臺灣博碩士論文加值系統

本論文共分為五章，以超現實主義的中心思想為理論基礎，並透過幾個超現實主義的繪畫手法來閱讀雷祖威的短篇故事集《愛之慟》。借由比較超現實主義繪畫和此短篇故事集的相同之處，探討亞裔美國男性因為遭受美國人對其錯誤的刻版印象，和種族與社會上的歧視、偏見所造成其心靈上對種族去勢的恐懼，與精神上歇斯底里的情緒。本著超現實主義者重視內在精神的呈現，本論文著重於探討亞裔美國男性的內心世界。雷祖威在《愛之慟》裡所使用的寫作方式誠如超現實主義的要旨：藉由對外在世界的描寫，表達內在最真實的渴望，且伴隨豐富的想像力將其表現出來。以觀看繪畫的方式來閱讀文本，本論文所關注的主題是華裔美國男性在遭受種族歧視下，在生理和心理上所產生的矛盾、挫折情緒。
首章為全文的導論，分別介紹超現實主義的基本精神和繪畫手法，及亞美文學中重要的主題。第二至四章再以達利偏執狂的雙重影像、恩斯特的美術拼貼、超現實主義的黑色幽默作為討論架構，來看《愛之慟》裡各個亞裔美國男性所遭遇與承受的種族問題。末章結論討論超現實主義藝術與雷祖威的《愛之慟》相似之處，並重申亞裔美國男性在美國的矛盾處境與所產生的內心傷慟。

The thesis is divided into five chapters. Based on the main ideas of surrealism, the thesis uses the techniques of surrealistic painting while reading David Wong Louie’s Pangs of Love. By comparing the similarities between surrealist paintings and this collection of short stories, the thesis discusses Asian American men’s fear of racial castration and spiritual hysteria caused by suffering from false stereotypes and racial, social discriminations. According to surrealism’s emphasis on interior world, the thesis also focuses on Asian American men’s inner mind.
Chapter One is an introduction of this thesis. It firstly introduces the basic spirit and painting skills of surrealism, and secondly introduces the important themes in Asian American literature. Chapter Two analyzes “Social Science” and “The Mover,” reading them by Salvador Dalí’s paranoiac double image. Chapter Three analyzes “Bottle of Beaujolais,” “Pangs of Love” and “One Man’s Hysteria—Real and Imaged—in the Twentieth Century” by Max Ernst’s collage. Chapter Four uses the viewpoints of surrealist black humor to read “Birthday,” “Pangs of Love,” “Love on the Rock,” and “Warming Trends.” Chapter Five compares and contrasts Louie’s Pangs of Love and Surrealism, and examines Asian American men’s quandary in the society.

Title Page ---------------------------------------------------------------- i
Acknowledgements --------------------------------------------------------ii-iii
Table of Contents ----------------------------------------------------------iv
Chinese Abstract -----------------------------------------------------------v
English Abstract --------------------------------------------------------vi-vii
Chapter One: Introduction -----------------------------------------------1-27
Chapter Two: Salvador Dalí’s Paranoiac Double Image in “Social Science” and “The Movers” ----------------------------------------------------------28-51
Chapter Three: Max Ernst’s Collage in “Bottle of Beaujolais,” “Pangs of Love” and “One Man’s Hysteria—real and imagined—in the Twentieth Century” ---- 52-75
Chapter Four: Surrealistic Black Humor in Pangs of Love ------------------76-97
Chapter Five: Conclusion ------------------------------------------------98-105
Works Cited ----------------------------------------------------------- 106-113

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