|
1.趙一平。fMRI教育講習課程II。取自https://sites.google.com/site/catpin/fmri 2.蔡宇平(2015)。以功能性磁振造影分析景觀設計創造力之腦區反應。臺灣大學園藝暨景觀學系學位論文。1-60。 3.Aboitiz, F., Ossandón, T., Zamorano, F., Palma, B., & Carrasco, X. (2014). Irrelevant stimulus processing in ADHD: catecholamine dynamics and attentional networks. Frontiers in psychology, 5, 183. 4.Alexander, G. E., DeLong, M. R., & Strick, P. L. (1986). Parallel organization of functionally segregated circuits linking basal ganglia and cortex. Annual review of neuroscience, 9(1), 357-381. 5.Aminoff, E. M., Kveraga, K., & Bar, M. (2013). The role of the parahippocampal cortex in cognition. Trends in cognitive sciences, 17(8), 379-390. 6.Anthony J. B. (2015 September). Homunculus: Somatosensory and Somatomotor Cortex. Retrieved from: https://www.ebmconsult.com/articles/homunculus-sensory-motor-cortex (2017 May) 7.Arden, R., Chavez, R. S., Grazioplene, R., & Jung, R. E. (2010). Neuroimaging creativity: a psychometric view. Behavioural brain research, 214(2), 143-156. 8.Beaty, R. E., Benedek, M., Silvia, P. J., & Schacter, D. L. (2016). Creative cognition and brain network dynamics. Trends in cognitive sciences, 20(2), 87-95. 9.Bhattacharya, J., & Petsche, H. (2005). Drawing on mind''s canvas: Differences in cortical integration patterns between artists and non‐artists. Human brain mapping, 26(1), 1-14. 10.Brosschot, J. F., & Thayer, J. F. (2003). Heart rate response is longer after negative emotions than after positive emotions. International journal of psychophysiology, 50(3), 181-187. 11.Buschman, T. J., & Miller, E. K. (2007). Top-down versus bottom-up control of attention in the prefrontal and posterior parietal cortices. science, 315(5820), 1860-1862. 12.Chavez, R. A., Graff-Guerrero, A., Garcia-Reyna, J. C., Vaugier, V., & Cruz-Fuentes, C. (2004). Neurobiology of creativity: preliminary results from a brain activation study. Salud Mental, 27(3), 38-46. 13.Chen, H., Wigand, R. T., & Nilan, M. (2000). Exploring web users'' optimal flow experiences. Information Technology & People, 13(4), 263-281. 14.Chen, H., Wigand, R., & Nilan, M. S. (1999). Optimal experience of web activities. Computers in Human Behavior, 15(5), 585-608. 15.ChuDuc, H., NguyenPhan, K., & NguyenViet, D. (2013). A review of heart rate variability and its applications. APCBEE Procedia, 7, 80-85. 16.Corbetta, M., & Shulman, G. L. (2002). Control of goal-directed and stimulus-driven attention in the brain. Nature reviews neuroscience, 3(3), 201-215. 17.Corbetta, M., Patel, G., & Shulman, G. L. (2008). The reorienting system of the human brain: from environment to theory of mind. Neuron, 58(3), 306-324. 18.Cotterill, R. M. (2001). Cooperation of the basal ganglia, cerebellum, sensory cerebrum and hippocampus: possible implications for cognition, consciousness, intelligence and creativity. Progress in Neurobiology, 64(1), 1-33. 19.Csikszentmihalyi, M. (1996). Flow and the psychology of discovery and invention. New Yprk: Harper Collins. 20.Csikszentmihalyi, M. (1997). Finding flow. New York: Basic. 21.Csikszentmihalyi, M. (1997). Flow and the Psychology of Discovery and Invention. HarperPerennial, New York, 39. 22.Csikszentmihalyi, M. (2014). Toward a psychology of optimal experience (pp. 209-226). Springer Netherlands. 23.Csikszentmihalyi, M., & Robinson, R. E. (1990). The art of seeing: An interpretation of the aesthetic encounter. Getty Publications. 24.Dawoud, H. M., Al-Samarraie, H., & Zaqout, F. (2015). The role of flow experience and CAD tools in facilitating creative behaviours for architecture design students. International Journal of Technology and Design Education, 25(4), 541-561. 25.De Manzano, Ö., Theorell, T., Harmat, L., & Ullén, F. (2010). The psychophysiology of flow during piano playing. Emotion, 10(3), 301. 26.Dietrich, A. (2004). The cognitive neuroscience of creativity. Psychonomic bulletin & review, 11(6), 1011-1026. 27.Dietrich, A., & Kanso, R. (2010). A Review of EEG, ERP, and Neuroimaging Studies of Creativity and Insight. Psychological Bulletin, 136(5), 822-848.
28.Do, E. Y. L., & Gross, M. D. (2001). Thinking with diagrams in architectural design. In Thinking with diagrams (pp. 135-149). Springer Netherlands. 29.Ellamil, M., Dobson, C., Beeman, M., & Christoff, K. (2012). Evaluative and generative modes of thought during the creative process. Neuroimage, 59(2), 1783-1794. 30.Engeser, S. (2012). Advances in flow research. New York, NY: Springer. 31.Engeser, S., & Rheinberg, F. (2008). Flow, performance and moderators of challenge-skill balance. Motivation and Emotion, 32(3), 158-172. 32.Fadiga, L., Craighero, L., & D’Ausilio, A. (2009). Broca''s area in language, action, and music. Annals of the New York Academy of Sciences, 1169(1), 448-458. 33.Fink, A., Grabner, R. H., Benedek, M., Reishofer, G., Hauswirth, V., Fally, M., ... & Neubauer, A. C. (2009). The creative brain: Investigation of brain activity during creative problem solving by means of EEG and fMRI. Human brain mapping, 30(3), 734-748. 34.Fink, A., Koschutnig, K., Benedek, M., Reishofer, G., Ischebeck, A., Weiss, E. M., & Ebner, F. (2012). Stimulating creativity via the exposure to other people''s ideas. Human brain mapping, 33(11), 2603-2610. 35.Fujimura, T., & Okanoya, K. (2012). Heart rate variability predicts emotional flexibility in response to positive stimuli. Psychology, 3(8), 578. 36.Gao, Y., & Zhang, H. (2014). Unconscious processing modulates creative problem solving: Evidence from an electrophysiological study. Consciousness and cognition, 26, 64-73. 37.Gaser, C., & Schlaug, G. (2003). Brain structures differ between musicians and non-musicians. Journal of Neuroscience, 23(27), 9240-9245. 38.Goel, V. (2014). Creative brains: designing in the real world. Frontiers in human neuroscience, 8, 241. 39.Guilford, J. P. (1967). Creativity: Yesterday, today and tomorrow. The Journal of Creative Behavior, 1(1), 3-14. 40.Guilford, J. P. (1977). Way Behond the IQ: Guide to Improving Intelligence and Creativity. Creative Education Foundation. 41.Guilford, J.P. (1950) Creativity, American Psychologist, Volume 5, Issue 9, 444–454. 42.Hadamard, J. (1945). An Eassay On The Psychology Of Invention In The Mathematical Field. 43.Ho, C. H., & Lu, Y. N. (2014). Can pupil size be measured to assess design products?. International Journal of Industrial Ergonomics, 44(3), 436-441. 44.Jennett, C., Cox, A. L., Cairns, P., Dhoparee, S., Epps, A., Tijs, T., & Walton, A. (2008). Measuring and defining the experience of immersion in games. International journal of human-computer studies, 66(9), 641-661. 45.Jing, L. (2004). NEURAL CORRELATES OF INSIGHT [J]. Acta Psychologica Sinica, 2, 014. 46.Jung, R. E., Grazioplene, R., Caprihan, A., Chavez, R. S., & Haier, R. J. (2010). White matter integrity, creativity, and psychopathology: disentangling constructs with diffusion tensor imaging. PloS one, 5(3), e9818. 47.Keller, J., Bless, H., Blomann, F., & Kleinböhl, D. (2011). Physiological aspects of flow experiences: Skills-demand-compatibility effects on heart rate variability and salivary cortisol. Journal of Experimental Social Psychology, 47(4), 849-852. 48.Kerestes R, Ladouceur CD, Meda S et al. (January 2012). "Abnormal prefrontal activity subserving attentional control of emotion in remitted depressed patients during a working memory task with emotional distracters".Psychological Medicine 42 (1): 29-40. 49.Khanna, A. J. (2014). MRI essentials for the spine specialist. Thieme,. 50.Klasen, M., Weber, R., Kircher, T. T., Mathiak, K. A., & Mathiak, K. (2011). Neural contributions to flow experience during video game playing. Social cognitive and affective neuroscience, nsr021. 51.Kowatari, Y., Lee, S. H., Yamamura, H., Nagamori, Y., Levy, P., Yamane, S., & Yamamoto, M. (2009). Neural networks involved in artistic creativity. Human brain mapping, 30(5), 1678-1690. 52.Kravitz, D. J., Saleem, K. S., Baker, C. I., Ungerleider, L. G., & Mishkin, M. (2013). The ventral visual pathway: an expanded neural framework for the processing of object quality. Trends in cognitive sciences, 17(1), 26-49. 53.Li, M., Lu, S., & Zhong, N. (2016). The Parahippocampal Cortex Mediates Contextual Associative Memory: Evidence from an fMRI Study. BioMed research international, 2016. 54.Lindquist, M. A. (2008). The statistical analysis of fMRI data. Statistical Science, 439-464. 55.Lubart, T. I. (2001). Models of the creative process: Past, present and future. Creativity Research Journal, 13(3-4), 295-308. 56.Martindale, C., & Mines, D. (1975). Creativity and cortical activation during creative, intellectual and EEG feedback tasks. Biological psychology, 3(2), 91-100. 57.Mauri, M., Cipresso, P., Balgera, A., Villamira, M., & Riva, G. (2011). Why is Facebook so successful? Psychophysiological measures describe a core flow state while using Facebook. Cyberpsychology, Behavior, and Social Networking, 14(12), 723-731. 58.Moneta, G. B., & Csikszentmihalyi, M. (1996). The effect of perceived challenges and skills on the quality of subjective experience. Journal of personality, 64(2), 275-310. 59.Nakamura, J., & Csikszentmihalyi, M. (2002). The concept of flow. In: C. R. Snyder, S. J. Lopez (Eds.). Handbook of positive psychology (pp. 89–105). New York: Oxford University Press. 60.Nakamura, J., & Csikszentmihalyi, M. (2014). The concept of flow. In Flow and the foundations of positive psychology (pp. 239-263). Springer Netherlands. 61.Norman, J. (2002). Two visual systems and two theories of perception: An attempt to reconcile the constructivist and ecological approaches. Behavioral and brain sciences, 25(01), 73-96. 62.Peifer, C. (2012). Psychophysiological correlates of flow-experience. InAdvances in flow research (pp. 139-164). Springer New York. 63.Peifer, C., Schulz, A., Schächinger, H., Baumann, N., & Antoni, C. H. (2014). The relation of flow-experience and physiological arousal under stress—Can u shape it?. Journal of Experimental Social Psychology, 53, 62-69. 64.Pessoa, L. (2008). On the relationship between emotion and cognition. Nature reviews neuroscience, 9(2), 148-158. 65.Pinto, Y., van der Leij, A. R., Sligte, I. G., Lamme, V. A., & Scholte, H. S. (2013). Bottom-up and top-down attention are independent. Journal of Vision, 13(3), 16-16. 66.Posner, M. I., Petersen, S. E., Fox, P. T., & Raichle, M. E. (1988). Localization of cognitive operations in the human brain. Science, 240(4859), 1627. 67.Price, C. J., & Friston, K. J. (1997). Cognitive conjunction: a new approach to brain activation experiments. Neuroimage, 5(4), 261-270. 68.Razzouk, R., & Shute, V. (2012). What is design thinking and why is it important?. Review of Educational Research, 82(3), 330-348. 69.Rheinberg, F., Vollmeyer, R., & Engeser, S. (2003). Die erfassung des flow-erlebens. na. 70.Saggar, M., Quintin, E. M., Kienitz, E., Bott, N. T., Sun, Z., Hong, W. C., ... & Hawthorne, G. (2015). Pictionary-based fMRI paradigm to study the neural correlates of spontaneous improvisation and figural creativity. Scientific reports, 5. 71.Shah, C., Erhard, K., Ortheil, H. J., Kaza, E., Kessler, C., & Lotze, M. (2013). Neural correlates of creative writing: an fMRI study. Human brain mapping,34(5), 1088-1101. 72.Sternberg, R. J., & Lubart, T. I. (1999). The concept of creativity: Prospects and paradigms. Handbook of creativity, 1, 3-15. 73.Suwa, M., & Tversky, B. (1997). What do architects and students perceive in their design sketches? A protocol analysis. Design studies, 18(4), 385-403. 74.Takeuchi, H., Taki, Y., Sassa, Y., Hashizume, H., Sekiguchi, A., Fukushima, A., & Kawashima, R. (2010). Regional gray matter volume of dopaminergic system associate with creativity: evidence from voxel-based morphometry. Neuroimage, 51(2), 578-585. 75.Takeuchi, H., Taki, Y., Sassa, Y., Hashizume, H., Sekiguchi, A., Fukushima, A., & Kawashima, R. (2010). White matter structures associated with creativity: evidence from diffusion tensor imaging. Neuroimage, 51(1), 11-18. 76.Talati, A., & Hirsch, J. (2005). Functional specialization within the medial frontal gyrus for perceptual go/no-go decisions based on “what,”“when,” and “where” related information: an fMRI study. Journal of cognitive neuroscience, 17(7), 981-993. 77.Tang, Y. Y., Hölzel, B. K., & Posner, M. I. (2015). The neuroscience of mindfulness meditation. Nature Reviews Neuroscience, 16(4), 213-225. 78.Torrance, E. P. (1974). The Torrance tests of creative thinking-TTCT Manual and Scoring Guide: Verbal test A, figural test. Lexington, KY: Ginn. 79.Tozman, T., Magdas, E. S., MacDougall, H. G., & Vollmeyer, R. (2015). Understanding the psychophysiology of flow: A driving simulator experiment to investigate the relationship between flow and heart rate variability. Computers in Human Behavior, 52, 408-418. 80.Vossel, S., Geng, J. J., & Fink, G. R. (2014). Dorsal and ventral attention systems distinct neural circuits but collaborative roles. The Neuroscientist, 20(2), 150-159. 81.Wu, T., Chan, P., & Hallett, M. (2010). Effective connectivity of neural networks in automatic movements in Parkinson''s disease. Neuroimage, 49(3), 2581-2587.
|