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研究生:丁怡文
研究生(外文):TING, YI-WEN
論文名稱:包浩斯劇場⟪三元芭蕾⟫之解構、重現與再現
論文名稱(外文):The deconstruction, reconstruction and representation of“Triadic Ballet”of the Bauhaus Theater
指導教授:林伯賢林伯賢引用關係朱美玲朱美玲引用關係
指導教授(外文):LIN, PO-HSIENCHU, MEI-LING
口試委員:林榮泰林志隆林漢裕林伯賢朱美玲
口試委員(外文):LIN, RUNG-TAILIN, CHIH-LONGLIN, HAN-YULIN, PO-HSIENCHU, MEI-LING
口試日期:2023-05-17
學位類別:博士
校院名稱:國立臺灣藝術大學
系所名稱:創意產業設計研究所
學門:設計學門
學類:綜合設計學類
論文種類:學術論文
論文出版年:2023
畢業學年度:111
語文別:中文
論文頁數:182
中文關鍵詞:包浩斯劇場三元芭蕾奧斯卡・史萊莫
外文關鍵詞:Bauhaus theaterTriadic BalletOskar Schlemmer
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⟪三元芭蕾⟫(Triadic ballet)是包浩斯藝術家奧斯卡・史萊莫(Oskar Schlemmer)最富盛名的動態藝術作品。長久以來,包浩斯的研究多集中於對近代設計領域的影響上,包浩斯劇場在過去一直被形容為包浩斯最難解的謎題,尤其史萊莫的 ⟪三元芭蕾⟫,並未受到應有的關注,在舞蹈或表演藝術領域,更是鮮少被討論。
本研究通過⟪三元芭蕾⟫的解構、重現與再現,全面客觀的審視⟪三元芭蕾⟫對當今跨領域藝術與舞台表演的影響,並從製作⟪三元芭蕾⟫不同形式的表現,了解不同形式的展演特性。本研究以文本分析法、三角交叉法、參與觀察法、問卷調查法與實驗設計法,從分析、解構⟪三元芭蕾⟫的創作脈絡,到作品的重現與再現,根據研究結果,驗證了包浩斯劇場⟪三元芭蕾⟫在設計與舞蹈的交融中,展現了跨域藝術作品的豐富性,史萊莫對人與空間之間的創作實驗,可視為當今舞台表演藝術與科技結合的先趨;⟪三元芭蕾⟫不同展演形式的研究結果表明了現場演出的空間感具有其優越性,雖然現今仍無法被其他影像技術所取代,但虛擬影像在空間深度上的表現,則有助於解決真實劇場中,觀眾與舞台之間觀看距離的問題,螢幕影像的框架雖限制了觀眾對於空間的感受,然而較佳的色彩表現與作品細部的展示則是螢幕影像的優勢。
本研究之結果為現有的包浩斯理論、後現代舞台表演及跨領域藝術形式提供了一條不同的脈絡,希望對包浩斯劇場及後現代舞台藝術的相關研究能有所助益,並提供相關藝術創作者、藝術教育者在現有的藝術理論上能有進一步的借鑑意義。

Triadic ballet is the most famous artwork by Bauhaus artist Oskar Schlemmer. For a long time, Bauhaus research has mostly focused on its influence on the field of modern design. Bauhaus Theater has been described as the most difficult puzzle of Bauhaus in the past, especially Schlemmer 's Triadic ballet, and underappreciated and rarely discussed in the field of dance or the performing arts.
Through the deconstruction, reconstruction and representation of Triadic ballet, this study comprehensively and objectively examines the influence of Triadic ballet on today’s interdisciplinary art and stage performances and understands the different forms of performance characteristics. This research uses text analysis method, triangle intersection method, participant observation method, questionnaire survey method and experimental design method, from the analysis and deconstruction of the creative context of Triadic ballet, to the reproduction and representation of the works. According to the research results, it is verified that the Triadic ballet shows the richness of cross-domain art works in the blend of design and dance. Schlemmer 's creative experiment between people and space can be regarded as a combination of stage performance art and technology today. The research results of different performance forms show that the spatial sense of live performances has its superiority. Although it cannot be replaced by other imaging technologies today, the performance of virtual images in terms of spatial depth is helpful to solve the problem of the viewing distance between the audience and the stage in a real theater, although the frame of the screen image limits the audience's perception of the space, better color performance and the display of the details of the work are the advantages of the screen image.
The results of this study provide a different context for the existing Bauhaus theory, postmodern stage performance and interdisciplinary art forms, and hope that it will be helpful to the related research on Bauhaus Theater and postmodern stage art, and provide relevant art creators and art educator the s can have further reference in the existing art theory.

謝誌 I
摘要 III
Abstract IV
目 錄 VI
圖目錄 VIII
表目錄 XI
第一章 緒論 1
第一節 研究背景與動機 2
第二節 研究目的 7
第三節 研究架構與研究流程 9
第四節 研究方法 12
第五節 研究範圍、對象與限制 14
第六節 名詞釋義 15
第二章 文獻探討 17
第一節 奧斯卡・史萊莫藝術觀念之探討 17
第二節 ⟪三元芭蕾⟫概述 29
第三節 虛擬舞蹈觀賞感知之探討 42
第四節 本章小節 54
第三章 解構⟪三元芭蕾⟫創作模式 57
第一節 ⟪三元芭蕾⟫核心概念分析 57
第二節 ⟪三元芭蕾⟫表現形式分析 61
第三節 結果與討論 67
第四章 重現⟪三元芭蕾⟫作品演出 79
第一節 ⟪三元芭蕾⟫作品編排 79
第二節 ⟪三元芭蕾⟫作品驗證 95
第三節 結果與討論 111
第五章 再現⟪三元芭蕾⟫形式表現 113
第一節 ⟪三元芭蕾⟫不同形式製作 113
第二節 ⟪三元芭蕾⟫觀賞差異分析 124
第三節 結果與討論 145
第六章 結論與建議 148
第一節 結論 148
第二節 建議 154
參考文獻 157
附錄一:重現⟪三元芭蕾⟫觀眾調查問卷(手機網路形式) 171
附錄二:再現⟪三元芭蕾⟫不同展演形式觀賞調查問卷 178
附錄三:⟪三元芭蕾⟫重現與再現相關人員名單 182


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三、網路資料
Akademie der Künste. 3・Ballet. Available online: https://reurl.cc/55Evqy(accessed on 10 November 2022).
Bauhausdances. Availableonline: https://bauhausdances.org/about.html (accessed on 10 November 2022).
Berlin, Bauhaus-Archiv. (n.d.). Retrieved April 10, 2023, from https://www.bauhaus.de/en/ (accessed on 10 November 2022).
Cirque Connect: Available online: https://reurl.cc/3op7D8 (accessed on 10 November 2022).
Compagnie 111:Available online: https://www.cie111.com/en/ (accessed on 10 March 2023).
Ilona Landgraf (2014). The Triadic Ballet. https://www.ilona-landgraf.com/2014/06/patience-pays/ (accessed on 10 November 2022).
Margarete Hasting’s Triadisches Ballett. Available online: https://www.youtube.com/watch?v=mHQmnumnNgo (accessed on 10 November 2022).
Nadine W. (2022). Modernity in Motion: Bauhaus’ Triadic Ballet. Available online : https://reurl.cc/WDQ2v9 (accessed on 10 March 2023).
The Beauty and The Beast:Availableonline: https://reurl.cc/3op7YV (accessed on 10 November 2022).
The Metropolitan Opera-Nightly Met Opera Streams. Available online: https://reurl.cc/60abgM (accessed on 10 November 2022).
Theater Der Klaenge “TRIAS” Available online: https://theaterderklaenge.de/ (accessed on 10 November 2022).
Vienna State Opera: Wiener Staatsoper. Available online: //reurl.cc/ZbGlO3(accessed on 10 November 2022).
曾靖越(2018年2月13日)。如何運用 VR、AR、AV 與動作擷取技術,讓想像擴增於實境與虛境的交界?取自:https://pansci.asia/archives/134824
劉春(2018年2月13日)。人性舞蹈與機械法則–從《三人芭蕾》說起。取自: https://kknews.cc/zhtw/culture/pgkz88j.html

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