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Through the accumulated experiences of studying and working, the author has acuity of spaces, lights and structures to certain extent. The author wants to create a total feeling via the serial works. Thus, all of the works will not be separated visual, sound, performing or structural one, but the total works.
About the paysage, the image saw by audiences is as important as the past experiences. In other words, the audience’s feeling about the surrounding and psychological conditions before have an influence on the form of images. Therefore, the author creates an artificial site in the transition of each space to preinstall the audience’s feeling through the author’s past creating experiences and field investigation in the local environment. Besides, the author uses local record and radio reception to pass through the obstacles of the physical space. And install the sounds to create the artificial soundscape. In the end, the artificial site and the artificial soundscape become an environment of imitation.
The author tested the limit of the material through the way of reforming. When the usage of the material is aberrant, the body experience will produce discontinuous break. To fill up the crack, the audience may need a new annotation or imagination which is from curiosity. Consequently, the author directly thinks the art work is only a medium that the audience may open their body’s sense or start new imagining way via the art work. And the art exists in this process.
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