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研究生:理查德
研究生(外文):Richard C Morris
論文名稱:古琴的保存與研究
論文名稱(外文):Preservation and Study of Guqin
指導教授:廖新田廖新田引用關係黃新財黃新財引用關係莊育振莊育振引用關係
指導教授(外文):LIAO, HSIN-TIANHUANG, SHIN-TSAICHUANG, YU-CHENG
口試委員:黃新財
口試委員(外文):Huang, Hsin-Tsai
口試日期:2017-06-28
學位類別:碩士
校院名稱:國立臺灣藝術大學
系所名稱:中華藝術全英語碩士學位學程班
學門:藝術學門
學類:綜合藝術學類
論文種類:學術論文
論文出版年:2017
畢業學年度:105
語文別:英文
論文頁數:32
中文關鍵詞:古琴
外文關鍵詞:GuqinConstructionInstrument makingChinese musicConfucianismDaoism
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This thesis examines the Chinese musical instrument the Guqin (古琴). The paper will include a technical drawing based on historical research conducted by instrument makers and researchers, combined with my own background as an instrument maker and designer. The Guqin has largely been documented in the context of philosophy and history due to its associations with Confucianism and the upper classes. Although there are still many Guqin makers across Asia who study the history and making of the Guqin, a set of guidelines and technical drawings are yet to exist in English. This thesis begins by examining the early musical history of the Guqin and its presence in classical texts, and the philosophies of Confucianism. The Guqin was a musical instrument referred to and played by Confucius and has been referenced in poetry as far back as the Tang Dynasty (618–907 ) [1] and appeared in a number of Song dynasty (960–1279) paintings [2]. This thesis aims to shed a more detailed light on the Guqin.
This thesis will also cover the Philosophical aspects of the music and technique of the Guqin, although the thesis is not about the music of Guqin itself. For the instrument maker it is essential to have an understanding of what the artist intends to do with an instrument and what the original intentions were. The Guqin was not only a musical instrument but also a philosophical tool of great importance, which became a pinnacle aspect of Confucian thought that went on to shape Chinese art and culture

Abstract I
Contents II
Chapter 1 1

1.1 Introduction 1
1.2 Goals 1

Chapter 2 4

2.1 The origins of the Guqin 4
2.2 Further Development of the Guqin 5


Chapter 3 6

3.1 Guides to playing the Guqin 6
3.2 The Ten Maxims of the Qin (琴言十則) 6
3.3 The 9 virtues that distinguish the Guqin 10
3.4 Reading the ancient scores 12

Chapter 4 16

4.1 Materials 16
4.2 Genus Picea as an alternative to Tong wood 17

Chapter 5 20

5.1 The defining philosophy that made the Guqin 20
5.2 Strings 21
5.3 Hui 21
5.4 Finish/Lacquer 23
5.5 Tuning 23

Chapter 6 25

6.1 Measurements in ancient china 25
6.2 The importance of modernized instrument making resources 27

Chapter 7 30

7.1 Conclusion 30
Refrences 32


1. Liu, Yong. 1999. A handbook and index of Chinese poetry. Taibei Shi:水雲齋文化事業有限公司1999,Pg 553
2. 木上絲, Silk On wood. "Painting with Sounds - Guqin." 木上絲琴學日記 Qin Study Journals.-January 01, 1970. Accessed May 19, 00002017.ppp-http://peiyouqin.blogspot.tw/2014/02/painting-with-sounds- guqin.html
3. Bowman, Wayne D., and Ana Lucia Frega. The Oxford handbook of philosophy in music education: Oxford University Press, 00002014.Pg273
4. Lee, Jonathan H. X., and Kathleen M. Nadeau. Encyclopedia of Asian American folklore. Santa Barbara, CA: ABC-CLIO, 2011.Pg 271
5. 殷, 伟. 中国琴史演义 . Kunming Shi: 云南人民出版社, 2001. Pg1-10
6 ."Hubei China." Chinese guqin discovered in Marquis of Zeng's Cemetery in Guojiamiao. Accessed May 19, 2017. 0000http://en.hubei.gov.cn/news/newslist/201605/t20160503_827979.shml.
7. (Pei-You) Chang. "Story of The Invention of Guqin." Chinese Guqin playing and Notation.Accessed May 19, 2017. 0000http://www.peiyouqin.com/history.html.
8. Rawnsley, Gary D., and Ming-Yeh T. R. Global Chinese cinema: the culture and politics of Hero, NY: Routledge, 2011. Pg 178
9. Lau, Frederick. Music in China: experiencing music, expressing culture. New York: Oxford University Press, 2008. Pg121–123
10. Gulik, Robert Van. The lore of the Chinese lute: an essay on the ideology of Ch'in. Shanghai Zhongxi shuju, 2013, pg99.
11. Zhang, Yan., 中国古代艺术论著研究. Tianjin Shi: Tianjin People's Publishing House, 2003, pg166
12. Koskoff, Ellen. The concise Garland encyclopedia of world music. New York: Routledge,2008.Pg 1092
13. Thrasher, Alan Sizhu Instrumental Music of South China: Ethos, Theory and Practice, Boston BRILL 2008. XV
14. Revolvy, LLC. "Qinpu." All Revolvy Quizzes. Accessed 2017. https://www.revolvy.com/topic/Qinpu&item_type=topic.
15.Confucius and Music.Cultural-china.com. 2007 http://arts.cultural-china.com/en/96Arts4752.html
16. 木上絲, Silk On wood. "Guqin." 木上絲琴學日記 Qin Study Journals. June 20, 2016. Accessed May 19, 2017. 00==http://peiyouqin.blogspot.tw/2016/06/guqins-rhythm.html. translation by silk on wood 木上絲
17. Neville , Fletcher H., and Thomas Rossing. Physics of Musical Instruments .. 1998. Pg720
18. Addiss, Stephen, Mitchell Clark, and Kenneth J. DeWoskin. The resonance of the qin in East.Asian art. New York: China Institute 0000Gallery, China Institute, 1999. Pg23
19. (Yin, Wei 殷伟 (2001),中国琴史演义 [The romance of the history of the Chinese zither] (in.Chinese), Yunnan renmin chubanshe
0000云南人民出版社 [Yunnan People's Press] )
20. Brémaud, Iris. "Acoustical properties of wood in string instruments soundboards and tuned idiophones: Biological and cultural diversity." The=Journal of the Acoustical Society of America 131, no. 1 (2012): 807-18. doi:10.1121/1.3651233. Pg 807-808
21. Jahnel, Franz. Manual of guitar technology: the history and technology of plucked string instruments. Frankfurt am Main: Das 0000Musikinstrument, 1981. Pg65
22. Cultural-china. "What Makes A Guqin Complete."cultural-china.com http://arts.cultural-china.com/en/94Arts7379.html.
23. Pollens, Stewart. Stradivari. Cambridge: Cambridge University Press, 2011. Pg 304
24. Wade, T. F. Yu Yen Tzu Erh Chi: a Progressive Course of Colloquial Chinese. Shanghai: Kelly and Walsh, 1903. Pg 213
25. Dregni, Michael, Alain Antonietto, Anne Legrand, and David Reinhardt. Django Reinhardt and the illustrated history of gypsy jazz. 0000Denver, CO: Speck Press, 2006. Pg7-8
26. "SELMER MACCAFERRI GUITAR PLANS." Selmer Maccaferri guitar plan. 2011. Accessed May19, 2017. 0000http://www.rfcharle.com/HTML/PlanSelmerA.html.
27. "Oxford university Bate Collection | Home." Oxford university Bate Collection | Home. 2008 .Accessed May 19, 2017. 0000http://www.bate.ox.ac.uk/.
28. "Why is Western Classical Music so Popular in China?" The Wilson Quarterly. October 23,2014. Accessed May 19, 2017. 0000http://wilsonquarterly.com/quarterly/spring-2012-the-age-of-connection/why-western-classica l-music- so- popular-in-china/.

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