跳到主要內容

臺灣博碩士論文加值系統

(44.221.70.232) 您好!臺灣時間:2024/05/29 04:51
字體大小: 字級放大   字級縮小   預設字形  
回查詢結果 :::

詳目顯示

: 
twitterline
研究生:葉庭亦
研究生(外文):YEH, TING-YI
論文名稱:克拉姆兩首室內樂作品中「引用」與「象徵」表述之探究/畢業音樂會
論文名稱(外文):A Probe into the Expressions of “Quotation” and “Symbol” in George Crumb’s Two Chamber Works/Graduation Recital
指導教授:嚴福榮嚴福榮引用關係
指導教授(外文):YIM, FUK WING
口試委員:馬定一蕭慶瑜
口試委員(外文):MA, DING-YIHSIAO, CHING-YU
口試日期:2022-01-19
學位類別:碩士
校院名稱:東吳大學
系所名稱:音樂學系
學門:藝術學門
學類:音樂學類
論文種類:學術論文
論文出版年:2022
畢業學年度:110
語文別:中文
論文頁數:67
中文關鍵詞:克拉姆引用象徵
外文關鍵詞:CrumbQuotationSymbol
相關次數:
  • 被引用被引用:0
  • 點閱點閱:236
  • 評分評分:
  • 下載下載:30
  • 收藏至我的研究室書目清單書目收藏:0
論文摘要:
二十世紀的作曲家不斷尋找新的創作手法,其中「引用」(Quotation)與「象徵」(Symbol)已成為二十世紀創作思維的一種思潮與寫作手法和態勢。而具有代表性的美國著名作曲家喬治・克拉姆(George Crumb, 1929-),在其多首作品皆透過「引用」以及「象徵」的表現手法,使音樂在他個性化的背後建構出另一層含義。對此,本文將從他具有代表性的兩首作品《四個月亮的夜晚》及《黑天使》,以樂曲創作背景的溯源與素材的運用與表現來切入,進一步探討兩首作品 「引用」與「象徵」創作手法所蘊藏的深層意涵。

畢業音樂會曲目:
《寒青》給長笛獨奏
《追問》給女高音與鋼琴
《摘一盞星光》給女高音與鋼琴
《Elegy》給大提琴與鋼琴
《荒謬之牆II》給古箏、琵琶與中胡
《46610》給弦樂四重奏
《饕餮》給管弦樂團
Composers in the twentieth century were constantly searching for new creative techniques, among which "quotation" and "symbol" have become a trend of creative thinking and writing techniques and attitudes in the twentieth century. George Crumb (1929-), a famous American composer, has used the expression of "quotation" and "symbol" in many of his works to construct another meaning behind his personalization. In this paper, we will look at two of his representative works, "Four Moons of the Night" and "Black Angel," and explore the deeper meaning of the "quotation" and "symbolic" compositions by tracing the background of their creation and the use and expression of their materials.

Graduation Recital Program:
Bamboo Forest for Flute solo
Follow-up for Soprano and Piano
A Star Picking Soprano and Piano
Elegy for Cello and Piano
A Rediculous Walls II for Guzheng, Pipa and Zhonghu
46610 for String Quartet
Tao Tie for Orchestra
目錄
第一章、生平與音樂風格 1
第一節、生平介紹 1
第二節、創作分期及其作品 4
第二章、作品創作背景與歌詞 9
第一節、《四個月亮的夜晚》創作背景與歌詞 9
第二節、《黑天使》創作背景與唸白 11
第三章、引用 12
第一節、引用的意涵 12
第二節、從《四個月亮的夜晚》來看引用的表現手法 14
第三節、從《黑天使》來看引用的表現手法 18
第四章、象徵 21
第一節、象徵的意涵 21
第二節、從《四個月亮的夜晚》來看象徵的表現手法 22
第三節、從《黑天使》來看象徵的表現手法 32
第五章、結論 64
參考文獻 65
譜源 67
Burkholder, J. Peter “Quotation”. Grove Music Online. From https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000052854 (Retrieved 23 Sep. 2021.).

Burney, Charles. The present state of music in France and Italy. London: T. becket & Co. Strand. 1773.

Cobussen, Marcel. Music and Spirituality: 13 Meditations around George Crumb’s ‘Black Angels’. CR (East Lansing, Mich.), Vol.1 no.1. East Lansing, MI: Michigan State University Press. 2007.

Cohen, David. George Crumb: A bio-bibliography. Westport, Ct: Greenwood Press. 2002.

Criot, Juan E. A Dictionary of Symbols. New York: Philosophical Library. 1962.
Edition Peters UK. “World premiere of George Crumb’s Metamorphoses (Book II)” News. https://www.editionpeters.com/newsdetails.php?articleID=IN01320 (Accessed 9 Dec 2021.).

Elias, Norbert & Kilminster, Rivhard. The Symbol Theory. Dublin, Ireland: University College Dublin Press. 2011.

Gillespie, Don C. George Crumb: profile of a composer. New York: Peters. 1986.
Henahan, Donal. “One of the Gentle People.” New York Times, section 2, 1970. https://www.nytimes.com/1970/12/13/archives/one-of-the-gentle-people-one-of- the-gentle-people.html (Accessed 20 Nov. 2021.)

Kim, Ji Hun. Compositional procedures in George Crumb's string quartet “Black Angels” and composition of an original string quartet, “Threnody for Victims of 9.11”. DMA diss., New York University. 2002. Available from Digital Dissertation Consortium. (3060298). Retrieved from http://pqdd.sinica.edu.tw/doc/3060298 (Retrieved 15 Sep. 2021.).

Kwiatkowska, Daria D. The symbolism of night and its musical representations in the works of George Crumb. D.M.A., Cornell University. 2002. Available from Digital Dissertation Consortium. (3050479). Retrieved from http://pqdd.sinica.edu.tw/doc/3050479.

Lurker, Manfred. (hrsg.) Wörterbuch der symbolik, 5th edn. Stutt gart: A. Kroner. 1991.

Mcgee, William J. An expanded concept of timbre and its structural significance, with a timbral analysis of george crumbs night of the four moons. PhD. The University of Arizona. 1982. Available from Digital Dissertation Consortium. (8217503). Retrieved from http://pqdd.sinica.edu.tw/doc/8217503 (Retrieved 15 Sep. 2021.).

Morgan, Robert P. Anthology of twentieth-century music. New York: W. W. Norton. 1983.

Stevens, Anthony. Ariadne's clue: A guide to the symbols of humankind. Princeton University Press. 2006.

李郁穎。(2014),《喬治‧克拉姆〈四個月亮的夜晚〉之探究》。東吳大學音 樂學系碩士論文。臺北:東吳大學。

彭志敏。(2004),《新音樂作品分析教程(上)》。長沙:湖南文藝出版社。

趙曉生。(1986),〈喬治・克拉姆音樂的抒情性格與戲劇意識〉。《音樂藝術》第三期(總第 26 期)。北京市:人民音樂出版社。

譜源
Crumb, George. & García Lorca, F. Night of the four moons: alto, alto, flute (doubling piccolo), banjo, electric cello and percussion (one player). New York: C.F. Peters. 1971.

Crumb, George. Black angels: (Thirteen Images from the Dark Land) (Images I) electric string quartet. New York: C.F. Peters. 1971.

Crumb, George. Eleven echoes of Autumn: violin, alto flute, clarinet and piano. New York: C. F. Peters. 1972.

Crumb, George. Makrokosmos: vol. 1, amplified piano. New York: C.F. Peters. 1974.

Schubert, Franz. Franz Schubert's Werke, Serie V: Streichquartette, No.14. Edited by Joseph Hellmesberger Sr. & Eusebius Mandyczewski. New York: Dover Publications. 1965.

The Benedictines of Solesmes. (Ed.). The Liber Usualis, New York: Desclee Company. 1961.
QRCODE
 
 
 
 
 
                                                                                                                                                                                                                                                                                                                                                                                                               
第一頁 上一頁 下一頁 最後一頁 top