|
The plays of Shakespeare are the epic of all the classics. From the seventeenth century to present, they were constantly re-interpreted. The Godot Theatre Company "Kiss me! Nana" adapted from Shakespeare's" The Taming of the Shrew ". Katharine in the Taming of the Shrew is a well-known shrew. When Godot Theatre Company turned Katharine to Hao Lina, she transformed into a capable and independent woman who yield not to the reality of the society.
Rock music plays the role of soul in this play. The spirit of Rock "reacts the trueness, goodness, beauty, hypocrisy, anger and joy of human nature". Rock did not only a good job expressing Hao Lina’s ferocious characteristic externally, but her virtue, pure, authentic inner world was also revealed directly to the audience.
This thesis applies the proposed methods of James W. Rodgers &; Wanda C. Rodgers used in "Play Director's Survival Kit". First, analysis plot structure in "kiss me! Nana". Focus on the role of Hao Lina, and anatomize her outward behavior and inner emotional conversion. Secondly, understand the relationship between Hao Lina and other roles, and provide the character images and traits of Hao Lina allowing performers to easily imitate. Finally, spotlight the detail lyrics and expressions of analytical music from "kiss me! Nana " which are of eight pieces: 〈我就是辣妹怎樣？〉(I just babes, how?), 〈女人真如此〉(A woman really so), 〈鴿子與老鷹〉(dove and eagle), 〈我要嫁了〉(I want to marry a), 〈我是你的海港〉(I am your harbor), 〈籠中鳥〉(a cage in the bird), 〈琴瑟和鳴I〉(harps and Ming the I, 〈琴瑟和鳴II〉(harps and Ming II).
|