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參考文獻 書籍 Agnew, John A. 2002. Place and Politics in Modern Italy . The University of Chicago Press. Barney, Richard A. Ed. 2009. David Lynch: interviews. The University Press of Mississippi. Bordwell, David and Thompson, Kristin. 1985. ‘Fundamental Aesthetics of Sound in the Cinema: the Power of Sound’ in Film sound: Theory and Practice. New York: Columbia University Press. Chion, Michel. 1994. Audio-Visiom: Sound On Screen. Claudia Gorbman trans. New York: Columbia University Press. Chion, Michel. 2006. David Lynch 2nd, trans. Robert Julian and Trista Selous. London: British Film Institute. Chion, Michel. 1999. The Voice in Cinema, Claudia Gorbman trans. New York: Columbia University Press. Davison, Annette. 2004. Hollywood Theory, Non-Hollywood Practice: Cinema Soundtrack in the 1980s and 1990s. Burlington: Ashgate Publishing Company. Elferen, Isabella Van. ‘Dream Timbre: Notes on Lynchian Sound Design,’ in Music, Sound and Filmmakers: Sonic Style in Cinema. New York: Routledge Press, 2012. Erickson, Robert. 1975. Sound Structure in Music. Berkeley, Los Angeles, London: University of California Press. Genette, Gerard. 1980. Narrative Discourse: An Essay in Method, trans. Jane E. Lewin. Ithaca, New York: Cornell University Press. Gorbman, Claudia. 1987. Unheard Melodies: Narrative Film Music. Bloomington & Indianapolis: Indiana University Press, Health, Stephen. 1981. Questions of Cinema. London and Basingstoke: The Macmillan Press LTD. Kerin, Mark. 2011. Beyond Dolby (Stereo): Cinema in the Digital Sound Age. Bloomington and Indianapolis: Indiana University Press. Mactaggart, Allister. 2010. The Film Painting of David Lynch: Challenging Film Theory. Chicago: Intellect, The University of Chicago Press; Bristol: Intellect. Miklitsch, Robert. 2008. ‘Real Fantasies: Connie Stevens, Silencio, and Other Sonic Phenomena in Mulholland Drive’ in Lowering the Boom: Critical Studies in Film Sound . Urbana and Chicago: University of Illinois Press. Nieland, Justus. 2012. David Lynch. Urbana, Chicago, and Springfield: University of Illionis Press. Nochimson, Martha P. 2013. David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire. Austin: University of Texas Press, Olson, Greg. 2008. David Lynch: Beautiful Dark. Maryland: Scarecrow Press, Inc. Odell, Colin and Blanc, Michelle Le. 2007. David Lynch. Kamera Books. Parciack, Ronie. 2011. ‘The World as Illusion: rediscovering Mulholland Dr. and Lost Highway through Indian Philosophy’ in The Philosophy of David Lynch (The University Press of Kentucky. Rodley, Chris. Ed. 2005. Lynch on Lynch. New York: Faber and Faber Inc. Stilwell, Robynn J. ‘The Fantastical Gap between Diegetic and Nondiegetic,’ in Beyond the Soundtrack: Representing Music in Cinema. Berkeley: University of California Press, 2007. Wierabicki, James. Ed. 2012. Music, Sound and Filmmakers: Sonic Style in Cinema. New York: Routledge Press. 加斯東.巴謝拉(Gaston Bachelard)著,龔卓軍、王靜慧譯,2008,《空間詩學》,臺北: 張老師文化事業股份有限公司。 大衛・鮑德威爾(David Bordwell)著,李顯立、吳佳琪、游惠貞譯,1999,《電影敘事》, 台北:遠流出版事業股份有限公司。 大衛・鮑德威爾(David Bordwell)與 克莉絲汀.湯普遜(Kristin Thompson)著,曾偉禎譯, 2001,《電影藝術:形式與風格》,臺北市:美商麥克羅・希爾國際股份有限公司 台灣分公司。 Noel Burch著,李天鐸、劉現成譯,1997,《電影理論與實踐》,臺北:遠流出版事業股份 有限公司。 Tim Cresswell著,王志弘、徐苔玲譯,2006,《地方》,台北:群學有限公司。 Andre Gaudreault and Francois Jost著,劉云舟譯,2010,《什麼是電影敘事學》,商務印書 館。 彼得・拉森(Peter Larsen) 著,聶新蘭、王文斌譯,2009,《電影音樂》,濟南:山東畫報 出版社。 大衛・林區(David Lynch)著,盧慈穎譯,2008,《大衛林區談創意》,遠流出版事業股份有 限公司。 Christian Metz著,劉森堯譯,2000,《電影語言:電影符號學導論》,臺北:遠流出版 事業股份有限公司。 Gustavo Mercado著,楊智捷譯,2012,《鏡頭之後:電影攝影的張力、敘事與創意》, 新北市:大家出版:遠足文化發行,2012年。 Robert Stam著,陳儒修、郭幼龍譯,2008,《電影理論解讀》,臺北:遠流出版事業股份 有限公司。 Deborah Thomas著,李達義、曹玉玲譯,2004,《解讀好萊塢:電影的空間與意義》,書 林出版有限公司。 Peter Ward著,廖澺蒼譯,2010,《影視攝影與構圖》,臺北市:五南圖書出版股份有限 公司。 葉月瑜著,2000,《歌聲魅影:歌曲敘事與中文電影》,臺北:遠流出版事業股份有限公 司。 期刊論文 Gorbman, Claudia ‘Narrative Film Music’ in Yale French Studies, No.60, Cinema/Sound (1980) Mazullo, Mark. Remembering Pop: David Lynch and the Sound of the ''60s ( American Music, Vol. 23, No. 4 (Winter, 2005), pp. 493-513.
樂譜 Coleman, Cy and Stewart, Michael. 1980. ‘The Colors of My Life’ from Barnum. Notable Music Company, Inc. Goffin, Gerry and King, 1962 (Renewed 1990). Carole. The Loco-motion. Screen Gems-EMI Music INC. Gordon, Mack and Warren, Harry. 1942. At Last. EMI Feist Catalog INC, Beck, John King, Mike Simpson and Eugene Blacknell. 2005. Black Tambourine. Plastic Kosmos Music, Universal Music Corp., Dust Brothers Music and Be Love Publishing Company. Lutoslawski, Witold. 1981. Novelette. London: Chester Music, Penderecki, Krzysztof. 1963. Polymorphia: for 48 stringed instruments. Celle, Germany: Hermann Moeck Verlag, . 1962. Fluorescences: pour orchestra. Celle, Germany: Hermann Moeck Verlag. . 1975. The Awakening of Jacob. Krakow, Poland: PWM Edition. . 1967. De Natura Sonoris. Celle: Moeck Verlag. . 1972. De Natura Sonoris No.2: per orchestra. B. Schott’s Sohne, Mainz. 網路資料 Cumbow, Robert C. 2008. David Lynch Folds Space: Because He Is the Kwisatz Haderach!… (Parallax View) http://www.slantmagazine.com/house/2008/11/david-lynch-folds-space-because-he-is-the-kwisatz-haderach/ Lynch, David, Rabbits. Available at: http://www.youtube.com/watch?v=CdjWWSKfKsg Milicevic, Mladen. Film Sound Beyond Reality: Subjective Sound in Narrative Cinema at http://myweb.lmu.edu/mmilicevic/NEWpers/_PAPERS/beyond.pdf Rowin, Michael Joshua. 2006. An Interview with David Lynch. http://www.reverseshot.com/article/interview_david_lynch The British Film Resource, The Films of David Lynch: 50 Percent Sound http://www.zenbullets.com/britfilm/lynch/Sintro.html
影音資料 Lynch, David. Inland Empire. Stared by Laura Dern, Jeremy Irons, Justn Theroux. DVD Recording. Lynch, David and others. David Lynch’s Inland Empire Soundtrack. CD Recording.
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