徵引書目
一、古籍
[宋]孔平仲:《續世說》,南京:江蘇古籍出版社,1988年。
[宋]朱熹:《四書章句集注》,臺北:商務印書館,1983年《景印文淵閣四庫全書》影印國立故宮博物院藏本,第197冊。
[明]計成:《園冶》,北京:中國建築工業出版社,1988年第2版。
[明]袁宏道著,錢伯城箋校:《袁宏道集箋校》,上海:上海古籍出版社,2008年第2版。
[明]高啟:《高太史大全集》,臺北:商務印書館,1983年《景印文淵閣四庫全書》影印國立故宮博物院藏本,第1230冊。
[明]馮夢龍:《馮夢龍全集》,南京:江蘇古籍出版社,1993年。
[明]董其昌:《容臺集》,臺北:國立中央圖書館編印,1968年。
[瑞士]鄧玉函口授,[明]王徵譯繪:《遠西奇器圖說》,1985年臺北:新文豐出版公司《叢書集成新編》,第48冊。
[清]文震亨:《長物志》,臺北:新文豐出版公司,1985年《叢書集成新編》,第48冊。
[清]李漁:《肉蒲團》臺北市 : 臺灣大英百科,1994年。
[清]李漁:《李漁全集》,杭州:浙江古籍出版社編,2010年。
[清]李漁:《閒情偶寄》,臺北:明文書局,2002年。
[清]錢謙益著,錢曾注,錢仲聯標校:《錢謙益全集》,上海:上海古籍出版社,2003年。
中華書局編輯部點校:《全唐詩》,北京:中華書局,1999年。
二、專書
巫仁恕:《品味奢華:晚明的消費社會與士大夫》,臺北:聯經出版,2007年。
巫仁恕:《游道:明清旅遊文化》,臺北:三民書局,2010年。
楊儒賓:《儒家身體觀》,臺北:中央研究院中國文哲研究所,1996年。
鄒振環:《晚明漢文西學經典:編譯、詮釋、流傳與影響》,上海:復旦大學出版社,2011年。
趙園:《明清之際士大夫研究》,北京:北京大學出版社,1999年。
Cahill, James. The Compelling Image: Nature and Style in Seventeenth-century Chinese Painting. Cambridge, MA: Harvard UP, 1982.
Chun-shu Chang and Shelley Hsueh-lun Chang, Crisis and Transformation in 17th Century China. Lansing, Michigan: University of Michigan Press, 1998.
Clunas, Craig. Superfluous Things: Material Culture and Social Status in Early Modern China. Honolulu: University of Hawaii Press, 2004.
Hanan, Patrick. The Invention of Li Yu. Cambridge, MA.: Harvard University Press, 1988.
Hay, Jonathan. Sensuous Surfaces: The Decorative Object in Early Modern China. Honolulu: University of Hawaii Press, 2010.
He, Yuming. Home and the World: Editing the “Glorious Ming” in Woodblock-Printed Books of the Sixteenth and Seventeenth Centuries. Cambridge, MA: Harvard University Asia Center. 2013.
Hongnam Kim, The life of a patron: Zhou Lianggong (1612-1672) and the painters of seventeenth century China. New York: China Institute in America, 1996.
Kai-wing Chow, Publishing, Culture, and Power in Early Modern China, 1 edition. Stanford: Stanford University Press, 2007.
Kile, Sara. Toward an Extraordinary Everyday: Li Yu''s Vision, Writing, and Practice. New York: Columbia University, 2013.
Kleutghen, Kristina. Imperial Illusions: Crossing Pictorial Boundaries in the Qing Palaces. Washington, D.C: University of Washington Press, 2014.
Ko, Dorothy. Cinderella''s Sisters: A Revisionist History of Footbinding, 1 edition. Oakland: University of California Press, 2007.
Li, Wai-yee. Enchantment and Disenchantment: Love and Illusion in Chinese Literature. Princeton, NJ: Princeton UP, 1993.
Rolston, David L. Traditional Chinese Fiction and Fiction Commentary: Reading and Writing Between the Lines. Stanford: Stanford UP, 1997.
Volpp, Sophie. Worldly Stage: Theatricality in Seventeenth-Century China. Cambridge, MA: Harvard University Asia Center, 2011.
Zeitlin, Judith T. Historian of the Strange: Pu Songling and the Chinese Classical Tale. Stanford, CA: Stanford UP, 1993.
三、單篇論文
王鴻泰:〈閒情雅致——明清間文人的生活經營與品賞文化〉,《故宮學術季刊》第22卷第1期,2004年,頁69-97。王鴻泰:〈雅俗的辨證——明代賞玩文化的流行與士商關係的交錯〉,《新史學》第17卷第4期(2006年12月),頁73-141。周鑫玉:〈論李漁《琵琶記.尋夫》改本之變動〉,《當代戲劇》2015年第3期,頁12-14。
陳建華:〈凝視與窺視:李漁《夏宜樓》與明清視覺文化〉,《政大中文學報》第9期,2008年6月,頁38-42。Idema, Wilt. “Drama After the Conquest: An Introduction,” in Idema, W. L., Wai-yee Li, and Ellen Widmer, Trauma and Transcendence in Early Qing Literature. Cambridge, MA: Harvard U Asia Center, 2006.
Li, Wai-Yee and Owen, Stephen. “The Early Qing to 1723.” The Cambridge History of Chinese Literature. Cambridge: Cambridge University Press, (2010, vol. 2): 152-244.
Meyer-Fong, Tobie. “Packaging the Men of Our Times: Literary Anthologies, Friendship Networks, and Political Accommodation in the Early Qing,” Harvard Journal of Asiatic Studies 64/1 (2004): 5-56.
Shang Wei. “The Story of the Stone and Its Visual Representations, 1791-1919.” Approaches to Teaching The Story of the Stone (Dream of the Red Chamber). New York: Modern Language Association of America, 2012.
Sieber, Patricia. “Seeing the World Through Xianqing Ouji (1671): Visuality, Performance, and Narratives of Modernity,” Modern Chinese Literature and Culture 12.2, Visual Culture and Memory in Modern China (Fall, 2000): 1-43.