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With the exception of skills, physical strength and performance interpretation, a producer and a performer still has to learn administration and other matters relating to the production, including the selection of venue, plan submission, dance code set, rehearsal itinerary, shooting stills arrangement, oral arrangement, propaganda production, publicity and integrated ticket application, and performance staff allocation and other related matters. This research utilized the aspects of performing ideas and analyses and explored the use of physical and emotional transition. I shared how the author implemented physical and mental training to create a clear focus and get the most benefits, to reflect his own exposure to various sensory communicated to the body of the message, to transform a complete and vivid characters on the stage, and to show the true meaning of the content. Based on double exhibition“Dancing with Wind and Shadows”as an example, this research was divided into five chapters. The first chapter contained study motivation, research methods, research restrictions and glossary. The second chapter was to explore the physical and emotional vocabulary transition. The third chapter and the fourth chapter analyzed dance performances of the author’s concept of participation, with the use of personal experience and expression of emotions, interpretation of the mentality of different styles of dance works. The fifth chapter was the conclusion. I finally attached the text description of the“Dancing with Wind and Shadows”in order to share practical experience, emotional journey into the art of dance.
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