臺灣博碩士論文加值系統

綜觀大提琴演奏藝術史的發展脈絡，德國大提琴家伯恩哈德．隆貝爾格(Bernhard Romberg, 1767~1841)是相當具有影響力的關鍵人物，更在十八世紀下半葉的大提琴家中佔有一席之地，他以卓越精湛的演奏技巧風靡了當時全歐洲的聽眾，同時將大提琴的技巧發展引領至更高的境界；除此之外，他將畢生豐富的演奏經驗融會貫通，編寫成重要的大提琴教材及許多作品，更對後世的大提琴教學做出偉大的貢獻。
在隆貝爾格的所有作品中，十首大提琴協奏曲是最能展現精湛技巧的創作，這些獨特的作品突顯了日趨成熟的獨奏技巧和學習價值；本論文探討的內容將從隆貝爾格生涯經歷為起點，透過不同的層面了解隆貝爾格對大提琴演奏藝術發展的重要性，再進一步分析隆貝爾格十首大提琴協奏曲中的樂曲結構和技巧應用，進一步歸納其作品的內涵與特徵。
在音樂詮釋方面，藉由筆者本身對樂曲的觀點，繼而深入思索要如何演繹協奏曲中獨具特色的樂段，針對協奏曲中各種艱深的技巧，要如何提升演奏詮釋的層次，讓隆貝爾格的精神與見解忠實的體現在樂曲中。
筆者希冀經由此論文的寫作不但能達到學術研究與教學並進之目的，更期盼深入探究隆貝爾格作品中的各種大提琴技巧理論，能提升國內大提琴演奏者及教學者對其作品的重視，啟發更進一步研究及演奏的風氣。

Throughout the history of the development of cello performance, the German cellist Bernhard Romberg(1767~1741) is an influential key figure and considered one of the greatest performers in the second half of the 18th century. His superb skills and performance made him popular all over Europe. He also brought cello performance to a whole new level. Furthermore, he has mastered a lifetime of experience and translated it to many important cello pieces and teaching materials, making a great contribution to the music world.
Among all of Romberg's pieces, ten of the cello concertos are known to provide the chance for a cellist to demonstrate his mastery of the instrument. These unique work demonstrated his mature solo skills and values in learning. This article starts by detailing Romberg's life story, which may help us understand Romberg's importance to the development of cello performance in various aspects. Then this article analyzes the structure and techniques of the ten cello concertos written by Romberg, and summarizes the features and connotations of his work.
The author interpreted the music based on his personal view in addition to further contemplation on the methods of expression for the unique sections in the concertos. The author also explored how to improve the interpretation level of the various difficult sets in the concerto to stay loyal to the spirit and understanding of Romberg.
The author aims to contribute to academic research and teaching, encouraging further investigation of various cello technical theories in Romberg's work, to increase the exposure of his work to cellists and scholars in Taiwan, and to inspire further research and outstanding performance.

目 次
圖片目次 vi
表格目次 vii
凡 例 xiii
第一章 緒 論 1
第一節 研究動機與目的 1
第二節 研究方向與範圍 3
第三節 文獻探討 5
第二章 隆貝爾格在大提琴發展上的貢獻與創見 11
第一節 生平與作品概述 12
第二節 隆貝爾格在樂器和演奏法上的改革與創新 20
第三節 隆貝爾格的演奏觀點與藝術概念 27
第四節 隆貝爾格對後世的影響 29
第三章 十首大提琴協奏曲創作手法之剖析 33
第一節 曲式結構分析 33
第二節 音樂特質與曲調素材的展現 46
第四章 十首大提琴協奏曲之演奏實踐 61
第一節 協奏曲中的演奏技巧呈現 61
第二節 第一、三、六、七號協奏曲之音樂詮釋 84
第三節 第二、四、五、八、九、十號協奏曲之音樂詮釋 116
第五章 結論 145
參考文獻 148
中文書目 148
外文書目 148
網路資料 149
樂譜 150
附錄 151
附錄一 隆貝爾格其他大提琴作品~有編號 151
附錄二 隆貝爾格大提琴作品~無編號 153
附錄三 隆貝爾格室內樂重奏作品 154
附錄四 隆貝爾格其他創作 155
附錄五 隆貝爾格和堂兄安德烈共同創作 156

參考文獻
中文書目
吳秀云，《大提琴技法的演進與訓練》。北京：中央音樂學院出版社，2006。
音樂表演用語詞典編寫組，《音樂表演用語詞典》。台北：世界文物出版社，1994。
馬思琚、汪家寶譯，戴維．布魯姆(Blum David)著，《卡薩爾斯論演奏藝術》
(Casals and the art of interpretation)。北京：人民音樂出版社，2003。
張世祥譯，瑪格麗特．坎貝爾(Campbell Margaret)著，《不朽的大提琴家》
(The Great Cellists)。台北：世界文物出版社，1996 (原著出版年：1988)。
張蓓荔、楊寶智等，《弦樂藝術史》。北京：高等教育出版社，2004。
外文書目
(一)專書類
Blindow, Martin. Bernhard Romberg (1767-1841): Leben und Wirken des grossen Violoncello- Virtuosen. München-Salzburg: Musikverlag Bernd Katzbichler, 2013.
Grout, Donald Jay, and Claude V. Palisca. A History of Wastern Music. 6th edition. New York: W.W. Norton & Company Inc, 2001.
Markevitch, Dimitry. Cello Story. Miami: Summy- Birchard Inc, 1984.
Romberg, Berhard. A Complete Theoretical and Practical School for the Violoncello, Bosten: Oviler Dition, 1880.
Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: W. W. Norton & Company, Inc., 1972.
Stowell, Robin. The Cambridge Companion to the Cello. New York: Cambridge University Press, 2002.

Walden, Valerie. One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840. New York: Cambridge University Press, 2004.
(二)學術論文
Ginsburg, Lev. History of the violoncello. Paganiniana Pub., 1983.
Raychev, Evgeni Dimitrov. The Virtuoso Cellist-Composers from Luigi Boccherini to David Popper: A Review of Their Lives and Works. Tallahassee: The Florida State University, 2002.
Venturini, Adriana Marie Luther. The Dresden School of Violoncello in the Nineteenth
Century. Orlando: University of Central Florida, 2007.
Walden, Valerie. Bernhard Romberg: A Survey of His Life, Work, and Contribution to the Art of Violoncello Performance. Auckland: The University of Auckland, 1989.
------------------. An Investigation and Comparison of the French and Austro-German Schools of Violoncello Bowing Techniques: 1785-1839. Auckland: The University of Auckland, 1994.
Yun,Yeon-Ji. The Ten Cello Concertos by Berhard Heinrich Romberg. Bloomington: Indiana University, 2012.

網路資料
“ Fandango ” <http://en.wikipedia.org/wiki/Fandango>(accessed 2014. 05.10)
“Interpretation”<http://www.oxfordmusiconline.com/subscriber/article/grove/music/13863>(accessed 2014.02.28)
“Romberg.”< http://www.kith.org/jimmosk/misc.html#Romberg> (accessed 2013. 08. 14 )
“Romberg & The History of The Violoncello “<http://www.users.globalnet.co.uk/~leonid/
romberg_history.htm>(accessed 2013. 08. 07)
樂譜
Bach, Johann Sebastian. Suites VI for Violoncello solo, BWV1012. Germany: Bärenreiter, 2007.
Beethoven, Ludwig van. Symphony No.8, op. 93. Leipzig: Breitkopf & Härtel, 1863.
Beethoven, Ludwig van. Triple Concerto, op. 56. Leipzig: Breitkopf & Härtel, 1862.
Haydn, Franz Joseph. Cello Concerto No.1, Hob. VIIb:1. Leipzig: C.F. Peters, 2013.
Kreutzer, Rodolphe. Violin Concerto No.18 in E minor. Leipzig: C.F. Peters, 1885.
Rode, Pierre. Violin Concerto No.4, op. 6. Leipzig: C.F. Peters, 1885.
Romberg, Berhard. Cello Concerto No. 1, op. 2. Leipzig: C.F. Peters, 1887.
Romberg, Berhard. Cello Concerto No. 2, op. 3. Leipzig: C.F. Peters, 2014.
Romberg, Berhard. Cello Concerto No. 3, op. 6. Leipzig: C.F. Peters, 2009.
Romberg, Berhard. Cello Concerto No. 4, op. 7. Braunschweig: Litolff, 2009.
Romberg, Berhard. Cello Concerto No. 5, op. 30. Braunschweig: Litolff, 2009.
Romberg, Berhard. Cello Concerto No. 6「Militaire」, op. 31. Leipzig: C.F. Peters, 1887.
Romberg, Berhard. Cello Concerto No. 7「Suisse」, op. 44. Leipzig: C.F. Peters, 2014.
Romberg, Berhard. Cello Concerto No. 8, op. 48. Braunschweig: Litolff, 2009.
Romberg, Berhard. Cello Concerto No. 9, op. 56. Leipzig: C.F. Peters, 2009.
Romberg, Berhard. Cello Concerto No. 10, op. 75. Leipzig: C.F. Peters, 2009.
Romberg, Berhard. Méthode de Violoncelle. Berlin: T. Trautwein, 1840.
Viotti, Giovanni Battista. Violin Concerto No.23. New York: G. Schirmer, 1990.