本創作論述旨在描繪人體運動的時間形狀。以人作為創作主體，藉由筆者自身的觀察與凝視，企圖去保留眼前所意識到的一瞬之間。透過動態捕捉技術重新詮釋人眼視覺暫留的現象與人體運動所劃過的時間片段，並以動態影像形式呈現出影像於時間之中的流光瞬息。

論述中首先提出筆者對於日常生活環境的觀察，點出運動與時間之間的關係。文獻探討與理論分析則是根據前人的經驗與觀點，將「立體主義」、「未來主義」與「視覺暫留」進行一脈相承的統整研究，再比對當代相關的藝術創作尋找其中與論述主題相關的脈絡。

接著重新檢視自我，回顧以往的創作作品拉出潛意識中關注的面向，並將觀念轉化於創作之中。創作過程與具體實現，說明了視覺概念設計與創作中實驗的過程，以及具體的呈現內容。最後是創作者對於此次創作的結論與見解，並進行整合性的探討與提出未來改進的空間和方向。

The thesis of the creation is describing the time shape in continuous action.To research people as the creation object, and try to keep the perceived moment through my own observation and gaze. To reinterpret the phenomenon of persistence of vision and the time fragment of human movement by using motion capture technology. And to show the images passed in the twinkling of an eye by the motion images.
 
The thesis started from points out the relationship between movement and time by my observation from the daily life and environment. Next is the Literature Review and Theory Analysis. Through the previous experiences and views, to research and organized the “Cubism” “Futurism” and “Persistence of vision.” And by comparing the contemporary artwork, find out related thread of thought.
 
Then returned to examine back my previous creative work, discover the main concern in the subconscious, and convert those ideas in creations. The following is the Creation Process and Concrete Realization. It explained the vision concept design and the experience process in the creations, and presented the content. At last, it came to the conclusions and opinions for this creation work, and also conducted integrated study and improvement direction in the future.

論文目錄大綱


中文摘要................................................................................................................................1

英文摘要................................................................................................................................2

論文目錄................................................................................................................................3

圖目錄....................................................................................................................................5

表目錄....................................................................................................................................7

第一章 緒論..........................................................................................................................8

1-1 創作背景與動機...........................................................................................................10
1-2 創作目的.......................................................................................................................11
1-3 創作流程.......................................................................................................................12
1-4 創作架構.......................................................................................................................13

第二章 文獻探討與理論分析............................................................................................14

2-1 從觀看開始...................................................................................................................16
2-2 動態美學.......................................................................................................................19
2-3 視覺暫留.......................................................................................................................22
2-4 似動非動.......................................................................................................................25

第三章 自我回顧與概念轉化............................................................................................28

3-1 自我檢視.......................................................................................................................29
3-2 作品回顧.......................................................................................................................30
3-2-1 Treble Coca.................................................................................................................30
3-2-2 Platform......................................................................................................................33
3-2-3 燕窩........................................................................................................................... 36
3-2-4 我好想你....................................................................................................................41
3-3 概念轉化.......................................................................................................................46

第四章 創作過程與具體實現............................................................................................47

4-1 影像概念.......................................................................................................................48
4-2 創作實驗.......................................................................................................................49
4-3 動態設計.......................................................................................................................56
4-4 色彩表現.......................................................................................................................63
4-5 具體實現.......................................................................................................................65

第五章 結論........................................................................................................................78

參考文獻..............................................................................................................................79

附錄一 論文展演海報........................................................................................................80

附錄二 論文展演器材清單................................................................................................81

書籍資料：
艾倫．萊特曼著，董元方譯，《愛因斯坦的夢》台北：商周出版社，2013。
約翰．伯格著，吳莉君譯，《觀看的方式》台北：麥田出版社，2005。
奧古斯丁著，徐玉芹譯，《懺悔錄》台北：志文出板社，1985。
史蒂芬．霍金著，郭兆林 周念熒譯，《圖解時間簡史》台北：大塊文化出版社，2012。
蘭伯特著，錢乘旦譯，《劍橋藝術史（8）：二十世紀》台北：桂冠出版社，2000。
柳鳴九著，《未來主義．超現實主義．魔幻現實主義》台北：淑馨出版社，1990。
赫索．契普著，余姍姍譯，《現代藝術理論Ⅰ：從後印象主義到未來主義》台北，遠流出版，2012。


論文資料：
許智彥《以我之見–主觀視覺經驗於數位影像之呈現》，實踐大學時尚與媒體設計研究所碩士論文，2010。
陳玟琦《兩面地觀看–創作論述》，國立台南大學美術學系視覺藝術教學碩士班論文，2009。

網路資料:
楊衍畇《動力美學–波丘尼的未來主義繪畫與雕塑》2011年3月10日，截取自http://yunnia.blogspot.tw/2011/03/umberto-boccioni-1882-1916.html
莊雅淳 曾薰儀《動態造形表現形式之初探–以留影盤裝置為例》2011年5月25，截取自http://ir.lib.ksu.edu.tw/handle/987654321/13829