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研究生:李宇涵
研究生(外文):LEE,YU-HAN
論文名稱:獨白
論文名稱(外文):Soliloquy
指導教授:李思賢李思賢引用關係
指導教授(外文):LI,SZU-HSIEN
口試委員:段存真王曼萍
口試委員(外文):TUAN,TSUN-CHENWANG,MAN-PING
口試日期:2018-06-05
學位類別:碩士
校院名稱:東海大學
系所名稱:美術學系
學門:藝術學門
學類:美術學類
論文種類:學術論文
論文出版年:2018
畢業學年度:106
語文別:中文
論文頁數:85
中文關鍵詞:獨白女陰雌雄同體神話自我
外文關鍵詞:Soliloquyvulvahermaphroditemythologyself
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「獨白」係指戲劇、電影和文學作品中人物語言的表現形式之一,透過角色表白闡述內心世界,抒發個人情感、想望,使觀者、讀者更加瞭解其性格、思想及核心價值。本篇論述以此特定名詞作為題目,旨在達成以上目的。論述內容除了作品分析亦是創作者的生命歷程紀錄,以研究所時期(2014-2018)為時間軸,扣除緒論及結論,第二章至第四章各分三節,總共九小節,每節內含一篇文章對應一至兩件作品。因此,這三章亦代表著三種心境變化之階段。

第二章從面臨挫敗揭開序幕,探討自我消磨、界線拿捏和關係失衡,時間範圍涵蓋進入研究所後一年六個月,乃第一階段。充斥著死亡、失落與不安,像個漸漸腐敗的祭壇。然而死之反面為生,為了突破上述困境,我在第二階段(第三章,研二下開始一年六個月)藉由人類對於生殖器崇拜古老、悠遠的文化底蘊,鋪陳自身情慾和性愛經驗,將女陰神話轉化成自我實現之力,進一步勾勒出雌雄同體、兩性平衡的目標。

第四章時間範圍涵蓋最後一年,「性力」此脈絡延續至第三階段,蛻變得更加輕巧自在,並與日常生活緊密結合,重新思考其本質與意義。此階段媒材選用與作品類型改變,突顯創作歷程內一大轉折。第五章為結論,乃回顧整本論述後得出的評價與整理,以及對未來的期許。


關鍵字:獨白、女陰、雌雄同體、神話、自我

“Soliloquy” refers to one of the linguistic expressions of the charactersin drama, film, and literature, with which the roles describe their inner world and express their personal feelings and desires, allowing the viewers and the readers to have a better understanding of their personalities, thoughts, and core values. This essayis named with this specific noun, aiming to achieve the aforementioned purposes. In addition to the analysis of the works, it is also the author’s own life records. Taking this graduate school period (2014-2018) as the timeline and leaving the introduction and conclusions aside,Chapter II to IV are divided into three sections, with a total of nine subsections. In each of the section, there is an article with its corresponding one to two pieces of works. Thus, thethree chapters also represent the stages of mood changes.

Chapter II begins with the face of frustration, exploring the themes of self-sufficiency, boundary definition,and relationship imbalance. The time scope covers the first six months after entering the graduate school, also known as the first stage. Overwhelmed with death, loss, and uneasiness, it seems like an altar that is gradually corrupted. However,the opposite of death is birth; to breakthrough the above difficulties, I will lay out my own passions and sexual experiences based on the ancient and far away cultural heritage of the genitals worshiped by the human kinds along the second stage (Chapter III: one year and six months starting from the second semester of the second year). The mythology of the vulva is transformed into the power of self-realization, which further depictsthe goals of hermaphrodite and gender balance.

The time scope of Chapter IV covers the last year. The thread of “sexual force”extends to the third stage, which becomes lighter and more comfortable, and is closely integrated with the daily life, resulting in the rethinking ofits essence and significance.At this stage, the media and the nature of the works have changed, highlighting the major turning point of this creative process. Chapter V is the conclusion, which is a review of the assessment and compilation of the essay as well as the expectations for the future.


Keywords: Soliloquy, vulva, hermaphrodite, mythology, self.
摘要.........................................................................................................................................I
Abstract.................................................................................................................................II
目次..................................................................................................................................... IV
附圖目次.............................................................................................................................V
圖目次................................................................................................................................VII
第一章 緒論..................................................................................................1
第一節 戰鬥至死方休......................................................................................................1
第二節 如何製造小肉泥人.............................................................................................3
第二章 一年六個月.....................................................................................6
第一節 不討喜的孩子......................................................................................................6
第二節 歷史之屋的鬼魂................................................................................................10
第三節 太陽的影子........................................................................................................13
第三章 玄牝之門.......................................................................................16
第一節 穴.........................................................................................................................16
第二節 沙克蒂的祭壇....................................................................................................21
第三節 雙生子阿尼瑪與阿尼姆斯...............................................................................25
第四章 達令................................................................................................29
第一節 壹和壹.................................................................................................................29
第二節 西元2018年神話記事.......................................................................................33
第三節 我們別無所求....................................................................................................39
第五章 結論................................................................................................44
參考文獻........................................................................................................46
引用專書

Albert Camus(2009)。《異鄉人》(張一喬譯)。台北市:麥田出版

Albert Camus(2014)。《卡繆札記III:1951-1959》(黃馨慧譯)。台北市:麥田出版

Angela Carter(2005)。《焚舟紀:染血之室與其他故事》(嚴韻譯)。台北市:行人出版社

Angela Carter(2007)。《新夏娃的激情》(嚴韻譯)。台北市:行人出版社

Anne Rice(2009)。《少年吸血鬼阿曼德》(洪凌譯)。台北市:時報文化

Arundhati Roy(2017)。《微物之神》(吳美真譯)。台北市:遠見天下文化

Bohumil Hrabal(2009)。《過於喧囂的孤獨》(楊樂雲譯)。台北市:大塊文化

Catherine Blackledge(2005)。《女陰:揭開女性祕密花園的祕密》(郭乃嘉譯)。台北市:麥田出版

Chuck Palahniuk(2003)。《鬥陣俱樂部》(余光照譯)。台北市:麥田出版

Gabriel García Márquez(2004)。《百年孤寂》(楊耐冬譯)。台北市:志文出版社

Marguerite Duras(2006)。《中國北方來的情人》(葉書雁譯)。台北市:聯經

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