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研究生:黃婕安
研究生(外文):Huang, Chieh-An
論文名稱:日常生活審美化與超現實主義:以1938年國際超現實主義展覽為例
論文名稱(外文):The Aestheticization of Everyday Life and Surrealism: A Case Study of the 1938 International Surrealist Exhibition.
指導教授:楊永源楊永源引用關係
指導教授(外文):Yang, Yung-Yuan
學位類別:碩士
校院名稱:國立臺灣師範大學
系所名稱:美術學系
學門:藝術學門
學類:美術學類
論文種類:學術論文
論文出版年:2017
畢業學年度:105
語文別:中文
論文頁數:127
中文關鍵詞:列斐伏爾超現實主義日常生活批判資本主義1938年國際超現實主義展覽異化完整的人神奇廢墟人偶
外文關鍵詞:Henri LefebvreSurrealismCritique of Everyday Lifecapitalism1938 International Surrealism Exhibitionalienationthe total manmarvelousruinmannequin
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本文根據亨利.列斐伏爾(Henri Lefebvre, 1901-1991)的《日常生活批判》(Critique of Everyday Life)一書之立場,將日常生活批判看作一種整體性的社會改革,並探究日常生活如何透過重置「常」與「異」的分界,來實現僵化現代生活的解放,以及資本主義社會的殖民式經濟系統。

列斐伏爾認為,資本主義透過各種技術使得日常生活逐漸產生異化,若要掀開異化的面紗,就必須以「完整的人」為目標,對日常生活進行批判和重建。基於資本社會的發展和藝術活動相互影響的前提,以及超現實主義致力於日常中各種客觀機遇的發掘,與列斐伏爾的批判意識相近,本文在列斐伏爾的日常生活批判理論的基礎上,以〈1938年國際超現實主義展覽〉為研究對象,討論超現實主義如何透過物件的「無效性」和「神奇」,來協調與日常生活實踐之間的關係,最後再以列斐伏爾的日常生活審美化理論作結,討論「讓生活成為藝術品」與20世紀現代性轉向的關係。
Based on the standpoint of Critique of Everyday Life by Henri Lefebvre (1901-1991), this study regards the critique of everyday life as an integrated social reform and further explores how everyday life realizes the liberation of rigid modern life and the colonial economic system in a capitalist society by resetting the boundary between similarity and difference.

Lefebvre argues that capitalism has made everyday life gradually characterized by alienation through various techniques. To lift the veil of alienation, setting “the total man” as the goal is necessary for conducting the criticism and reconstruction of everyday life. Based on the premise that the development of capital society is mutually affected by artistic activities, as well as the discovery of the objective hazard in everyday life that surrealism has focused on is similar to the critical consciousness of Lefebvre, this study takes the 1938 International Surrealism Exhibition as the subject to discuss how surrealism coordinates its relationship with everyday life practices through the useless and marvelous objects based on Lefebvre’s critique of everyday life theory. In closing, Lefebvre’s aestheticization of everyday life is used to conclude through the exploration of the relationship between “letting everyday life become a work of art” and “the modern turn in the 20th century.”
中文摘要………………………………………ⅰ
英文摘要………………………………………ⅲ
誌謝……………………………………………ⅴ
目錄……………………………………………ⅶ


第一章、緒論…………………………………1
第一節、研究動機與目的……………………1
第二節、研究方法與架構……………………7
第三節、文獻回顧……………………………13

第二章、Lefebvre與日常生活裡的平庸與神奇……28
第一節、異化…………………………………28
第二節、完整的人……………………………31
第三節、文化的革命與感性的回歸…………35
第四節、節慶…………………………………40
第五節、瞬間與超現實主義…………………45

第三章、1938年國際超現實主義展覽………54
第一節、日常生活與超現實主義……………54
第二節、廢墟與神奇…………………………64
第三節、街道與革命…………………………77
第四節、邊界上的身體與踰越………………83

第四章、日常生活審美化與超現實主義……96
第一節、讓日常生活成為藝術品……………96
第二節、日常生活審美化的淵源與發展……102

第五章、結論……………………111

圖版………………………………116

參考文獻…………………………120
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