跳到主要內容

臺灣博碩士論文加值系統

(44.220.62.183) 您好!臺灣時間:2024/02/22 22:23
字體大小: 字級放大   字級縮小   預設字形  
回查詢結果 :::

詳目顯示

: 
twitterline
研究生:蔡昀真
研究生(外文):Yun-Chen, Tsai
論文名稱:收藏家的自我形象塑造:嘉德納夫人與其同代繪畫收藏
論文名稱(外文):Shaping the Self-Image of the Collector: Mrs. Gardner and her Collection of Contemporary Paintings
指導教授:謝佳娟謝佳娟引用關係
指導教授(外文):Chia-Chuan HSIEH
學位類別:碩士
校院名稱:國立中央大學
系所名稱:藝術學研究所
學門:藝術學門
學類:綜合藝術學類
論文種類:學術論文
論文出版年:2014
畢業學年度:102
語文別:中文
論文頁數:98
中文關鍵詞:依沙貝拉.史都華.嘉德納嘉德納美術館展示肖像薩金特佐恩
外文關鍵詞:Isabella Stewart GardnerIsabella Stewart Gardner MuseumportraitJohn Singer SargentAnders Leonard Zorndisplay
相關次數:
  • 被引用被引用:2
  • 點閱點閱:418
  • 評分評分:
  • 下載下載:80
  • 收藏至我的研究室書目清單書目收藏:0
  嘉德納夫人(Isabella Stewart Gardner, 1840-1924)於20世紀初時建立了自己的收藏美術館,並將之開放給大眾參觀,作為少數由女性成立的捐贈人紀念館,嘉德納美術館是一個不可忽視的案例。不同於一般的公立博物館強調中立的展示,嘉德納美術館的收藏、展示及環境都是受她個人特質影響的結果。嘉德納夫人樂中於美術館創造,不論是收藏內容與展示、建築裝潢或是園藝造景,都有她獨到的理念。嘉德納美術館中的老大師收藏質量是備受肯定的,而同世代繪畫收藏是較不引人注目的分類,但是嘉德納夫人在安排這些作品時同樣付出許多心力。本文著重於嘉德納夫人的同代繪畫收藏的內容與展示,特別是出自同代畫家手下的嘉德納夫人肖像,以觀看美術館創立者的策略。

  論文第一章環繞在嘉德納夫人收藏及贊助的活動,以及她在創立美術館時具備的理念,分成對國家、對創立者及對觀者三個面向來探討。嘉德納夫人對藝術家的贊助直接影響了她的同代繪畫收藏,由此延續到第二章。就同代繪畫的收藏內容及展示方式研究,推斷嘉德納夫人的收藏動機及展示目的,是否能與館內其他收藏互相驗證,或是有著獨特的策略。第三章聚焦於同代畫家所描繪的嘉德納夫人肖像,特別是薩金特及佐恩所描繪的作品,這些肖像描繪出嘉德納夫人不同的風貌,從中判斷她欲向大眾呈現何種形象。肖像的展示方式也隨著形象不同有所轉變,嘉德納夫人不只運用展示強化了作品的意義,更重要的是,突顯她的個人存在感及性格,向觀者主張她身為美術館創造者的地位。

  Isabella Stewart Gardner (1840-1924) created her own collection museum at the beginning of the 20th century, Gardner Museum is an important donor memorial museum, because it was founded by a woman, which makes it cannot be ignored. Compared to other public museums, the collections, display, and environment of Gardner Museum is completely affected by its creator. Mrs. Gardner, who enjoyed providing unique ideas about operating her museum. The quality of Old Master collections in the museum are highly applausive. On the other hand, although contemporary paintings are relatively not so striking, Mrs. Gardner paid a lot of effort in arranging these works. In order to understand the founder’s strategy of museum operation. This thesis focuses on the contents and displays of contemporary painting in Mrs. Gardner’s museum, especially the pieces of Mrs. Gardner’s portraits, depicted by contemporary painters.
  
  The first chapter traces Mrs. Gardner’s collections and sponsorship activities, as well as her ideas in creation of the museum. This thesis divide the chapter into three aspects, for the country, for the founder, and for the viewers. Mrs. Gardner’s sponsorship of artists directly affected her contemporary collection of paintings. The second chapter examines the content and display of contemporary collections, suspect Mrs. Gardner’s motives and purposes of collecting works of art, whether mutually authentication with other collections in the museum, or by her own unique strategy. The third chapter focuses on Mrs. Gardner’s portraits, which depicted by the contemporary painters, especially Sargent and Zorn. Those portraits showed Mrs. Gardner in different styles, and we could suspect the image she wanted to appear to the public. Also, the display modes of portrait is changed with different personal image. Mrs. Gardner’s display strategy not only reinforces the meaning of the works, more importantly, she highlighted her personal presence and personality to audience, moreover, declared that she is the great founder of the museum.

緒論 ........................................................................................................ 1
材料與研究現況 ............................................................................................................................. 4
問題意識 ......................................................................................................................................... 8
章節架構 ......................................................................................................................................... 9
第一章 芬威庭園的創造者:嘉德納夫人 ........................................ 10
第一節 在美術館之前:收藏與藝術贊助活動 ................................................. 10
一、重要收藏及階段性轉變 ....................................................................................................... 10
二、作為文化領袖 ....................................................................................................................... 16
小結 ......................................................................................................................... 19
第二節 嘉德納夫人對美術館的期望 ................................................................. 21
一、對國家與大眾的奉獻 ........................................................................................................... 21
二、對個人的意義 ....................................................................................................................... 23
三、作為觀者欣賞 ........................................................................................................................27
小結 ......................................................................................................................... 29
第二章 嘉德納夫人的同代繪畫收藏與展示 .................................... 30
第一節 同代繪畫的收藏內容及傾向 ................................................................. 30
一、主要收藏內容及管道 ........................................................................................................... 30
二、由同代繪畫收藏中反映出的收藏家品味及動機 ............................................................... 35
小結 ......................................................................................................................... 39
第二節 同代繪畫在美術館中的呈現與意義 ..................................................... 40
一、以同代作品為主的展示 ....................................................................................................... 40
二、散落於其它展間的同代作品 ............................................................................................... 43 ii
小結 ......................................................................................................................... 47
第三章 以肖像收藏塑造自我形象及存在 ........................................ 48
第一節 嘉德納夫人的肖像 ................................................................................. 48
一、佐恩的《嘉德納夫人在威尼斯》 ....................................................................................... 48
二、薩金特的《依沙貝拉.史都華.嘉德納的肖像》 ........................................................... 50
三、薩金特的《著白衣的嘉德納夫人》 ................................................................................... 55
小結 ......................................................................................................................... 56
第二節 嘉德納夫人肖像的展示與意義 ............................................................. 58
一、肖像的展示環境 ................................................................................................................... 58
二、展示邏輯之思辨 ................................................................................................................... 63
小結 ......................................................................................................................... 64
結論 ...................................................................................................... 66
參考資料 .............................................................................................. 69
附錄 .......................................................................................................72
圖版 ...................................................................................................... 73



西文書目
Boser, Ulrich. The Gardner Heist: A True Story of the World's Largest Unsolved Art Theft, New York: Smithsonian Books/ Harper Collins, 2009.
Carrier, David. Museum Skepticism: The History of the Display of Art in Public Galleries, Durham: Duke University Press, 2006.
Carter, Morris. Isabella Stewart Gardner and Fenway court, Boston; New York: Houghton Mifflin Company, 1925.
Chong, Alan and Lingner, Richard, eds. Eye of the Beholder: Masterpieces from the Isabella Stewart Gardner Museum, Boston, Mass.: Isabella Stewart Gardner Museum, in association with Beacon Press, 2003.
Corn, Wanda M.. “Art Matronage in Post-Victorian America,” in Corn, Wanda (ed.) Cultural Leadership in America: Art Matronage and Patronage, Boston: Trustees of the Isabella Stewart Gardner Museum, 1997.
Duncan, Carol. Civilizing Rituals: Inside Public Art Museums, London; New York: Routledge, 1995.
Goldfarb, Hilliard T.. The Isabella Stewart Gardner Museum: A Companion Guide and History, Boston: Isabella Stewart Gardner Museum, 1995.
Hadley, Rollin van N. (ed.). The Letters of Bernard Berenson and Isabella Stewart Gardner, 1887-1924, with Correspondence by Mary Berenson, Boston: Northeastern University Press, 1987.
Hendy, Philip. European and American Paintings in the Isabella Stewart Gardner Museum, Boston: Trustees of the Isabella Stewart Gardner Museum, 1974.
Higonnet, Anne. A Museum of One's Own: Private Collecting, Public Gift, Pittsburgh, PA: Periscope Pub.; New York: Distributed by Prestel Pub., 2009.
Higonnet, Anne. “Private Museums. Public Leadership: Isabella Stewart Gardner and the Art of Cultural Authority,” in Corn, Wanda (ed.) Cultural Leadership in America: Art Matronage and Patronage, Boston: Trustees of the Isabella Stewart Gardner Museum, 1997.
Isabella Stewart Gardner Museum. Guide to the Collection, Boston: The Trustees, 1976.
James, Henry; Zorzi, Rosella Mamoli. Letters to Isabella Stewart Gardner, London: Pushkin Press, 2012.
McCarthy, Kathleen D.. Women's Culture: American Philanthropy and Art, 1830-1930, Chicago: University of Chicago Press, 1991.
Samuels, Ernest and Samuels, Jayne. Bernard Berenson, the Making of a Legend (Cambridge, Mass.: Belknap Press, 1987).
Shallcross, Gilian. Masterpieces: Great Paintings of the World in the Museum of Fine Arts, Boston, Boston: MFA Publications; New York, N.Y.: D.A.P. , 2008.
Shand-Tucci, Douglass. The Art of Scandal: the Life and Times of Isabella Stewart Gardner, New York: HarperCollins, 1997.
Stout, George L.. Treasures from the Isabella Stewart Gardner Museum, New York: Crown Publishers, 1969.
Tharp, Louise Hall. Mrs. Jack: A Biography of Isabella Stewart Gardner, Boston: Little, Brown, 1965.
Vigderman, Patricia. The Memory Palace of Isabella Stewart Gardner, Louisville, Ky.: Sarabande Books, 2007.

期刊論文
American Art News, Vol. 19, No. 39 (1921 Aug. 20)
Curry, David Park. “Sargent's 'El jaleo', Washington, National Gallery,” The Burlington Magazine, Vol. 134, No. 1073 (1992 Aug): 552-554.
Hirshler, Erica E.. “Dennis Miller Bunker and His Circle of Friends,” The Magazine Antiques, 147 (1995 Jan): 184-193.
Matthews, Rosemary. “Collectors and Why they Collect: Isabella Stewart Gardner and her Museum of Art,” Journal of the History of Collections (2009) 21 (2): 183-189.
Schwarzer, Marjorie. “An Excerpt from Riches, Rivals and Radicals, The Collectors Who Shaped the American Museum,” Museum News (2006) 85 (1): 36-41.

學位論文
Litowitz, Dana D., “The Character of an Art Collection: Isabella Stewart Gardner, Henry Clay Frick, Albert C. Barnes, David Lloyd Kreeger, and the Donor Memorial in the U.S.,” (B.A. Thesis, Bryn Mawr College, 2007).
Rhodes, Gretchen Stein. “Method and Madness at the Isabella Stewart Gardner Museum,” (Ph. D. Thesis, Louisiana State University, Baton Rouge, 2010)
陳瑞千,《東西的交響—以惠斯勒日本風味油畫作品為例》,國立中央大學藝術學研究所,碩士論文,2006年。
鍾珞筠,《以當代藝術活化博物館的策略研究:以美國嘉德納博物館藝術家駐館計畫為例》,碩士論文,國立臺灣藝術大學藝術與文化政策管理研究所,2010年。

電子資料庫及網路資源
Childs Gallery
http://www.childsgallery.com/
Isabella Stewart Gardner Museum
http://www.gardnermuseum.org/
Museum of Fine Arts, Boston
http://www.mfa.org/ (2013/04/03瀏覽)
Oxford Art Online
http://www.oxfordartonline.com
Ralph P. Locke, Cyrilla Barr (ed.), Cultivating Music in America: Women Patrons and Activists since 1860 (Berkeley: University of California Press, 1997) http://publishing.cdlib.org/ucpressebooks/view?docId=ft838nb58v&;chunk.id=d0e3356&;toc.id=d0e3356&;brand=eschol (2013/05/25瀏覽)

連結至畢業學校之論文網頁點我開啟連結
註: 此連結為研究生畢業學校所提供,不一定有電子全文可供下載,若連結有誤,請點選上方之〝勘誤回報〞功能,我們會盡快修正,謝謝!
QRCODE
 
 
 
 
 
                                                                                                                                                                                                                                                                                                                                                                                                               
第一頁 上一頁 下一頁 最後一頁 top