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This thesis " Zen Perspective and Artistic Conception - Research on Huang Kuncheng's Ink Painting Creation" aims at the use of painting images, the context of written words and the beauty of pointillism based on the aesthetics of traditional ink painting, combining the characteristics of Eastern Zen and Western contemporary creation. Apply the thinking of "virtual environment to create reality" to explore how to use the simulacrum of ideas as a surreal expression to present the reflection of fiction and reality. The core of the beauty of life, the beauty of thought and the beauty of the soul is to break the restrictions in thought, integrate with each other, and pursue the artistic expression of inner desire. From the standpoint of free creation, one should not look forward and backward, and use one's own basic belief in art according to one's own ideals. direction creation. Aiming at Eastern Zen and meditation, spiritual exploration of Eastern and Western psychology, and the influence of Eastern and Western artists on creative forms, connotations, and ideas, feel the calming effect of meditation and meditation on emotions, experience the voice of inner intuition, and through perception Shape images through objects, create realms, and construct the "meaning" outside the image, the "emotion" outside the words, and the "reason" outside the form; the understanding of the current state of affairs, through the works to express the true feelings of the heart, based on The virtual environment presents the reality as a creative work. The first chapter of this research, "Introduction", explains the background and motivation, purpose, content and research methods of this creative research. The second chapter, "Research on Documents", attempts to discuss the aesthetic thinking of Chinese painting, the influence of Zen Buddhism on Chinese painting, the thinking of images, and related artists who affect the aesthetic sense of creation. The third chapter, "Creative Concepts and Practices", explains Zen, the establishment of the concept of painting, the expression of creative forms and media, and the analysis and experience of the creative process. Chapter 4, "Creation Analysis", categorizes the works of an artist. There are four categories of exhibitions and introductions: the series of objects, the series of Zen paintings, the series of resonance of calligraphy and painting, and the series of contemporary calligraphy and painting. Through these works, there will be more conscious communication in the mind.
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