跳到主要內容

臺灣博碩士論文加值系統

(44.192.79.149) 您好!臺灣時間:2023/06/03 00:28
字體大小: 字級放大   字級縮小   預設字形  
回查詢結果 :::

詳目顯示

: 
twitterline
研究生:施依伶
研究生(外文):Shih Yi-Ling
論文名稱:腦波訓練對不同創造力提升效果之探討
論文名稱(外文):Neurofeedback Training on Brainwave to Enhance Different Creative Proformances
指導教授:林緯倫林緯倫引用關係
學位類別:碩士
校院名稱:佛光大學
系所名稱:心理學系
學門:社會及行為科學學門
學類:心理學類
論文種類:學術論文
論文出版年:2013
畢業學年度:101
語文別:中文
論文頁數:79
中文關鍵詞:神經生理回饋腦波訓練創造力發散性思考頓悟問題解決
外文關鍵詞:neurofeedback trainingbrainwave trainingcreativitydivergent thinkinginsight problem solving
相關次數:
  • 被引用被引用:2
  • 點閱點閱:470
  • 評分評分:
  • 下載下載:60
  • 收藏至我的研究室書目清單書目收藏:0
創造力是人類最高的心智能力,也是人類最偉大的天賦,如何藉由後天的訓練以提升創造力是近年來重要的議題。過去研究者多發展相關的認知技能來提升創造力,隨著認知神經科學的發展與近代大腦掃瞄技術的應用,生理回饋訓練方式是能免除訓練過程中其它變項的干擾並記錄累積性變化,補足認知訓練課程之不足的一個方式。本研究即欲探討創造力如何藉由神經生理回饋訓練而提升。
神經生理回饋是依據最佳表現所呈現的腦電波型態去進行應用的一種訓練方式,過去少數以神經生理回饋訓練對創造力提升的研究未能獲得穩定的結果。細究過去研究結果分歧的可能原因,包括訓練次數與時段長短不一、腦波測量電極點不同,且未區分不同創造力類型。本研究改進過去的研究方法,並根據「創造力雙重系統理論」區分開放式發散性思考與封閉式頓悟問題解決兩類創造力;研究顯示,前者涉及系統一運作,與產生較多α波有關;後者涉及系統一與系統二的交互運作,顯現於α波與β波的彈性轉換。據此,本研究針對兩類創造力設計不同神經生理回饋訓練方式:訓練增加較多α波為「α波增加組」;訓練增加α波與減少α波為「α波轉換組」。以一般大學生為研究對象,進行為期兩週(共十天)每天一次的腦波訓練,在訓練前與訓練後分別進行兩類創造力測驗,並與「對照組」進行比較。結果顯示,三組參與者在前測時的創造力表現皆無顯著差異,經過腦波訓練後可提升創造力表現,且兩種方式對兩類創造力表現有不同的提升效果:「α波轉換組」可同時提升發散性思考與頓悟問題解決表現;而「α波增加組」僅對發散性思考表現的提升有所助益。本研究結果可澄清過去單純訓練增加α波研究不一致的結果、進一步釐清創造力的生理機制,更為提升不同創造力奠定了應用上的效益。
Creativity is the highest human mental abilities. How to enhance creativity through training is an important issue in recent years. With the development of cognitive neuroscience and brain scanning technology, biofeedback training programs take more advantages than traditional cognitive-skills training in the aspects that it can avoid the interference of other variables and can record the cumulative changes of functions during the training processes. This study aimed to improve creativity performance by neurofeedback training.
The biofeedback training is based on brainwaves of optimal performaces. However, past studies that used biofeedback training to enhance creativity failed to obtain stable results. Potential problems might lie in that they used different training sessions and durations, detected brainwaves in different brain regions, and did not distinguish between different types of creativity. This study utilized an optimal design based on past evidence, and differentiated open-ended divergent thinking and closed-ended insight problem solving according to the “dual-process theory account of creativity”. The former mainly involves system 1 processing in accordance with α brainwave; the latter involves both system 1and system 2 processing in a reciprocal way which reflects on the transform between α and β waves. Therefore, different types of biofeedback training methods for the two types of creativity tasks were designed in the present study: the “α enhancement group” to increase participants’ production of α wave; and the “α transformation group” to train participants to increase and suppress α wave.
Participants were randomly assigned to one of the two training conditions and a non-training control condition. Three groups were trained or measured their brainwaves on 10 days within 2 weeks, 30 minutes in each session, and tested with two kinds of creativity tasks pre- and post-training. The results showed that participants’ performances on two creativity measures were not different in pre-test. After different biofeedback training, participants’ two creative performances improved differently, as compared to the control group. The α transformation group significantly improved on both divergent thinking and insight problem solving tasks, while the α enhancement group only improved in the divergent thinking performance. These results help to clarify the in effectiveness of previous training program, shed light to the physiological mechanisms of different creativities, and provide application benefits to enhance different creative potentials.
摘要 i
Abstract ii
致謝 iv
目次 vi
圖目次 viii
表目次 ix

緒論 1
神經生理回饋訓練與其應用之效果 3
創造力與腦波型態 5
創造力的神經生理回饋訓練 6
澄清過去研究的問題 8
一、訓練次數與時段長短不一 8
二、腦波測量電極點不同 9
三、未區分不同創造力運作類型 9
研究假設與預期 12
實驗 15
方法 15
參與者及實驗設計 15
研究材料 16
儀器設備 19
實驗程序 20
資料處理 23
結果 25
兩類創造力作業前測的表現 25
腦波訓練的成效 26
兩類創造力作業後測的表現 29
兩訓練組腦波訓練成效與兩類創造力進步分數之關係 31
兩訓練有效組之腦波訓練的成效 34
訓練有成效者在兩類創造力表現的提升效果 35
發散性思考作業的表現 36
頓悟問題解決的表現 37
討論 39
腦波訓練的延伸問題 41
個別差異的探討 41
兩種訓練方式的成效差異 42
用生理回饋提升創造力的延伸探討 45
結論 46
參考文獻 48
中文文獻 48
英文文獻 49
附錄 57
一、進行研究同意書 57
二、頓悟問題解決(A、B版) 59
三、研究參與同意書 68


圖目次
圖一:實驗設計與流程圖 16
圖二:腦波測量電極裝置位置 20
圖三:「α波增加組」、「α波轉換組」及「對照組」實驗流程 23
圖四:α波增加組15人訓練天數與α波增加能力的線性迴歸圖 27
圖五:α波轉換組15人訓練天數與α波轉換能力的線性迴歸圖 28
圖六:對照組15人測量天數與α波指標的線性迴歸圖 29
圖七:「α波增加組」、「α波轉換組」及「對照組」在發散性思考作業與頓悟問題解決作業後測的表現 31
圖八:α波增加組腦波訓練成效與兩類創造力進步分數的散佈圖 32
圖九:α波轉換組腦波訓練成效與兩類創造力進步分數的散佈圖 33
圖十:「α波增加有效組」9人訓練天數與α波增加能力的線性迴歸圖 34
圖十一:「α波轉換有效組」10人訓練天數與α波轉換能力的線性迴歸圖 35
圖十二:α波轉換組「α波增加期」與「α波減少期」的α波指標與訓練天數之線性迴歸圖 43
圖十三:α波增加組「α波增加前期」與「α波增加後期」的α波指標與訓練天數之線性迴歸圖 44


表目次
表一:「α波增加組」、「α波轉換組」及「對照組」在兩類創造力作業前測的表現 26
表二:「α波增加組」、「α波轉換組」及「對照組」在兩類創造力作業後測的表現 30
表三:「α波增加有效組」、「α波轉換有效組」及「對照組」在發散性思考作業前測與後測的表現 36
表四:「α波增加有效組」、「α波轉換有效組」及「對照組」在頓悟問題解決作業前測與後測的表現 37
中文文獻
王永順、洪聰敏(2006)。神經反饋訓練對腦波與射擊成績的影響之研究。發表於第八屆中國運動心理學會學術研討會,武漢,中華人民共和國。
王震武(2011)。兩性內隱與外顯科學思考之萌芽與相對優勢。國科會計畫研究報告(計畫編號:NSC100-2511-S431-004),未出版。
朱錦鳳(2005)。問題解決創造力測驗。台北:心理出版社。
任純慧、陳學志、練竑初、卓淑玲(2004)。創造力測量的輔助工具:中文遠距聯想量表的發展。應用心理研究,21,195-217。
吳靜吉(1998)。新編創造思考測驗研究。教育部輔導工作六年計畫研究報告。執行單位:學術交流基金會。
吳靜吉、高泉豐、王敬仁、丁興祥(1981)。拓弄思圖形創造思考測驗甲式指導及研究手冊。台北:遠流出版社。
吳靜吉、高泉豐、王敬仁、丁興祥(1981)。拓弄思語文創造思考測驗乙式指導及研究手冊。台北:遠流出版社。
邱發忠、陳學志、徐芝君、吳相儀、卓淑玲(2008)。內隱與外顯因素對創造作業表現的影響。中華心理學刊,50,125-145。
林緯倫、連韻文、任純慧(2005)。想得多是想得好的前提嗎?探討發散性思考能力在創意問題解決的角色。中華心理學刊,47,211-227。
高士竣(2010)。神經回饋訓練對高爾夫推桿表現之影響。(未發表之博士論文)。台北:國立台灣師範大學。
陳長益(2006)。陶倫斯創造力測驗成人適用精簡版(中文版)。台北:心理出版社。
曾昭源(2012)。不同創造力運作的腦波與生理指標的差異(未發表之碩士論文)。宜蘭:佛光大學心理學研究所。

英文文獻
Angelakis, E., Stathopoulou, S., Frymiare, J. L., Green, D. L., Lubar, J. F., &; Kounios, J. (2007). EEG neurofeedback: A brief overview and an example of peak alpha frequency training for cognitive enhancement in the elderly. The Clinical Neuropsychologist, 21, 110–129.
Arden, R., Chavez, R.S., Grazioplene, R., &; Jung, R.E. (2010). Neuroimaging creativity: a psychometric review. Behavioural Brain Research, 214, 143–156.
Bauer, R. H. (1976). Short-term memory: EEG alpha correlates and the effect of increased alpha. Behavioural Biology, 17, 425–433.
Boynton, T. (2001). Applied research using alpha/theta training for enhancing creativity and well-being. Journal of Neurotherapy, 5, 5–18.
Butnik, S. M. (2005). Neurofeedback in adolescents and adults with attention deficit hyperactivity disorder. Journal of Clinical Psychology, 61, 621–625.
Carlsson, I., Wendt, P. E., &; Risberg, J. (2000). On the neurobiology of creativity. Differences in frontal activity between high and low creative subjects. Neuropsychologia, 38, 873–885.
Christensen, P. R., Guilford, J. P., Merrifield, P. R., &; Wilson, R. C. (1960). Alternate Uses. Beverly Hills, Calif.: Sheridan Psychological Service.
Coben, R., Linden, M., &; Myers, T. E., (2010). Neurofeedback for autistic spectrum disorder: a review of the literature. Applied Psychophysiology and Biofeedback 35, 83–105.
Cohen, J. (1988). Statistical power analysis for the behavioral sciences (2nd ed.). Hillsdale, NJ: Erlbaum.
Damasio, A. R. (2001). Some notes on brain, imagination and creativity. In K. H. Pfenninger &; V. R. Shubik (Eds.), The origins of creativity (pp. 59-68). Oxford: Oxford University Press.
Danko, S., Shemyakina, N. V., Nagornova, Z. V., &; Starchenko, M. (2009). Comparison of the effects of the subjective complexity and verbal creativity on the EEG spectral power parameters. Human Physiology, 35, 381–383.
Dietrich, A. (2004). The cognitive neuroscience of creativity. Psychonomic Bulletin &; Review, 11, 1011-1026.
Dietrich, A., &; Kanso, R., (2010). A review of EEG, ERP, and neuroimaging studies of creativity and insight. Psychological Bulletin, 136, 822–848.
Doppelmayr, M., &; Weber, E. (2011). Effects of SMR and theta/beta neurofeedback on reaction times, spatial abilities, and creativity. Journal of Neurotherapy, 15, 115–129.
Egner, T., &; Gruzelier, J. H. (2001). Learned self-regulation of EEG frequency components affects attention and event-related brain potentials in humans. NeuroReport, 12, 4155–4159.
Egner, T., &; Gruzelier, J. H. (2003). Ecological validity of neurofeedback: modulation of slow wave EEG enhances musical performance. Neuroreport 14, 1221–1224.
Egner, T., &; Gruzelier, J. (2004). EEG Biofeedback of low beta band components: Frequency-specific effects on variables of attention and event-related brain potentials. Clinical Neurophysiology, 115, 131–139.
Escolano, C., Aguilar, M., &; Minguez, J. (2011). EEG-based upper alpha neurofeedback training improves working memory performance. In 33rd Annual International Conference of the IEEE Engineering in Medicine and Biology Society (EMBS), Boston, Massachustts USA. 2327–2330.
Evans, J. St. B. T. (2003). In two minds: dual-process accounts of reasoning. Trends in Cognitive Science, 7, 454-459.
Evans, J. St. B. T. (2007). On the resolution of conflict in dual process theories of reasoning. Thinking and Reasoning, 13, 321–329.
Fell, J., Elfadil, H., Klaver, P., Roschke, J., Elger, C. E., &; Fernandez, G. (2002). Covariation of spectral and nonlinear EEG measures with alpha biofeedback. The International Journal of Neuroscience, 112, 1047–1057.
Fink, A., &; Neubauer, A. (2006). EEG alpha oscillations during the performance of verbal creativity tasks: Differential effects of sex and verbal intelligence. International Journal of Psychophysiology, 62, 46–53.
Fink, A., Grabner, R., Benedek, M., &; Neubauer, A. (2006). Short communication: Divergent thinking training is related to frontal electroencephalogram alpha synchronization. European Journal of Neuroscience, 23, 2241–2246.
Fink, A., Grabner, R., Benedek, M., Reishofer, G., Hauswirth, V., Fally, M.,…Neubauer, A. (2009a). The creative brain: Investigation of brain activity during creative problem solving by means of EEG and FMRI. Human Brain Mapping, 30, 734–748.
Fink, A., Graif, B., &; Neubauer, A. C. (2009b). Brain correlates underlying creative thinking: EEG alpha activity in professional vs. novice dancers. NeuroImage, 46, 854–862.
Feldhusen, J. F. (1983). The Purdue Creative Thinking program. In I. S. Sato (Ed.), Creativity research and educational planning (pp.44–46). Los Angeles: Leadership Training Institute for Gifted and Talented.
Gabora, L. (2010). Revenge of the “neurds”: Characterizing creative thought in terms of the structure and dynamics of human memory. Creative Research Journal, 22, 1-13.
Garskadon, M. A. (1980). A manual for polysomnography (PSG) technicians. Unpublished manual: Stanford University.
Goel, V., Vartanian, O. (2005). Dissociating the roles of right ventral lateral and dorsal lateral prefrontal cortex in generation and maintenance of hypotheses in set-shift problems. Cerebral Cortex, 15, 1170–1177.
Goff, K., &; Torrance, E. P. (2002). Abbreviated Torrance test for adults manual. Bensenville, IL: Scholastic Testing Service, Inc.
Gordon, W. J. (1961). Synectics. New York: Harper.
Gruzelier, J., Egner, T., &; Vernon, D.(2006). Validating the efficacy of neurofeedback for optimising performance. Progress in Brain Research, 159, 421–431.
Guilford, J. P. (1967). The Nature of Human Intelligence. New York: McGraw-Hill.
Hammond, D. C. (2005). Neurofeedback with anxiety and affective disorders. Child and Adolescent Psychiatric Clinics of North America, 14, 105-123.
Hammond, D. C. (2006). Neurofeedback treatment of depression and anxiety. Journal of Adult Development, 12, 131-138.
Hanslmayr, S., Sauseng, P., Doppelmayr, M., Schabus, M., &; Klimesch, W. (2005). Increasing individual upper alpha power by neurofeedback improves cognitive performance in human participants. Applied Psychophysiology and Biofeedback, 30, 1–10.
Howard-Jones, P. A., Blakemore, S. J., Samuel, E. A., Summers, I. R., &; Claxton, G.(2005). Semantic divergence and creative story generation: an fMRI investigation. Cognitive Brain Research, 25, 240–250.
Hyafil, A., Summerfield, C., &; Koechlin, E.(2009). Two mechanisms for task switching in the prefrontal cortex. The Journal of Neuroscience, 29, 5135-5142.
Jaušovec, N. (1997). Differences in EEG activity during the solution of closed and open problems. Creative Research Journal, 10, 317–324.
Kamiya, J. (1969).Operant control of EEG alpha rhythm and some of its reported effects on consciousness. In C. Tart (Ed.), Altered states of consciousness (pp. 507-517). New York: Wiley.
Kris, E. (1952). Psychoanalytic exploration in art. New York: International Universities Press.
Landers, D. M., Petruzzello, S. J., Salazar, W., Crews, D. J., Kubitz, K. A., Gannon, T. L., &; Han, M. W. (1991). The influence of electrocortical biofeedback on performance in pre-elite archers. Medicine and Science in Sports and Exercise, 23, 123–129.
Lecomte, G., &; Juhel, J. (2011). The Effects of Neurofeedback Training on Memory Performance in Elderly Subjects. Psychology, 2, 846-852.
Lin, W. L. &; Lien, Y. W. (2013).The different role of working memory in open-ended versus closed-ended creative problem solving: A dual-process theory account. Creativity Research Journal, 25, 85-96.
Lin, W. L., Hsu, K. Y., Chen, H. C., &; Wang, J. W. (2012). The relations of gender and personality traits on different creativities: A dual-process theory account. Psychology of Aesthetics, Creativity, and the Arts, 6,112-123.
Lindsley, D. B. (1960). Attention, consciousness, sleep and wakefulness. In J. Field (Ed.), Handbook of Physiology: Section 1. Neurophysiology (pp. 156-183). Washington, DC: American Physiological Society.
Mansouri, F. A., Matsumoto, K., &; Tanaka, K. (2006). Prefrontal cell activities related to monkeys’ success in adapting to rule changes in a Wisconsin Card Sorting analog. The journal of Neuroscience, 26, 2745-2756.
Martindale, C. (1999). Biological bases of creativity. In R. J. Sternberg (Ed.), Handbook of creativity (pp137-152). Cambridge: Cambridge University Press.
Martindale, C. &; Armstrong, J. (1974). The relationship of creativity to cortical activation and its operant control. Journal of Genetic Psychology, 124, 311-320.
Martindale, C., &; Mines, D. (1975). Creativity and cortical activation during creative, intellectual, and EEG feedback tasks. Biological Psychology, 3, 71–80.
Martindale, C., &; Hasenfus, N. (1978). EEG differences as a function of creativity, stage of the creative process, and effort to be original. Biological Psychology, 6, 157-167.
Mednick, S. A., &; Mednick, M. T. (1967). Examiner’s manual, Remote Associates Test. Boston, MA: Houghton Mifflin.
Mölle, M., Marshall, L., Wolf, B., Fehm, H.L., &; Born, J. (1999). EEG complexity and per-formance measures of creative thinking. Psychophysiology, 36, 95–104.
Nan, W., Rodrigues, J. P., Ma, J., Qu, X., Wan, F., Mak, P.,…Rosa, A. (2012). Individual alpha neurofeedback training effect on short term memory. International Journal of Psychophysiology, 86, 83–87.
Norris, S. L., Lee, C., Burshteyn, D., &; Cea-Aravena, J. (2001). The effects of performance enhancement training on hypertension, human attention, stress, and brain wave patterns: A case study. Journal of Neurotherapy, 4, 29–44.
Osborn, A. F. (1953). Applied imagination: Principles and procedures for creative thinking. New York: Schribner.
Parnes, S. J., &; Noller, R. B. (1972). Applied creativity: The creative studies project: Part results of the two year program. Journal of Creative Behavior, 6, 164–186.
Poreh, A. M., &; Whitman, R. D. (1991). Creative cognitive processes and hemispheric specialization. Journal of Creative Behavior, 25, 169-179.
Rasey, H. W., Lubar, J. F., McIntyre, A., Zoffuto, A. C., &; Abbott, P. L. (1996). EEG Biofeedback for the enhancement of attentional processing in normal college students. Journal of Neurotherapy, 1, 15–21.
Raymond, J., Sajid, I., Parkinson, L., &; Gruzelier, J. (2005). Biofeedback and dance performance: A preliminary investigation. Applied Psychophysiology and Biofeedback, 30, 65–73.
Razumnikova, O. M. (2005). Hemispheric activity during creative thinking: Role of gender factor. In KORUS 2005: Proceedings of the 9th Russian–Korean International Symposium on Science and Technology, 1027–1031.
Razumnikova, O. M. (2007). Creativity related cortex activity in the remote associates task. Brain Research Bulletin, 73, 96–102.
Robinson, K.(2011).Out of our minds: Learning to be creative (2nd ed.). Chichester, UK, Capstone Publishing.
Scott, G., Leritz, L. E., Mumford, M. D. ( 2004a). Types of creativity: Approaches and their effectiveness. The Journal of Creative Behavior, 38, 149–179.
Scott, G., Leritz, L. E., Mumford, M. D. ( 2004b). The effectiveness of creativity training: A meta-analysis. Creativity Research Journal, 16, 361–388.
Simonton, D. K. (2000). Creativity. Cognitive, personal, developmental, and social aspects. American Psychologis, 55, 151–158.
Stanovich, K. E. (1999). Who is Rational? Studies of Individual Differences in Reasoning. Elrbaun.
Sterman, M. B., Egner, T., (2006). Foundation and practice of neurofeedback for the treatment of epilepsy. Applied Psychophysiology and Biofeedback, 31, 21–35.
Sternberg, R. J. &; Lubart, T. I. (1999). The concept of creativity: Prospects and paradigms. In R. J. Sternberg (Ed.), Creativity handbook (pp. 3-15). New York: Cambridge University Press.
Sternberg, R. J., Lubart, T. I., Kaufman, J. C., &; Pretz, J. E. (2005). Creativity. In K. J. Holyoak &; R. G. Morrison (Eds). The Cambridge handbook of thinking and reasoning. (pp. 351-369). Cambridge University Press.
Torrance, E. P. (1974). Torrance Test of Creative Thinking: Norms Technical Manual, Research edition personnel press, Inc., Princeton, N. J.
Treffinger, D. J. (1995). Creative problem solving: Overview and educational implications. Educational Psychology Review, 7, 191–205.
Vernon, D. J. (2005). Can neurofeedback training enhance performance? An evaluation of the evidence with implications for future research. Applied Psychophysiology and Biofeedback, 30, 347-364.
Vernon, D. (2009) Human potential: Exploring techniques used to enhance human performance. London: Routledge.
Vernon, D., Egner, T., Cooper, N., Compton, T., Neilands, C., Sheri, A.,…Gruzelier, J. (2003). The effect of training distinct neurofeedback protocols on aspects of cognitive performance. International Journal of Psychophysiology, 47, 75–85.
Vernon, D., &; Gruzelier, J. (2008) Electroencephalographic biofeedback as a mechanism to alter mood, creativity and artistic performance. In B. N. DeLuca (Ed.), Mind-body and relaxation research focus (pp. 149–164). Hauppauge, NY: Nova Science.
Vernon, D., Dempster, T., Bazanova, O., Rutterford, N., Pasqualini, M., &; Andersen, S.(2009). Alpha Neurofeedback Training for Performance Enhancement: Reviewing the Methodology. Journal of Neurotherapy, 13, 214-227.
Wakefield, J. F. (1989). Creativity and cognition some implications for arts education. Creativity Research Journal, 2, 51– 63.
Weisberg, R. W. (1993). Creativity. New York: Freeman.
Weisberg, R. W. (1995). Case studies of creative thinking: reproduction versus restructuring in the real world. In Smith, S. M., Ward, T. B., &; Finke, R. A. (Eds.), The creative cognition approach, (pp. 53-72). Cambridge, MA: MIT Press.
Wyspianski, J. O., Barry, W. F., &; Dayhaw, L. T. (1963). Brain wave amplitude and creative thinking. Revue de l’Unversite d’Ottawa, pp.260-276.
Zoefel, B., Huster, R. J., &; Herrmann, C. S. (2011). Neurofeedback training of the upper alpha frequency band in EEG improves cognitive performance. NeuroImage, 54, 1427–1431.
連結至畢業學校之論文網頁點我開啟連結
註: 此連結為研究生畢業學校所提供,不一定有電子全文可供下載,若連結有誤,請點選上方之〝勘誤回報〞功能,我們會盡快修正,謝謝!
QRCODE
 
 
 
 
 
                                                                                                                                                                                                                                                                                                                                                                                                               
第一頁 上一頁 下一頁 最後一頁 top