當代匈牙利作曲家李給替 (Gyorgy Sandor Ligeti, 1923-2006)，在二十世紀音樂的發展上，以其原創性的音樂創作理念與獲獎無數的卓越成就，佔有相當重要的地位與影響。晚期從1985年開始創作的一系列鋼琴練習曲，結合多元文化與科學的影響，運用創新的技法，被譽為繼德布西、拉威爾、和巴爾托克之後，二十世紀最具影響力之鋼琴創作；近年來更被列入世界鋼琴大賽之必選曲目中。本文將先巡禮歷史上重要的鋼琴練習曲，再以李給替三冊共十八首的練習曲為特定研究範圍，從演奏者的角度出發，探討其創作手法與鋼琴語彙，內容包括樂曲架構、旋律組織、節奏特徵、力度設計、速度的運用、強奏之表現、艱難技巧之彈奏、張力的詮釋等。

Gyorgy Sandor Ligeti (1923-2006), contemporary Hungarian composer, plays an important role and has made a great impact on the twentieth century world’s music scene with his original ideas of composition and extraordinary achievements. His Piano Etudes which were written during his later period from 1985, combine both multiculturalism and science, and have been regarded as the most influential works for piano after Debussy, Ravel and Bartok. They also have been included in the required repertoire of renowned piano competitions. The thesis gives a general overview of piano etude genre and its evolution throughout music history and specially focuses on the three books of Piano Etudes by Ligeti. The specific research based on the performance aspect includes formal structure, melodic organization, rhythmic character, dynamic devices, tempo, accent, technique difficulties, and the build-up towards musical climax.

中文摘要 i
英文摘要 ii
目錄 iii
譜例目次 iv
圖表目次 vi
凡例 vii

第一章 緒論 …………………………………………………………. 1
第一節 問題意識---------------------- 1
第二節 文獻回顧與探討----------------- 2
第三節 研究限制與架構----------------- 4
第二章 鋼琴練習曲的發展…………………………………. 6
第一節 二十世紀前的鋼琴練習曲---------- 7
第二節 二十世紀後鋼琴練習曲的發展------ 11
第三章 匈牙利作曲家李給替與鋼琴練習曲……. 25
第一節 生平與作品 ---------------------- 26
第二節 鋼琴練習曲 ---------------------- 34
第四章 創作手法的素材基底與鋼琴語彙…………. 38
第一節 素材基底------------------------- 38
第二節 素材基底在鋼琴語彙上的實踐---------- 49
第五章 演奏實務：節奏與演奏版本…………………. 72
第一節 關於節奏的再思考------------------ 72
第二節 李給替委託錄音的經典版本：
Volker Banfield 與Pierre-Laurent Aimard ---- 79

第六章 結論：歷史洪流的新浪潮 ─ 新時代經典-------------------- 85

參考資料 ………………………………………………………………………. 88

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曾興魁。《新音樂透析》。台北：天同出版社，1985〔民74〕。

楊沛仁。《音樂史與欣賞》。台北：美樂出版社，2001〔民90〕。

劉志明。《西洋音樂史與風格》。台北：全音樂譜出版社，1988〔民77〕。

黎翁大林，康謳譯。《二十世紀作曲法》。台北：全音樂譜出版社，1990〔民79〕。

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潘皇龍。《讓我們來欣賞現代音樂》。台北：全音樂譜出版社，1987〔民76〕。

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蘇鈺卿。《LIGETI的音樂創作與理念分析》。台北：師大碩論，2002〔民91〕。

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樂譜
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Stravinsky, Igor. Four Etudes, Op.7. Moscow: P. Jurgenson / New York: Edwin F. Kalmus, 1933.