.
Siegal, Deborah. (1997). “The legacy of the personal: Generating theory in feminism''s third wave”. Hypatia. Vol. 12, Issue 3, pp. 46-75.
Sommers-Flanagan, Rita & Sommers-Flanagan, John & Davis, Britta. (1993). “What’s Happening on Music Television? A Gender Role Content Analysis”. Sex Roles. Vol. 28, No.12, pp. 745-753.
Stone, Kay. (1975). “Things Walt Disney Never Told Us”. The Journal of American Folklore. Vol. 88, No. 347, pp. 42-50.
Tanner, Litsa Renée & Haddock, Shelley A. & Zimmerman, Toni Schindler & Lund, Lori K. (2003). “Images of couples and families in Disney feature-length animated films”. American Journal of Family Therapy. Vol. 31, Issue 5, pp. 355-374.
Towbin, Mia Adessa& Haddock, Shelley A.& Zimmerman, Toni Schindler& Lori K., Tanner& Litsa Renée. (2004). “Images of gender, race, age, and sexual orientation in Disney feature-length animated films”. Journal of Feminist Family Therapy. Vol.15, Issue 4, pp. 19-44.
Urtheil, Heather Liea. (1998). “Producing the Princess Collection:An Historical Look at the Animation of a Disney Heroine”. Dissertation of Master Degree, University of Emory, USA.
Wynns, Scarlet L. & Rosenfeld, Lawrence B. (2003). “Father-Daughter Relationships in Disney''s Animated Films”. Southern Communication Journal. Vol. 68, No. 2, pp. 91-106.
英文網站:
Box Office Mojo. Available:
http://www.boxofficemojo.com< 2012/02/03>
Disney Consumer Products. Available:
https://www.disneyconsumerproducts.com/Home/display.jsp?contentId=dcp_home_ourfranchises_disney_princess_us&forPrint=false&language=en&preview=false&imageShow=0&pressRoom=US&translationOf=nul®ion=0<2012/02/07>
Disney''s Influence on American Culture. Available: http://www.essaymart.com/essay/45a804e654ec2.html < 2010/06/27>
Disney Princesses. Available: http://disney.go.com/princess/index.html<2011/03/20>
Disney Princesses and Feminism. Available: http://www.suite101.com/content/disney-princesses-and-feminism-a118174<2011/03/11>
Disney Website. Available: http://disney.go.com/index?intoverride=true<2009/08/27>
Fourth International. Available: http://www.marxists.org/history/etol/newspape/fi/vol16/no02/cowley.html<2011/04/05>
How Women''s Lib Looks to the Not-So-Mad Housewife. Available: http://www.time.com/time/magazine/article/0,9171,942536-1,00.html<2011/04/25>
Keller, Sabine. “Critically discuss the main critical views of ''Disney culture.” Available: http://www.arasite.org/skelldis.htm <2010/06/27>
National Organization for Women Website. Available:
http://www.now.org/<2011/04/10>
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NOW STATEMENT OF PURPOSE (1966). Available: http://www.ait.org.tw/infousa/zhtw/PUBS/BasicReadings/69.htm<2011/04/10>
Mumy, Carissa & Shea, Don & Gries, Ed & Allodi, Kristen. “Disney’s View of The World.” Available: http://www.units.muohio.edu/psybersite/disney/index.shtml<2010/06/27>
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What''s wrong with Cinderella? Available: http://www.nytimes.com/2006/12/24/magazine/24princess.t.html?pagewanted=all<2011/09/12>
Women and Social Movements in the United States, 1600-2000. Available: http://asp6new.alexanderstreet.com/wam2/wam2.browse.document.projects.aspx<2011/04/04>
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