臺灣博碩士論文加值系統

新平溪煤礦位於基隆河上游十分聚落旁, 於六十一年前被開發出一條長達1.2 公里長的生產線, 散置在山林之間,
數十年後採礦沒落, 礦場一間間關閉, 聚落漸漸發展成觀光小鎮, 天燈漫天飛舞, 快速道路穿過高山駛入小鎮;
而當時的生產設備, 以及礦工在坑道工作時的恐懼、黑暗和危險記憶, 一同被淹沒在荒煙蔓草之間, 被世界所遺忘。

以新平溪煤礦作為起點,我提出兩個問題:
空間為何使人恐懼我們都認同進入礦坑工作會讓人感到恐懼, 但為什麼礦坑的物理環境是如何影響人的心理狀態？
管狀空間可否作為主體被討論？
這些設備大多為管狀空間, 礦坑本身就是一個龐大的管狀空間, 但無論在空間或文學領域, 管狀空間大多作為過渡, 而鮮少作為主體被討論。但為何不可？

針對以上問題, 在設計初期, 我以礦工的口述回憶為依據作出歸納, 並對管狀空間本身的形狀及其形成的空間特質作出多種的實驗;
結合以上的結果, 我將把新平溪煤礦轉型成產業歷史博物館, 在這裡面, 人們將了解這過去曾經興盛的產業、體驗過去礦工的恐懼
、見證新舊地景之間幾十年來的變化。

Located on the upper stream of Keelung River, New PingXi coal mine was made up by a production line of 1.2 kilometers which developed next to Shifen community. Decades later, due to the decline of coal mining industry, the community transformed into a tourist attraction; ying lanterns occupy the sky, new highway runs through the mountains. All those coal mining equipments, as well as the fear and unpleasant memories of coal min- ers, were leaving behind and eventually be forgotten by people.
Originated from my observations in this site, two questions are raised:
Why would space create the emotion of fear?
We agree that being stay in a coal mine is horrible, scary or at least unpleasant, then what is the reason? How did the characteristic of physical environment create psychological impact on human beings?
Could tubular space be treated as a main issue in architecture?
Most of the coal mining equipments are tubes, and the coal mine is a massive tube by itself. Either in literature or in architecture, tubes play the role of a threshold space, a transition; they seldom be the crux of a discussion. But could it be?
Focus on the above questions, I started this project by collecting the oral history from coal miners, and study the relationship between shapes of tubes and the resulting spatial char- acteristics; with all these materials, my project is going to refurbish the New PingXi coal mine into a industrial history museum, which aims to deepen people’s understanding of the industry, to experience the perceptions of coal miners, and to emphasise the landscape changes through the past decades.

謝誌 / Acknowledgements
摘要 / Abstract
01 前言 / Introduction
Argument 4
Statement 6
02 煤產業沒落 / The Lost Industry
煤礦產業 10
新平溪礦場 12
03 策略 / Strategy
礦工與心理狀態 26
管狀空間實驗 46
04 設計 / Design
管狀空間焦慮狀態方法 62
參觀動線 64
卸煤櫃/ 洗選煤場 66
輸送帶 / 台二丙下 116
翻車台128
捨石山164
坑口 / 水聲管 178
05附錄 /
參考書目 212
圖片來源 213

《平溪煤礦史》林再生編 / 台北縣平溪鄉公所 / 民 89
《礦業滄桑幾十載 老礦工口述歷史》天主教敬仁勞工服務中心著 / 民 90 《礦工》夏目漱石著 / 石榴紅譯 / 久大出版 /1990
《採礦工程》胡榮銓撰 / 長沙商務印書館 /1939
《終結的建築》韓國 C3 出版公社編 / 大連理工大學出版社 /2013 《可持續建築》黑龍江科學技術出版社 /2012
《Mind & Body Health Handbook》David S. Sobel & Robert E. Ornstein
《Condemned Building》Douglad Darden /Princeton Architectural Press / 1992
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《Carlo Scarpa architecture and design》GuidoBeltramini, Italo Zannier /2007
《Museum Design 》Send Points Publishing Co.,Ltd.
《Architecture Now! Museums 》Philip Jodidio /Taschen
《The Elements of Modern Architecture》Antony Radford, Selen Morkoc, and Amit Srivastava 《London's Disused Underground Stations》J.E. Connor /Capital Transport Publishing / 2001