臺灣博碩士論文加值系統

自然景觀轉化創作設計，是藉由探討與聚焦於創作者所遊歷的當今自然景觀，進而產生設計創作構想與發展。透過現今的材料、製程實驗等方式，予以紀錄與傳承當代的風景。將自然景觀所呈現或生成的現象，藉由設計方法，轉化成為產品。使人們與物件在生活中，能對當今的自然景觀有所對話。

本研究，首先探討西洋美術繪畫創作中，藝術家在不同時期、不同畫派對於自然景觀記錄的角度與方式。再探討設計師如何以共感覺、情感設計、產品語意學等方式，闡述設計與相對景觀的情感面。並在設計案例中探討與分析，整理歸納出設計操作手法，作為自然風景創作設計的依據。本論文以創作的形式呈現研究成果，聚焦在創作者將特定景觀以設計方法予以紀錄，並實作出三件作品為例：（1）冰島傑古沙龍冰河湖-玻璃家飾品、（2）台灣太魯閣九曲洞-傢俱系列、（3）機窗的魔幻時刻-木百葉窗簾。將自然景觀創作，轉化與分享。

‘The study of transforming landscape to product’is a reflection of today’s natural landscapes which the author has selected from his travels. These natural landscapes subsequently inspired several design ideas that led to further development. Through by the phenomenon of natural landscapes, ideas are generated and through design methods, represented as physical products. And using modern day materials and manufacturing processes, contemporary landscapes can be recorded, preserved and passed down through generations. This allows humans and objects in life to be able to correlate with today’s natural landscapes.

During the research process, the designer first studies western paintings, and notices that the artists from different periods of time, and with different styles of painting, all had their own perspectives as well as methods of recording these natural landscapes. Subsequently exploring how designers rely on feelings and emotions to properly describe the semantic aspects of the relative landscapes. Thus being able to explain and discuss based on the design cases, sort out and organize the ideas and methods behind each design case. Thereafter using all these as evidences to back up the design philosophy. This paper presents the research and result of the creative process and focuses on how the designer used unique design methods to capture natural landscapes in 3 physical products. These design concepts include: (1) Iceland Jökulsárlón–Glacial Glass, (2) Taiwan Taroko Jiuqudong–Furniture Series, (3) Magic Hour behind Airplane Window - Wood Blinds.

目錄
中文摘要 .................................................................................................................... i
英文摘要 .................................................................................................................... ii
謝誌 ……....................................................................................................................iii
目錄 ............................................................................................................................iv
圖目錄 ........................................................................................................................vi
表目錄 ........................................................................................................................vii
第一章、緒論 ............................................................................................................. 1
1.1 創作背景與動機 ............................................................................................ 2
1.2創作目的 ......................................................................................................... 3
1.3創作流程與架構 ............................................................................................. 4

第二章、文獻探討
2.1自然(nature) 與景觀 (landscape) .............................................................. 6
2.2 繪畫記錄風景的方式 ................................................................................... 7
2.3觀看與回憶風景的共鳴 ............................................................................... 9
2.3.1共感覺（synesthesia） ...................................................................... 9
2.3.2情感設計（Emotional Design）........................................................ 11
2.3.3產品語意學(Product Semantics) ....................................................... 11

第三章、設計案例探討與整理 ................................................................................ 13
3.1 設計案例探討 ............................................................................................ 13
3.1.1 湖泊瓶 (Savoy Vase) ....................................................................... 13
3.1.2 River Console No. 2 .......................................................................... 14
3.1.3 The Abyss Table ................................................................................ 15
3.1.4 Rough Waters .................................................................................... 16
3.1.5 Glasscape ........................................................................................... 17
3.1.6 FUJIYAMA GLASS (富士山グラス) .............................................. 18
3.1.7 Moss Carpet ....................................................................................... 19
3.1.8 Foam .................................................................................................. 20
3.1.9 Cloud .................................................................................................. 21
3.1.10 Your glacial expectations ................................................................ 22
3.1.11 Ice Watch ......................................................................................... 23
3.1.12 The Weather Project ........................................................................ 24
3.1.13 Sealed ............................................................................................... 25
3.1.14 Natural Finish .................................................................................. 26
3.1.15 New Manantial ................................................................................. 27
3.1.16 VENUS - Natural crystal chair ........................................................ 28
3.1.17 Remembrance .................................................................................. 29
3.1.18 Water Line ....................................................................................... 30
3.1.19 A Glacier Adrift ............................................................................... 31
3.1.20 Riverbed ........................................................................................... 32
3.2設計案例整理 ............................................................................................. 33
3.3操作手法歸納與分析 ................................................................................. 35
3.4 小結 ............................................................................................................ 36
第四章、設計實作 .................................................................................................... 38
4.1 冰島傑古沙龍冰河湖-玻璃家飾品(Iceland Jökulsárlón–Glacial Glass) .38
4.1.1場域與景觀介紹 ...................................................................................... 38
4.1.2操作元素蒐集與分析 .............................................................................. 39
4.1.3 初步概念發展 ......................................................................................... 39
4.1.4 材料測試 ................................................................................................. 42
4.1.5電腦輔助設計 .......................................................................................... 43
4.1.6 模型製作 ................................................................................................. 45
4.1.7 設計成果 ................................................................................................. 46
4.2台灣太魯閣九曲洞-傢俱系列(Taiwan Taroko Jiuqudong–Furniture Series ) .. 50
4.2.1場域與景觀介紹 ...................................................................................... 50
4.2.2操作元素蒐集與分析 .............................................................................. 52
4.2.3第一階段概念發展–景觀臨摹、描繪與草模 ....................................... 52
4.2.4第二階段概念發展–草模修正 ….......................................................... 56
4.2.5 模型製作 ................................................................................................ 60
4.2.6 設計成果 ................................................................................................. 66
4.3 機窗的魔幻時刻-木百葉窗簾 (Magic Hour behind Airplane Window - Wood
Blinds) ............................................................................................................... 70
4.3.1 場域與景觀介紹 ................................................................................... 70
4.3.2 操作元素蒐集與分析 ........................................................................... 71
4.3.3 概念發展 .............................................................................................. 71
4.3.4 模型製作 ............................................................................................... 74
4.3.5 設計成果 ................................................................................................ 78

第五章 設計成果及自我評述 ................................................................................. 83
5.1 冰島傑古沙龍冰河湖-玻璃家飾品(Iceland Jökulsárlón–Glacial Glass) …… 83
5.2台灣太魯閣九曲洞-傢俱系列(Taiwan Taroko Jiuqudong–Furniture Series) ... 84
5.3 機窗的魔幻時刻-木百葉窗簾 (Magic Hour behind Airplane Window - Wood
Blinds) ............................................................................................................... 85
5.4 作品展示 ............................................................................................................86

第六章 結論與建議 ............................................................................................... 91






圖目錄
圖1-1 Savoy Vase (Alvar Aalto, 1936) ............................................................................... 2
圖1-2 創作流程圖 ............................................................................................................. 5
圖2-1 Landscape drawing for Santa Maria Della Neve（Leonardo da Vinci,1473）.….. 7
圖2-2 Hiding in the Haycocks (William Bliss Baker, 1870) .............................................. 8
圖 2-3 taketa and maluma (Wolfgang Köhler, 1920) ........................................................ 10
圖3-1 Savoy vase / Aalto vase (Alvar Aalto, 1936) ........................................................ 13
圖3-2 River Console No. 2 (Greg Klassen, 2013) ........................................................... 14
圖3-3 The Abyss Table (Christopher Duff, 2014 ) .......................................................... 15
圖3-4 Rough Waters (Ben Young, 2013) ........................................................................ 16
圖3-5 Glasscape (aruliden, 2011) .................................................................................... 17
圖3-6 富士山グラス (Keita Suzuki, 2008) ................................................................... 18
圖3-7 Moss Carpet (Nguyen La Chanh, 2009) ................................................................ 19
圖3-8 Foam (Kohei Nawa, 2013) .................................................................................... 20
圖3-9 Cloud (Richard Clarkson, 2014) ............................................................................ 21
圖3-10 Your glacial expectations (Olafur Eliasson and Günther Vogt, 2012) ………... 22
圖3-11 Ice Watch (Olafur Eliasson and Minik Rosing, 2014) ………………………… 23
圖3-12 The Weather Project (Olafur Eliasson, 2003) ………………………………… 24
圖3-13 Sealed (Jessica de Boer, 2012) ........................................................................... 25
圖3-14 Natural Finish (Martín Azúa, 1998) ................................................................... 26
圖3-15 New Manantial (Martín Azúa, 2013) ................................................................. 27
圖3-16 VENUS - Natural crystal chair (Tokujin Yoshioka, 2008) ……………………. 28
圖3-17 Remembrance (Tokujin Yoshioka, 2006) ........................................................... 29
圖3-18 Water Line (Maya Lin, 2006) ............................................................................. 30
圖3-19 A Glacier Adrift (William Lee, 2014) ................................................................ 31
圖3-20 Riverbed (Olafur Eliasson, 2014) ...................................................................... 32
圖4-1 Jökulsárlón 創作者攝於2013年 ....................................................................... 38
圖4-2 Jökulsárlón 創作者攝於2013年 ....................................................................... 39
圖4-3 以創作者當時遊歷冰河湖所拍攝的照片，做融冰的外觀描繪草圖………… 40
圖4-4 以冰塊模擬融冰，觀察其融化外型的變化 ………………………………….. 40
圖4-5 側視圖，顏色初步模擬 ........................................................................................ 41
圖4-6 情境初步模擬-1 ................................................................................................... 41
圖4-7 情境初步模擬-2，書桌與工作桌面模擬圖 ....................................................... 42
圖4-8 情境初步模擬-3，餐桌模擬圖 ........................................................................... 42
圖4-9 手工塑形熔融玻璃膏 .......................................................................................... 43
圖4-9 電腦輔助融冰外型的建構.................................................................................... 43
圖4-11 3D列印過程 ...................................................................................................... 44
圖4-12 3D列印產出的初步模型 .................................................................................. 44
圖4-13 製作過程 ............................................................................................................ 45
圖4-14 第一次與第二次燒製玻璃成品 ....................................................................... 46
圖4-15 冰島傑古沙龍冰河湖-玻璃飾品 系列作品一 ................................................. 47
圖4-16 冰島傑古沙龍冰河湖-玻璃飾品 系列作品二 ................................................. 48
圖4-17 冰島傑古沙龍冰河湖-玻璃飾品 系列作品三 ................................................. 49
圖4-18 太魯閣實景 ........................................................................................................ 51
圖4-19 太魯閣九曲洞-傢俱系列草圖-1 ....................................................................... 53
圖4-20 太魯閣九曲洞-傢俱系列草圖-2 ........................................................................ 54
圖4-21 太魯閣九曲洞-傢俱系列草模-1 ........................................................................ 55
圖4-22 太魯閣九曲洞-傢俱系列草圖-3 ........................................................................ 56
圖4-23 太魯閣九曲洞-傢俱系列草模-2 ....................................................................... 57
圖4-24 太魯閣九曲洞-傢俱系列草模-3 ....................................................................... 58
圖4-25 太魯閣九曲洞-傢俱系列草模-4 ....................................................................... 59
圖4-26 PU泡棉、PU聚合泡棉塊、輪胎聚合碎塊 ................................................... 61
圖4-27 結構測量與曲木彎版 ....................................................................................... 61
圖4-28 電腦模擬EVA堆疊 ......................................................................................... 62
圖4-29 EVA堆疊測試 ................................................................................................... 62
圖 4-30 EVA溝條加工與堆疊測試 .............................................................................. 62
圖4-31 單人凳EVA膠合過程 ...................................................................................... 63
圖4-32 實坐測試 ........................................................................................................... 63
圖4-33 調整顏色與重心 ............................................................................................... 63
圖4-34 等比例側視圖紙模與所有EVA片材 ............................................................. 64
圖4-35 單人椅EVA膠合過程 ...................................................................................... 64
圖4-36 椅面誤差修正 ................................................................................................... 65
圖4-37 台灣太魯閣九曲洞-傢俱系列 .......................................................................... 67
圖4-38 台灣太魯閣九曲洞-傢俱系列單人椅 ............................................................... 68
圖4-39 台灣太魯閣九曲洞-傢俱系列單人細節 .......................................................... 68
圖4-40 台灣太魯閣九曲洞-傢俱系列單人椅，使用示意圖 ...................................... 69
圖4-41 機窗的魔幻時刻-木百葉窗簾草圖 ................................................................... 72
圖4-42 機窗的魔幻時刻-木百葉窗簾草模-1 ................................................................ 73
圖4-43 機窗圖與顏色模擬 ........................................................................................... 73
圖4-44 機窗的魔幻時刻-木百葉窗簾草模-2 ................................................................ 73
圖4-45 機窗的魔幻時刻-木百葉窗簾尺寸與顏色設定 ............................................... 74
圖4-46 木百葉窗簾圓角造型 ........................................................................................ 75
圖4-47 木百葉窗簾上漆過程 ....................................................................................... 76
圖4-47 木百葉窗簾零件製作 ....................................................................................... 77
圖4-48 木百葉窗簾葉片顏色確認 ............................................................................... 77
圖4-49 機窗的魔幻時刻-木百葉窗簾-1 ......................................................................... 79
圖4-50 機窗的魔幻時刻-木百葉窗簾-2 ......................................................................... 80
圖4-50 機窗的魔幻時刻-木百葉窗簾-3 ......................................................................... 81
圖4-51 機窗的魔幻時刻-木百葉窗簾-4 ......................................................................... 82
圖5-1 冰島傑古沙龍冰河湖-果凍食物設計 ................................................................ 84
圖5-2展覽主視覺海報 ..................................................................................................
圖5-3 展覽空間外觀正面 ............................................................................................
圖5-4展覽一景-1 ...........................................................................................................
圖5-5展覽一景-2 ..........................................................................................................
圖5-6 展覽一景-3 ..........................................................................................................
圖5-7 展覽一景-4 ..........................................................................................................
圖5-8冰島傑古沙龍冰河湖-玻璃家飾品、機窗的魔幻時刻-木百葉窗簾展示……
圖5-9台灣太魯閣九曲洞-傢俱系列展示 ...................................................................





表目錄
表3-1 設計案例整理與分析........................................................................................... 33
表3-2 操作手法歸納 ..................................................................................................... 36
表3-3 創作方向流程 ..................................................................................................... 37
表4-1 太魯閣九曲洞-傢俱系列，材料測試流程 ........................................................ 53
表4-2 軟性材質應用困難點測試 ................................................................................. 60
表 4-3 Planckian locus (1931) ........................................................................................ 70

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網路資料
1. Savoy vase Retrieved November 20, 2014, from, http://www.alvaraalto.fi/index_en.htm
2. The Abyss Table Retrieved November 20, 2014, from, http://duffylondon.com/
3. Rough Waters Retrieved November 20, 2014, from, http://gregklassen.com/
4. Glasscape (Retrieved November 20, 2014, from, http://aruliden.com/
5. Your glacial expectations Retrieved November 20, 2014, from, http://www.olafureliasson.net/
6. Foam Retrieved November 20, 2014, from, http://www.dezeen.com/2014/01/07/kohei-nawas-foam-installation-created-a-cloud-like-landscape-of-soapy-bubbles/
7. 太魯閣國家公園。2015年5月11日。取自http://www.taroko.gov.tw/zhTW/?type=1