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Taking ambiguous as the way of existence is the subject of my thesis. We can tell the meaning of the times changing from seeing the nude instinct of human beings, and the multi- aspects of the desire in our instinct. I try to explore the relationship between body and desire from the nude appearance, and also perform the dialectical times aesthetic. I start from the society reflecting of instinct then go through the researching of my act of doing creations. With the seeing aspect, and the historical context, ambiguous has been established and transformed. The reading interface is not only a record of reflecting reality but more creation of aesthetic. In the dialectical relationship between virtual and real, we can tell there is more desire in it. I analysis how do the self- desire and social reflecting working in my creations. I use a positive attitude to interpret some situation such as the uncertain state of ambiguous, being satisfied with this state, and also being eager for those insufficient parts.
Those images of my creations were chosen from the reading interface around our society. I put the art historical context and images together then re-interpret them. I back to the art context and deal with the reading interface issue. Then create the contemporary lexicon like the symbol of media and the technique of expression. I extend the possibility of desire by using images. I clarify the orientation of my creations, then seeing the existence of ambiguous. My creations are the portrayal of the era we lived, and also the portrayal of existence of myself. I research the seeing aesthetic and through connecting the art history then establish the existence of ambiguous in my creations.
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