臺灣博碩士論文加值系統

本論文以女性主義地理學觀點研究加拿大作家瑪格麗特．愛特伍三部以多倫多為背景的小說：《貓眼》、《強盜新娘》、及《盲眼刺客》。大體而言，女性主義地理學以女性主義觀點探討空間、地方、性別、與權力，藉以解構龐大單一的、男性的世界觀。本文試圖建立一個模式，據以描述愛特伍的女性人物，如何藉由另類生命美學，來對抗地理限制及不平等的空間分配。
本論文以女性主義地理學的基本信念為基石，提出以下三個前提。(一) 女性成長過程中，身體受制於懲戒凝視，從而再現性別、文化規範。(二) 家庭、國家、職場皆由一組價值觀建構而來。該組價值觀將男性氣概與公領域連結，女性氣質與私領域連結。 (三) 女性主義地理思想有助於動搖父權空間關係，顛覆失真的地圖再現，並重現另類地理以彰顯女性他者。
全文共分五章。第一章提供文獻探討及理論基礎。第二至第四章分別討論一個主題。第二章分析空間、地方、及女性成長的相互關係。第三章主張無論就家庭、國家、或職場而言，性別皆舉足輕重。第四章提出一個模式，藉由另類觀點及自我創造重建女性主義地理。第五章總結研究結果，並且由女性主義地理的角度評估愛特伍的成就。

This dissertation is a feminist geographical analysis of Canadian writer Margaret Atwood’s three Toronto novels: Cat’s Eye, The Robber Bride, and The Blind Assassin. Generally, feminist geography is a discipline that focuses on feminist deconstruction of the monolithic, masculinist worldview about space, place, gender, and power. The study aims to develop a model to describe how Atwood’s female characters confront geographical limitations and inequitable spatial distributions by establishing an alternative aesthetics of life.
Based on basic tenets of feminist geography, the premises of this dissertation are: (a) that the female development is a process where women’s bodies are regulated by disciplinary gaze and inscribed with gender and cultural standards, (b) that home, nation, and workplaces are constructed by a set of values which associates masculinity with the public sphere and femininity with the private sphere, and (c) that feminist geographical thinking contributes to destabilizing patriarchal spatial relations, subvert the misrepresented maps, and remap alternative geography for the feminine Other.
The dissertation consists of five chapters. Chapter one provides a literature review and basic theoretical backgrounds. Chapters two through four focus on three subject matters respectively. Chapter two analyzes the interrelationship between space, place, and the female development. Chapter three argues that gender matters in terms of home, nation, and workplaces. Chapter four puts forth a model to remap feminist geography by alternative views and self-creation. Chapter five summarizes the findings and evaluates Atwood’s achievements in terms of feminist geography.

Table of Contents

Abstract (Chinese) i
Abstract (English) ii
Table of Contents iii
Acknowledgements vi

Chapter One Introduction 1
I. General Introduction 2
A. A Profile of Atwood 3
B. Atwood’s Geographical Thinking 6
C. Atwood and Feminism 9
D. Alternative Spaces: Scientific Insights, Magical Realism, and Science Fiction 12
E. Atwood Scholarship on Geography and Gender 16
II. From Humanistic Geography to Feminist Geography 18
III. The Premises and Organization of the Dissertation 27

Chapter Two Space, Place, and the Female Development 30
I. Cat’s Eye 33
A. The Clash between the Wilderness and the City 34
B. The Disciplinary Gaze and the Female Body 36
C. Spatial Control and the Docile Body 41
II. The Robber Bride 45
A. The Body and the Sense of Self 46
B. Women’s Limited Space, Self-Image, and the Women-Men Relationship 54
III. The Blind Assassin 59
A. Class Expectations and Spatial Regulation 60
B. The Economic Worth of the Female Body 65

Chapter Three Gender Matters: Home, Nation, Workplaces 68
I. Cat’s Eye
A. The Public/Private Division and the Notion of Home 69
B. Gender and the Postcolonial Nation 76
C. Women’s Work and Workplaces 79
II. The Robber Bride
A. War and Gender 81
B. The (Mis)representation of Home and Nation as Static Space 86
C. Where Is Ms. President’s Place? 92
III. The Blind Assassin
A. Gendering the Nation 96
B. War and Gender Representations 103

Chapter Four Remapping Feminist Geography: Alternative Views, Border Crossings, and Self-Fashioning 107
I. Cat’s Eye
A. Alternative Views as Resistance 107
B. Alternative Angles, Alternative Worldviews 114
II. The Robber Bride
A. The Anatomy of Zenia 120
B. Subversive Mappings and Subversive Women 125
III. The Blind Assassin
A. Border Crossings and the Art of Self-Fashioning 128
B. The Crone’s Spatiality 138

Chapter Five Conclusion 142

Works Cited 151

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