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研究生:陳鼎貳
研究生(外文):Ting-Er Chen
論文名稱:虛構拮抗文學史:郭松棻作品中的新面向
論文名稱(外文):Fiction contra Historiography: New Dimensions in the Works of Guo Songfen
指導教授:齊東耿齊東耿引用關係
指導教授(外文):Duncan McColl Chesney
口試委員:黃涵榆李鴻瓊
口試日期:2019-06-27
學位類別:碩士
校院名稱:國立臺灣大學
系所名稱:外國語文學研究所
學門:人文學門
學類:外國語文學類
論文種類:學術論文
論文出版年:2019
畢業學年度:107
語文別:英文
論文頁數:279
中文關鍵詞:郭松棻臺灣文學史書寫意識形態西方馬克思主義比較文學
DOI:10.6342/NTU201901312
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摘要

本文目的有三:其一為批判在臺灣文學史書寫歷程中所奠定的意識形態,及其對目前領域整體視域、方法、政治向度所設限制;其二是以有別以往的觀點與方法,發掘郭松棻小說中尚未受到重視與討論的新面向;其三乃以郭松棻為範例於台灣文學測度、開拓比較文學的可能。在方法論上本文以西方馬克思主義美學為重要理論資源與典範,在文本細讀的基礎之上,描述並發掘形式與修辭層次上的歷史與知識論意義。
本文緒論追溯臺灣文學史書寫如何以「抵抗意志」與「本真需求」為原則建立臺灣文學的意識形態與烏托邦範式。第一章發展緒論所述,說明臺灣文學史意識形態如何建立在寫實主義與現代主義的美學與知識論基礎上,並試圖證明兩者互相涵攝的關係。第二章重探日本近代思想史接受西方現代性時展現的內在辯證以何種方式反映在近代文論與小說敘事觀點問題,藉此分析郭松棻小說《驚婚》中關鍵的法庭場景與第一人稱敘事段落。第三章研究福樓拜小說美學對郭松棻短篇小說〈月印〉、〈月噑〉、〈雪盲〉可能的影響,說明郭松棻如何運用錯置修辭客體、諷喻、敘事盲點、無用美學化語句等技巧否定地挑戰小說反映、救贖歷史的正向關係。第四章則從歷史虛構、時間政治與神話方法三個角度重探郭松棻在〈今夜星光燦爛〉發展出的晚期修辭風格與主要意象,批評前行研究流行的救贖說,並說明此一風格亦觸及臺灣本位文學史書寫中殘留的民國問題。本文結論則再以「傳統」與「世界文學」為軸線脈絡化本文的書寫過程並提出對臺灣文學未來的建議。
本文尚有兩篇附論:其一強調已成常識的「想像共同體」論中內建的形式限制,並從西方馬克思主義提出辯證性較強的國族想像;其二從〈草〉文中在場的黑格爾與不在場的馬克思、恩格斯著手,從哲學與敘事觀點探索郭松棻從政治轉向創作的淵源。
Abstract

This thesis expects to achieve three goals: first, I aim to critique the ideology consolidated by Taiwan literary historiography and the limits it has set on the vision, methodology and political dimension of the discipline; second, from new perspectives I try to locate dimensions that have not been considered or discussed in details in Guo Songfen’s works; third, I view my reading of Guo’s works as an experiment to measure the possibility of conducting comparative works with Western tradition in Taiwan literature. I refer to Western Marxist aesthetic as the methodological paradigm, and I wish to unearth the historical and epistemological significance in literary forms on the basis of close reading.
In the introduction I argue that Taiwan literary historiographies establish the utopian telos of Taiwan literature according to two principles: “will to resist” and “demand for authenticity.” The first chapter follows the argument developed in the introduction and illustrates that the ideology is actually based on aesthetic and epistemological premises of realism and modernism, and I strive to find proof for the inherent interrelation within their ostensible antagonism. In chapter two I revisit modern Japanese intellectual history to tease out the immanent dialectic in its contact with Western modernity, and I observe how this dialectic is reflected in modern literary criticism and problematizes the narrative perspective in prose fiction. I use what I find to read a critical scene in Guo’s novel Jinghun. In the third chapter I study the possible influence of Flaubertian aesthetic on Guo’s stories “Moon Seal,” “Wailing Moon,” and “Snow Blind,” demonstrating how Guo uses rhetorical techniques such as displaced object, irony, narrative uncertainty and useless aestheticization to negatively challenge the affirmative reflective relation between fiction and history. In chapter four I research the late style and imagery in Guo’s “Brightly Shine the Stars Tonight” from three angles: historical fiction, politics of temporalities, and mythical method, so as to criticize the well-accepted “redemption hypothesis” in previous studies and to illustrate how Guo’s late style touches upon the remnant of Republic of China in Taiwan-centered literary historiography. In the epilogue I contextualize my thesis in two axes: “tradition” and “the world,” and propose my advice for the future of Taiwan literature.
There are two additional excursuses: one stresses the inherent formal limits in the common sense theorization and application of “imagined communities” and suggests a more dialectical version of nationalism from Western Marxism; the other reads Guo’s story “Clover” from the presence of Hegel and the absence of Marx and Engels to explain Guo’s definitive turn from political activity to literature from the story’s philosophical aspect and narrative problem.
Table of Contents

Acknowledgement…………………………………..………………………………...i
Chinese Abstract…………………………………………………………………......iii
English Abstract………………………………………………………………….......iv
A Note on Texts and Format……….…………………………………………...…....vi
Introduction…………………………………………………………………………...1
Excursus One……………..…………………………………………………….…...41
Chapter One…..……………………………..………………………………….…...49
Chapter Two………………………………………………………………….….…..91
Chapter Three ……………………………………………………………………...137
Excursus Two………………………………………………………………………191
Chapter Four…..……………………………..……………………………..………203
Epilogue…..……………………………..……………………………....…………242
Works Cited…..……………………………..……………………………..………261
Works Cited

Primary Texts:
Luo, Longmai 羅隆邁 [Guo Songfen 郭松棻]. Tantan taiwan de wenxue 談談台灣的文學. [To Talk about Literature in Taiwan.] Chunlei zhihou: baodiao yundong sanshiwu zhounian wenxian xuanji 春雷之後:保釣運動三十五週年文獻選輯 [After Spring Thunder: An Anthology for the 35th Anniversary of Baodiao Movement]. Ed. Diaotongyun wenxian bianji weiyuanhui 釣統運文獻編輯委員會 [Committee of Baodiao and Unification Movement Archive]. Vol. 2. Taipei: Renjian, 2006. Print.
Guo, Songfen 郭松棻. Jinghun 驚婚 [Shock-Wedding]. Taipei: Inke, 2012. Print.
---. Running Mother and Other Stories. Ed. John Balcolm. Trans. John Balcolm et al. New York: Columbia UP, 2009. Print.
---. Yueyin 月印 [Moon Seal] Benpao de Muqin 奔跑的母親 [Running Mother]. Taipei: Maitian, 2002. 13-112. Print.
---. Xuemang 雪盲 [Snow Blind] Benpao de Muqin 奔跑的母親 [Running Mother]. Taipei: Maitain, 2002. 165-216. Print.
---. Cao 草 [Clover]. Benpao de Muqin 奔跑的母親 [Running Mother]. Taipei: Maitian, 2002. 139-64. Print.
---. Jinye xingguang canlan 今夜星光燦爛 [Brightly Shine the Stars Tonight]. Benpao de Muqin 奔跑的母親 [Running Mother]. Taipei: Maitian, 2002. 217-76. Print.
---. Yuehao 月嘷 [Wailing Moon]. Guo Songfen Ji 郭松棻集 [Selected Works by Guo Songfen]. Taipei: Qianwei, 1993. 55-121. Print.
Interview with Guo Songfen:
Liao, Yu-huei 廖玉蕙. Shengming lide zhanshitingge: xiaoshuojia guo songfen, li yu fangtanlu 生命裡的暫時停格:小說家郭松棻、李渝訪談錄 [Momentary Stills in Life: Interview with Guo Songfen and Lee Yu.]. Lienhe wenxue 聯合文學 19.7 (2003): 114-22. Print.
Jian Yiming 簡義明. Guo songfen fangtan 郭松棻訪談 [An Interview with Guo Songfen]. Jinghun. Taipei: Inke, 2012. 175-243 Print.
Wuhe 舞鶴 and Li Yu 李渝. Buweihe weishei er xie: zai niuyue fangtan guo songfen 不為何為誰而寫—在紐約訪談郭松棻 [Writing for No One and No Reason: An Interview with Guo Songfen at New York]. Inke wenxue shenghuozhi 印刻文學生活誌 23 (2005): 38-54. Print.
Works in Chinese:
Chang, Lihsuan 張俐璇. Jiangou yu liubian: xieshizhuyi yu taiwan xiaoshuo shengchan 建構與流變:「寫實主義」與台灣小說生產 [Becoming Realism: The Production of Taiwan Fiction]. Taipei: Showwe, 2016. Print.
---. Shuangmian yijiubasan: shilun chen yingzhen yu guo songfen xiaoushuo de wenxueshi yiyi 雙面一九八三:事論陳映真與郭松棻小說的文學史意義 [Double-faceted 1983: Exploring the Significance of the Fiction by Chen Yingzhen and Guo Songfen in Literary History] taiwan wenxue xuebao 臺灣文學學報 25 (2017): 219-49. Print.
Chang, Yvonne Sung-sheng. Guo songfen yueyin yu ershishiji zhongye de wenxueshi duanlie 郭松棻、月印、與二十世紀中葉的文學史斷裂 [Guo Songfen, “Moon Seal,” and the Rupture in Mid-Twentieth Century Literary History]. Diyijie wenhua lioudong yu zhishichuanbo guojixueshu yantaohui lunwenji 第一屆文化流動與知識傳播國際學術研討會論文集 [Proceedings of Cultural Flows and Knowledge Dissemination: The First International Conference on Intertextuality between Taiwan Literature and Asia-Pacific Humanities]. Taipei: Showwe, 2017. 63-80. Print.
Chen, Chienchung 陳建忠. Jiyi liuyu: taiwan lishi shuxie yu jiyi zhenzhi 記憶流域:臺灣歷史書寫與記憶政治 [Flowing through Memories: Historical Writing and Politics of Remembering in Taiwan]. New Taipei City: Nanshizixing, 2018. Print.
Chen, Fangming 陳芳明. Taiwan xinwenxue shi 台灣新文學史 [A History of Modern Taiwanese Literature]. 2nd ed. Vol. 1-2. Taipei: Lianjing, 2015. Print.
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Chen, Mingjou 陳明柔. Dangdai taiwan lishi xiaoshuozhong lishijiy de shuxie: yiguo songfen wei guancha zhuzhou 當代臺灣歷史小說中歷史記憶的書寫:以郭松棻為觀察主軸 [Writing Historical Memory in Contemporary Taiwanese Fiction: The Case of Guo Songfen.’ Taiwan wenxueshi shuxie guojiyantaohui lunwenji 台灣文學史書寫國際研討會論文集 [Proceedings of International Conference on Writing Taiwanese Literary History]. Vol. 2. Ed. Dept. of Taiwanese Literature, National Cheng Kung U. Kaohsiung: Chunhui, 2008. 407-34. Print.
Chen, Yingzhen 陳映真. Xiandaizhuyi di zaikaifa: yanchu dengdai guotuo di suixiang. 現代主義底再開發:演出《等待果陀》底隨想 [Toward a New Departure in Modernism Thoughts on the Recent Production of Waiting for Godot] Chen yingzhen quanji 陳映真全集 [Collected Works of Chen Yingzhen]. Vol 1. Tapipei: renjian, 2017. 412-20. Print.
Chiu, Kueifen 邱貴芬. Houzhimin ji qiwai 後殖民及其外. [Rethinking Postcolonial Literary Criticism in Taiwan]. Taipei: Rye Field, 2003. Print.
Choi, Malsoon 崔末順. Haidao yu bandao zhiju taihan wenxue bijao 海島與半島:日據臺韓文學比較 [Island and Peninsula: A Comparative Study of Taiwanese and Korean Literature in Japanese Colonial Era]. Taipei: Lianjing, 2013. Print.
Gu, Zhengping 顧正萍. Cong jieru jingyu dao ziwuojiefang: guosongfen zaitan.從介入境遇到自我解放:郭松棻再探 [From Situational Intervention to Individual Liberation: Revisiting Guo Songfen]. Taipei: Showwe, 2012. Print.
Hsiau, Achin 蕭阿勤. Huigui xienshi: Yijiouqiling niendai de zhanhoushidai yu wenhua zhengzhi bienqian 回歸現實: 一九七〇年代的戰後世代與文化政治變遷 [Return to Reality: Political and Cultural Change in 1970s Taiwan and the Postwar Generation]. Taipei: Academia Sinica, 2010.
---. Taiwan wenxue de benntuhua dianfan: lishi xushi celue de benzhizhuyi yu guijia quanli 台灣文學的本土化典範:歷史敘事、策略的本質主義、與國家權力 [Indigenization Paradigms of Taiwan Literature: Historical Narrative, Strategic Essentialism and State Power]. Chonggou taiwan: dangdai minzuzhuyi de wenhua zhengzhi 重構台灣:當代民族主義的文化政治 [Reconstructing Taiwan: The Cultural Politics of Contemporary Nationalism]. Taipei: Lianjing, 2012. Print.
Huang, Meie 黃美娥. 2016-2017 nien taiwan wenxue yanjiu huigu yu zhanwang yi chuban xianxiang han xueke fanshi wei taolun zhongxin 2016-2017 年臺灣文學研究回顧與展望 —以出版現象和學科反思為討論中心 [Retrospect and Prospect of Taiwan Literature Research from 2016-2017: A Publishing Phenomena and Reflections on Disciplines]. Hanxue yanjiu tongxun 漢學研究通訊 38.2 (2019): 1-9. Print.
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Yu, Tiancong 尉天驄 et al. Xiangtu wenxue taolunji 鄉土文學討論集 [A Collection of Discussions on Nativist Literature]. Ed. Yu Tiancong. Taipei: Yuanjin, 1978. Print.
Zhou, Jinpo. Zhou jinpo ji 周金波集 [Selected Works by Zhou Jinpo]. Ed. Nakajima, Toshiwo 中島利郎 and Zhou Zhenying 周振英. Taipei: Qianwei, 2002. Print.
Zhu, Youxun 朱宥勳. Zhanhou zhongwen xiaoshuo de ribenhua fengge: zhong zhaozheng, chen qianwu, guo songfen, chen yingzhen, shi mingzheng 戰後中文小說的「日本化」風格:鍾肇政、陳千武、郭松棻、陳映真、施明正. [The ‘Japanized’ Style of the Taiwan Mandarin Literature after World War II: Chung Chao Chen, Chen Chien Wu, Kuo Sung Fen, Chen Ying Chen, Shih Ming Cheng]. MA thesis. National Tsing Hua U, 2013. Print.
Works in English (including foreign works translated into English):
Adorno, Theodor W. “The Idea of Natural-History.” Things Beyond Resemblance: Collected Essays on Theodor W. Adorno. Trans. Robert Hullot-Kentor. New York: Columbia UP, 2006. 252-69. Print.
---. Minima Moralia: Reflections on a Damaged Life. Trans. E. F. N. Jephcott. London: Verso, 2005. Print.
---. Aesthetic Theory. Ed. Gretel Adorno and Rolf Tiedemann. Trans. Robert Hullot-Kentor. Minneapolis: U of Minnesota P, 1997. Print.
---. Notes to Literature. Vol. 2. Ed. Rolf Tiedemann. Trans. Shierry Weber Nicholsen. New York: Columbia UP, 1992. Print.
---. Notes to Literature. Vol. 1. Ed. Rolf Tiedemann. Trans. Shierry Weber Nicholsen. New York: Columbia UP, 1991. Print.
---. “On Tradition.” Telos 94 (1992-93): 75-82. Print.
Althusser, Louis. For Marx. Trans. Ben Brewster. London: Verso, 1986. Print.
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. Ed. London: Verso, 2006. Print.
Anderson, Perry. “From Progress to Catastrophe.” London Review of Books 33:15 (2011). Web. June 11 2019.
Auerbach, Erich. “Philology and Weltliteratur.” Trans. Maire Said and Edward Said. The Centennial Review 13.1 (1969): 1-17. Print.
Bernstein, J. M. The Philosophy of the Novel: Lukács, Marxism and the Dialectics of Form. Minneapolis: U of Minnesota P, 1984. Print.
---. “Why Rescue Semblance? Metaphysical Experience and the Possibility of Ethics.” The Semblance of Subjectivity: Essays in Adorno''s Aesthetic Theory. Ed. Tom Huhn and Lambert Zuidervaart. Cambridge: MIT P, 1999. 177-212. Print.
Bersani, Leo. The Culture of Redemption. Cambridge: Harvard UP, 1990. Print.
Bloch, Ernst. Heritage of Our Times. Trans. Neville and Stephen Plaice. Cambridge: Polity Press, 1991. Print.
Bloom, Harold. Ed. Gustave Flaubert’s Madame Bovary. New York: Chelsea House Publishers, 1988. Print.
Brombert, Victor. In Praise of Antiheroes: Figures and Themes in Modern European Literature, 1830-1980. Chicago: U of Chicago P, 1999.
---. The Hidden Reader: Stendhal, Balzac, Hugo, Baudelaire, Flaubert. Cambridge: Harvard UP: 1988. Print.
---. The Novels of Flaubert: A Study of Themes and Techniques. Princeton: Princeton UP, 1966. Print.
Brooks, Peter. Realist Vision. New Haven: Yale UP, 2005. Print.
---. Reading for the Plot: Design and Intention in Narrative. Cambridge: Harvard UP, 1992. Print.
Buck-Morss, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute. New York: The Free Press, 1977. Print.
Chang, Sung-sheng Yvonne. Modernism and the Nativist Resistance: Contemporary Chinese Fiction from Taiwan. Durham: Duke UP, 1993. Print.
Chang, Sung-sheng Yvonne, Michelle Yeh, and Ming-ju Fan. Eds. The Columbia Sourcebook of Literary Taiwan. New York: Columbia UP, 2014. Print.
Ching, Leo T. S. Becoming “Japanese”: Colonial Taiwan and the Politics of Identity Formation. U of California P, 2001. Print.
Conrad, Joseph. Lord Jim. London: Penguin, 1994. Print.
Culler, Jonathan. Flaubert: The Use of Uncertainty. Rev. Ed. Ithaca: Cornell UP, 1985. Print.
---. The Literary in Theory. Stanford: Stanford UP, 2007. Print.
Doak, Kevin Michael. Dreams of Difference: The Japan Romantic School and the Crisis of Modernity. Berkeley: U of California P, 1994. Print.
Duara, Prasenjit. Sovereignty and Authenticity: Manchukuo and the East Asian Modern. Lanham : Rowman & Littlefield, 2003. Print.
Eagleton, Terry. “Nationalism: Irony and Commitment.” Nationalism, Colonialism and Literature. By Terry Eagleton, Fredric Jameson and Edward Said. Minneapolis: U of Minnesota P, 1990. Print.
Eliot, T. S. Selected Prose. Ed. Frank Kermode. New York: Harcourt Brace Jovanovich. Print.
Eysteinsson, Astradur. The Concept of Modernism. Ithaca: Cornell UP, 1990. Print.
Felman, Shoshana. The Juridical Unconscious: Trials and Traumas in the Twentieth Century. Cambridge: Harvard UP, 2002. Print.
Flaubert, Gustave. Sentimental Education. Trans. Helen Constantine. Oxford: Oxford UP, 2016. Print.
---. Madame Bovary. Ed. Margaret Cohen. Trans. Eleanor Marx Aveling and Paul de Man. New York: W. W. Norton, 2004. Print.
---. Three Tales. Trans. Roger Whitehouse. London: Penguin, 2005. Print.
---. The Temptation of Saint Anthony. Trans. Lafcadio Hearn. New York: Random House, 2002. Print.
Genette, Gérard. Figures of Literary Discourse. Trans. Alan Sheridan. New York: Columbia UP, 1982. Print.
Harootunian, Harry. Overcome by Modernity: History, Culture, and Community in Interwar Japan. Princeton: Princeton UP, 2000. Print.
Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Trans. A. V. Miller. Oxford: Oxford UP, 1977. Print.
Hohendahl, The Fleeting Promise of Art: Adorno’s Aesthetic Theory Revisited. Ithaca: Cornell UP, 2013. Print.
Horkheimer, Max and Theodor W. Adorno. Dialectic of Enlightenment: Philosophical Fragments. Trans. Edmond Jephcott. Ed. Gunzelin Schmid Noerr. Stanford: Stanford UP, 2002. Print.
Hsiau, Achin. Contemporary Taiwanese Cultural Nationalism. London: Routledge, 2000. Print.
James, Henry. The Critical Muse: Selected Literary Criticism. Ed. Roger Gard. London: Penguin, 1987. Print.
Jameson, Fredric. Signatures of the Visible. New York: Routledge, 2007. Print.
---. A Singular Modernity: Essay on the Ontology of the Present. London: Verso, 2001. Print.
---. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke UP, 1991. Print.
---. Late Marxism: Adorno, or, the Persistence of Dialectic. London: Verso, 1990. Print.
---. “Third-World Literature in the Era of Multinational Capitalism.” Social Text 15 (1986): 65-88. Print.
---. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca: Cornell UP, 1981. Print.
Lazarus, Neil. The Postcolonial Unconscious. Cambridge: Cambridge UP, 2011. Print.
Levin, Henry. The Gates of Horn: A Study of Five French Realists. New York: Oxford UP, 1963. Print.
Lukács, Georg. Writer and Critic and Other Essays. Ed. and Trans. Arthur D. Kahn. New York: Grosset and Dunlap, 1971. Print.
---. The Theory of the Novel: A Historico-Philosophical Essay on the Forms of Great Epic Literature. Trans. Ann Bostock. Cambridge: MIT P, 1971. Print.
---. The Meaning of Contemporary Realism. Trans. John and Necke Mander. London: Merlin Press, 1963. Print.
Levenson, Michael. A Genealogy of Modernism: A Study of English Literary Doctrine 1908-1922. Cambridge: Cambridge UP, 1986. Print.
Marcuse, Herbert. Reason and Revolution: Hegel and the Rise of Social Theory. Boston: Beacon, 1960. Print.
Marx, Karl and Friedrich Engels. Karl Marx/ Friedrich Engels Collected Works. Vol. 6. New York: International Publishers, 1975. Print.
Moretti, Franco. Sings Taken for Wonders: Essays in the Sociology of Literary Forms. Trans. Susan Fischer, David Forgacs, and David Miller. Rev. Ed. London: Verso, 1988. Print.
Nicholsen, Shierry Weber. “Aesthetic Theory’s Mimesis of Walter Benjamin.” The Semblance of Subjectivity: Essays in Adorno''s Aesthetic Theory. Ed. Tom Huhn and Lambert Zuidervaart. Cambridge: MIT P, 1999. 55-92. Print.
Nietzsche, Friedrich. The Anti-Christ, Ecce Homo, Twilight of the Idols: And Other Writings. Cambridge: Cambridge UP, 2005. Print.
Prendergast, Christopher. The Triangle of Representation. New York: Columbia, 2000. Print.
Shih, Shu-mei. “World Studies and Relational Comparison.” PMLA 130.2 (2015): 430-38. Print.
Suzuki, Tomi. Narrating the Self: fictions of Japanese Modernity. Stanford: Stanford UP, 1996. Print.
Tolstoy, Leo. War and Peace. Trans. Richard Pevear and Larissa Volokhonsky. New York: Alfred A. Knopf, 2007. Print.
Wang, David Der-wei. “Post-Loyalism.” Sinophone Studies: A Critical Reader. Ed. Shih Shu-mei, Tsai Chien-hsin and Brian Bernards. New York: Columbia UP, 2013. 93-116. Print.
Works in French:
Baudelaire, Charles. Oeuvres Complètes. Vol. 2. Ed. Claude Pichois. Paris: Gallimard, 1976. Print.
Flaubert, Gustave. Correspondance. Vol 3. Ed. Jean Bruneau. Paris: Gallimard, 1991. Print.
---. Correspondance. Vol 2. Ed. Jean Bruneau. Paris: Gallimard, 1980. Print.
---. Correspondance. Vol 1. Ed. Jean Bruneau. Paris: Gallimard, 1973. Print.
Proust, Marcel. Contre Sainte-Beuve précédé de Pastiches et mélanges et suivi d''Essais et articles. Ed. Pierre Clarac et Yves Sandre. Paris: Gallimard, 1971. Print.
Works in Japanese:
Hashikawa, Bunzō 橋川文三. Zōho nihon romanha hihan josetsu 増補日本浪曼派批判序説. Tokyo: miraisya, 1984. Print.
Karatani Kōjin 柄谷行人, ed. Kindai nihon no hihyō ichi shōwa hen jō 近代日本の批評I 昭和編上 [Criticism in Modern Japan: Shōwa Period I]. Tokyo: Kōdansha, 1997. Print.
Katsumata, Hiroshi 勝又浩 et al. Shishosetsu hando bukku 私小説ハンドブック. Tokyo: Bensē, 2014. Print.
Kobayashi Hideo 小林秀雄. Watakushi shōsetsu ron 私小説論 [A Treatise on I-Novel]. Kobayashi hideo zenshū 小林秀雄全集 [Collected Works by Kobayashi Hideo] vol. 3. Tokyo: Sinchōsha, 2001. 378-408.
---. Kokyou wo Ushinatta bungaku. 故郷を失った文学 [The Literature That Lost Its Homeland]. Kobayashi hideo zenshū 小林秀雄全集 [Collected Works by Kobayashi Hideo]. Vol. 2 Tokyo: Sinchōsha, 2001. 366-75.
---. Gendai bungaku no fuan 現代文学の不安 [The Angst of Contemporary Literature]. Kobayashi hideo zenshū 小林秀雄全集 [Collected Works by Kobayashi Hideo]. Vol. 2. Tokyo: Sinchōsha, 2001. 211-22.
Yokomitsu Riichi 横光利一. Junsui shōsetsu ron 純粋小説論 [A Treatise on Pure Novel]. Shōwa bungaku zenshū 昭和文学全集 [Selected Works of Shōwa Literature] Vol. 5. Tokyo: Shōgakukan,1987. 606-14.
Koyasu Nobukuni 子安宣邦. Kindai no chōkoku towa nanika 「近代の超克」とは何か [What is Overcoming Modernity]. Tokyo: Sēdosha, 2008.
Andō Hiroshi 安藤宏. Jiishiki no shōwabungaku: genshō toshite no watakushi 自意識の昭和文学:現象としての「私」[Self-Consciousness and Shōwa Literaure: “I” as a Phenomenon]. Tokyo: Shibundō, 1994. Print.
Takeuchi, Yoshimi 竹内好 et al. Kindai no chōkoku 近代の超克 [Overcoming Modernity]. Tokyo: Fuzanbō, 1979. Print.
Yasuda Yojūrō 保田與重郎. Nihon romanha ni tsuite 日本浪曼派について [About Japanese Romantic School]. Yasuda Yojūrō zenshū 保田與重郎全集 [Collected Works by Yasuda Yojūrō] Vol. 6. Tokyo: Kōdansha, 1986. 241-50. Print.
---.Wagakuni niokeru rōmanshugi no gaikan 我国に於ける浪曼主義の概観 [An Overview of Romantic School in Our Country]. Yasuda Yojūrō zenshū 保田與重郎全集 [Collected Works by Yasuda Yojūrō]. Vol. 11. Tokyo: Kōdansha, 1986. 287-304. Print.
---. Bunmeikaika no ronri no shuuen nitsuite 文明開化の論理の終焉について [About the Death of the Logic of Civilization and Enlightenment]. Yasuda Yojūrō zenshū 保田與重郎全集 [Collected Works by Yasuda Yojūrō]. Vol. 7. Tokyo: Kōdansha, 1986. 11-21. Print.
---. Nihon no jōtai ni oite 日本の状態に於て [The Current State of Japan]. Yasuda Yojūrō zenshū 保田與重郎全集. [Collected Works by Yasuda Yojūrō]. Vol. 7 Tokyo: Kōdansha, 1986. 199-217. Print.
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