|
[1]K. Shi, X. Ma, and G. Tong Zhou, “Adaptive Acoustic Echo Cancellation in The Presence of Multiple Nonlinearities,” IEEE International Conference on Acoustics, Speech and Signal Processing, 2008 [2]T. Li, “Musical genre classification of audio signals,” IEEE Transactions on Speech and Audio Processing, vol. 10, no. 5, pp. 293-302, 2002. [3]C. Silla Jr, et al., “A machine learning approach to automatic music genre classification,” RIAO, Pittsburgh, 2007 [4]S. Doraisamy, et al., “A study on feature selection and classification techniques for automatic genre classification of traditional malay music,” in Proc. ISMIR 2008, pp. 331-336 [5]M. Marolt, “Transcription of polyphonic piano music with neural networks,” Electrotechnical Conference, vol. 2, pp. 512-515, 2000 [6]蕭力維(國立國立臺灣大學), “吉他效果器效果辨認與延遲估計” 國 立 臺 灣 大 學 電機資訊學院 電機工程學研究所 碩 士 論 文., 2010 [7]David Sanchez Mendoza(University Pompeu Fabra), “Emulation Elcectric Guitar Effects With Neural Network” Computer Engineering Graduation Project, 2005 [8]E. Bai. “A blind approach to Hammerstein–Wiener model identification,” Automatica, 38(6):967–979, 2002. [9]L. Rabiner, “On the use of autocorrelation analysis for pitch detection,” IEEE Transactions on Acoustics, Speech and Signal Processing, vol. 25, no. 1, pp.24-33, 1977
|