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研究生:李哲衡
研究生(外文):LI, CHIT-HANG
論文名稱:伊貝爾《室內小協奏曲,給中音薩克斯風與11種樂器》之樂曲分析與演奏詮釋
論文名稱(外文):Analysis and Interpretation of Concertino da Camera pour Saxophone Alto et Onze Instruments by Jacques Ibert
指導教授:吳志桓
指導教授(外文):WU, CHIH-HUAN
口試委員:黃荻陳惠湄
口試委員(外文):HUANG, TICHEN, HUI-MEI
口試日期:2017-12-18
學位類別:碩士
校院名稱:國立臺灣藝術大學
系所名稱:音樂學系
學門:藝術學門
學類:音樂學類
論文種類:學術論文
論文出版年:2018
畢業學年度:106
語文別:中文
論文頁數:93
中文關鍵詞:法國薩克斯風樂曲伊貝爾拉舍爾《室內小協奏曲》
外文關鍵詞:French Saxophone musicIbertRaschèrConcertino da Camera
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雅克・伊貝爾( Jacques Ibert,1890 – 1962 )在1935年為友人西格德・拉舍爾( Sigurd Raschèr,1907 - 2001 )創作了《室內小協奏曲,給中音薩克斯風與11種樂器》( Concertino da Camera pour Saxophone Alto et Onze Instruments )。本曲是學習古典薩克斯風的經典作品;風格上使用的新古典主義,以及技巧上,對於泛音和切分音節奏的挑戰非常值得薩克斯風演奏者學習。
本論文主要以薩克斯風和鋼琴合作的版本探討此二十世紀初期法國作品,並輔以管弦樂團的版本。文中分為五個章節,第一章為緒論,闡述研究動機與目的以及研究範圍與方法,第二章為伊貝爾的生平、《室內小協奏曲》的音樂創作背景簡介。第三章與第四章節為針對樂曲作創作手法的分析以及演奏詮釋,第五章為結語,總結研究的心得與收穫。

In 1935, Jacques Ibert, based on their friendship, composed the Concertino da Camera pour Saxophone Alto et Onze Instruments for Sigurd Raschèr. For the uses of the extended range of the saxophone, the syncopated rhythm and the style of neo-classicism, this piece has become a traditional piece in the classical saxophone repertoire.
The piano version of this Concertino serves as the basis of discussion, while there are comparisons between this version and the orchestral version. This thesis contains five chapters. Chapter one introduces the aim and methods of the study, chapter two provides biographies of Ibert together with a compositional background of the Concertino da Camera. The third and the fourth chapters present a personal musical analysis and interpretative ideas. The last chapter summarizes the whole study.

誌謝 i
中文摘要 ii
Abstract iii
目錄 iv
表目錄 vi
圖目錄 vii
譜例目錄 viii
第一章 緒論 1
第一節 研究動機與目的 1
第二節 研究範圍與方法 2
第二章 伊貝爾生平與《室內小協奏曲》創作背景 4
第一節 伊貝爾生平簡介 4
第二節《室內小協奏曲》的創作背景概述 5
第三章《室內小協奏曲》的樂曲分析 7
第一節《室內小協奏曲》的創作手法、風格及曲式概述 7
第二節 樂曲上的歧義 10
第三節 第一樂章:有動感的快板 12
第四節 第二樂章:甚廣板,相當生氣蓬勃的 32
第四章《室內小協奏曲》的樂曲詮釋 53
第一節《室內小協奏曲》演奏要點概述 53
第二節 第一樂章:有動感的快板 54
第三節 第二樂章:甚廣板,相當生氣蓬勃的 71
第五章 結語 84
參考資料 85
附錄 – 建議之指法圖 91
【附錄1】 p指法圖 91
【附錄2】 ta指法圖 91
【附錄3】 薩克斯風泛音G#音指法圖 91
【附錄4】 薩克斯風泛音A音指法圖 92
【附錄5】「1+C1」指法圖 92
【附錄6】 C2指法圖 92
【附錄7】「1+5」指法圖 92
【附錄8】 tf指法圖 93
【附錄9】 第254小節吹奏薩克斯風Ab音指法圖 93
【附錄10】「2+C3」指法圖 93

一、中文專書

科斯特卡。《20世紀音樂的素材與技法》。宋瑾 譯。北京:人民音樂出版社,2002。
陳漢金。《您說是「印象派音樂」?-德布西的室內樂與管弦樂》。臺北市:中正文化,民97。
蕭慶瑜 編。《法國近代鋼琴音樂:從德布西到杜悌尤》。臺北:國立編譯館,2009。

二、中文論文

林甄盈。〈易貝爾《故事》之樂曲分析與演奏詮釋探討〉。輔仁大學音樂研究所碩士論文,2006。
陳慈芳。〈易白爾【長笛協奏曲】之曲式分析及演奏詮釋〉。東海大學音樂系碩士論文,2010。
陳敬堯。〈伊貝爾為電影《唐˙吉訶德》所做的四首歌曲〉。國立臺北藝術大學音樂學系研究所碩士論文,2004。
劉冠吟。〈易貝爾《長笛協奏曲》之樂曲分析與演奏詮釋〉。國立臺灣藝術大學音樂學系碩士論文,2008。
蘇虹融。〈伊貝爾《長笛協奏曲》之作品研究及詮釋探討〉。臺北市立大學音樂學系碩士班碩士論文,2013。

三、英文專書及論文

Chamberlin, Michael Alexis. "Improvisation and the Concert Saxophonist: A Survey of Compositional and Performance Techniques." Thesis. University of Maryland, 2012. Improvisation and the Concert Saxophonist: A Survey of Compositional and Performance Techniques. Digital Repository at the University of Maryland, 17 Jan. 2013. Web. 21 Sept. 2016.
Cottrell, Stephen. The Saxophone. New Heaven and London: Yale UP, n.d. Print.
De Villiers, Abraham Albertus. "The Development of the Saxophone 1850 - 1950 : Its Influence on Performance and the Classical Repertory." Thesis. University of Pretoria, 2014. The Development of the Saxophone 1850 - 1950 : Its Influence on Performance and the Classical Repertory. University of Pretoria, Jan. 2014. Web. 21 Sept. 2016.
Ingham, Richard, ed. The Cambridge Companion to the Saxophone. Cambridge, U.K.: Cambridge UP, 1998. Print.
James, Matthew T. Extemporizing Reawakened: Saxophonist Branford Marsalis's Approach to the Cadenza for Concertino Da Camera for Alto Saxophone and Eleven Instruments by Jacques Ibert. Thesis. 2006. N.p.: n.p., n.d. Print.
Liley, Thomas. A Teacher's Guide to the Interpretation of Selected Music for Saxophone. Thesis. 1988. Print.
Mawer, Deborah. French Music and Jazz in Conversation: From Debussy to Brubeck. Cambridge ; New York: Cambridge UP, 2016. Print.
Meyer, Leonard B. Music, the Arts and Ideas: Patterns and Predictions in Twentieth Century Culture. Chicago: U of Chicago P, 1999. Print.
Rascher, Sigurd. Top-tones for the Saxophone: Four-octave Range. New York: Carl Fischer, 1977. Print.
Rawlins, Robert, et al. Jazzology: the Encyclopedia of Jazz Theory for All Musicians. Hal Leonard, 2005. Print.
Ronkin, Bruce ed. Londeix Guide to the Saxophone Repertoire, 1844-2012 = Répertoire Londeix De Musique Pour Saxophone, 1844-2012. Glenmoore, PA: Roncorp, 2012. Print.
Rousseau, Eugene. Saxophone High Tones: A Systematic Approach to the Above-normal Range of the Saxophones: Soprano, Alto, Tenor, Baritone. Bloomington, IN: Étoile Music, 1978. Print.
Sinta, Donald, and Denise C. Dabney. "Voicing": An Approach to the Saxophone's Third Register. Laurel, MD: Sintafest Music, 1992. Print.
Smith, Richard Langham., and Caroline Potter, eds. French Music since Berlioz. Aldershot, England: Ashgate, 2006. Print.
Stolba, K. Marie. The Development of Western Music: a History. McGraw Hill, 1998. Print.
Taylor, Matthew J. Teaching Extended Techniques on the Saxophone- A Comparison of Methods. Diss. U of Miami, 2012. Coral Gables, Florida: n.p., 2012. Print.
Umble, James. et al. Jean-Marie Londeix: Master of the Modern Saxophone. Trans. Michèle Gingras and Hervé Corbé. Ed. William Henry Street. 1st ed. Cherry Hill, NJ: Roncorp Publications, 2000. Print.
Waldroup, William Allan. Jacques Ibert: An Analytical Study of Three Movements from Histoires. Thesis. U of North Texas, 2012. Print.

四、樂譜

Ibert, Jacques. Concertino da camera – arr. for Saxophone and Piano. 1935. Paris: Alphonse Leduc, 1935.
- - -. Concertino da camera. 1935. Paris: Alphonse Leduc, 1935

五、錄音資料

Anderson, Keith. Booklet. Music for Saxophone and Orchestra. Naxos, 2002. CD.
Bornkamp, Arno. The Classical Saxophone. Brilliant Classics, 1994. CD.
Fourmeau, Jean-Yves. Saxophone. Corelia, 2000. CD.
Ogata, Eiko. Booklet. Saxophone Concertos. Chandos, 2008. CD.
Ragot, Marie-Laure. Booklet. Under the Sign of the Sun. BIS, 2007. CD.
Sugawa, Nobuya. Saxophone Concertos. Chandos, 2008. CD.

六、網路資料

陳安駿。〈易白爾與《給薩克斯風與十一種樂器的室內小協奏曲》〉。<http://mocfile.moc.gov.tw/history/epaper/epaper50/eaper50_A5.html>(瀏覽日期:2017/11/30)
"Caesura." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 19 Jul. 2017.<http://www.oxfordmusiconline.com/subscriber/article/grove/music/04537>.
Gammond, Peter. "break." The Oxford Companion to Music. Ed. Alison Latham. Oxford Music Online. Oxford University Press. Web. 30 Nov. 2017. <http://www.oxfordmusiconline.com/subscriber/article/opr/t114/e956>.
Kernfeld, Barry. "Break." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 30 Nov. 2017. <http://www.oxfordmusiconline.com/subscriber/article/grove/music/03897>.
Kubik, Gerhard. "Blue note." Grove Music Online. Oxford University Press. Web. 30 Mar. 2018, <http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002234425>
Laederich, Alexandra. "Ibert, Jacques." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 21 Sep. 2016. <http://www.oxfordmusiconline.com/subscriber/article/grove/music/13675>.
Latham, Alison ed. "arch form." The Oxford Companion to Music. Oxford Music Online. Oxford University Press. Web. 10 Jul. 2017.<http://www.oxfordmusiconline.com/subscriber/article/opr/t114/e365>.
Monson, Dale E. et al. "Recitative." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 19 Jul. 2017. <http://www.oxfordmusiconline.com/subscriber/article/grove/music/23019>.
Pasler, Jann. "Impressionism." Grove Music Online. 2001. Oxford University Press. Web. 4 Apr. 2018, <http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000050026>
Péréal, Véronique. “Biography of Jacques Ibert”. Web. 30 Nov. 2017. < http://www.jacquesibert.fr/ibert/Biography.html >
Rumbold, Ian. "Through-composed." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 10 Jul. 2017.<http://www.oxfordmusiconline.com/subscriber/article/grove/music/27904>.
Webster, James. "Retransition." Grove Music Online. Oxford University Press. Web. 30 Mar. 2018, <http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000023261>
Whittall, Arnold. "Bitonality." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 19 Jul. 2017. <http://www.oxfordmusiconline.com/subscriber/article/grove/music/03161>.
- - -. "Neo-classicism." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 29 Nov. 2017.<http://www.oxfordmusiconline.com/subscriber/article/grove/music/19723>.
Wilson, Charles. "twentieth century, The." The Oxford Companion to Music. Ed. Alison Latham. Oxford Music Online. Oxford University Press. Web. 29 Nov. 2017.<http://www.oxfordmusiconline.com/subscriber/article/opr/t114/e6997>. 

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