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Based on the concern of human society, I observe the fast-paced modern society from a third party's perspective. I also explore the interaction between traumatized person and others. The discussion mainly discusses two series of works, "Sensual Hypersensitivity Series" and "Hidden Series". These two series use the combination of additive and subtractive sculptures and objects as their creative forms, but the core concept also focuses on the interaction between " Self and others " relation. The three works of "Sensual Hypersensitivity Series" are all components, mainly about the relationship between the disseminator and the receiver of information. The prototype of the clay sculpture is copied into groups by the technique of plaster casting, symbolizing that after becoming a member of the group, the individual is conscious Disappearance of character, prominent unconscious character, and convergence of thought and behavior. "Hidden Series" uses culturally meaningful objects as media to form a figurative human body, intending to simulate the physiological characteristics of human beings after trauma, and uses the injured body to symbolize the psychological state of the traumatized person, and the interior space of the work as a metaphor Traumatized Mind Space. The three works of "Hidden Series" all have "mirrors" placed in the interior space of the works to induce viewers to observe the mirror images as an opportunity for the viewer to interact with the works. The mirror that the viewer sees conveys different content. In addition to discussing the symbolic meaning of visual vocabulary from the perspective of semiotics, the paper also analyzes the characteristics of the masses from the perspective of social psychology, and discusses the relationship between form and content, as well as the process records of creative methods and techniques, and finally reviews in the conclusion. Since writing a creative essay, I have grown myself in terms of creation.
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