臺灣博碩士論文加值系統

本論文從人聲樂器的科學基礎切入，探討聲區調配的生理運作與聲學特性
，同時整理歷史上有關聲區調配的研究與教學理論，瞭解其發展脈絡，從
而歸納出男高音獨特的聲區特性與聲區調配在歌唱表現上所面臨的問題．
並以人聲樂器的生理運作為基礎，探討基本發聲法的建立，然後據此發展
男高音之聲區調配的技術，以不同作曲家的聲樂作品為例加以分析，探討
男高音在聲區調配技術的發展過程中，如何將聲區調配的方法實際運用在
歌唱表現的手法上． 聲區是指由相同機制的運作系統所產生之一系列
均勻的音質；而聲區調配則是使用及組合聲區的處理方法，以達到藝術性
歌唱的目的．聲區調配的生理機制，在低音區裡，聲帶肌高度收縮，具有
較強的內收力量．在高音區裡，聲帶肌較被動，環甲肌是音高的主要調節
者而有較多的收縮．唱假聲時，聲帶的振動侷限在表層最中間的邊緣，而
聲帶體本身是不活動的．根據分土利效應，聲門開口的狀態遠比試圖去調
整來自肺部的壓力來得更加重要．　　聲區調配技術與發聲法有實際而直
接的關係．健康的發聲法必須是建立在人體自然運作的生理狀態上．自然
的吸飽氣，吸氣傾向的起聲，維持肌肉協調一直處於吸氣狀態，開始打呵
欠的感覺，以及內在的微笑，是人聲樂器健康的運作方式．隨著聲帶肌與
喉部其它肌肉的強壯與成熟，男高音歌者的第三聲區會逐漸往下延伸，而
且第二聲區與第三聲區的音色也會越來越接近．在處理所有關於聲區調配
的問題或狀況時，回歸人聲樂器的科學基礎，以健康自然的生理運作加以
檢視與修正，才是根本的解決之道．

In this thesis, it is attempted to investigate the
physiological and acoustical charateristics of tenor
registration based on the scientificfundamentals of vocal
instrument, and simultaneously ro survey historicalregistration
theories. Furthermore, it is tend to establish a healthy
andefficient process of singing or vocalizing, and then to
develop the tech-niques of tenor registration according to this
process. Some vocal piecesof different composers are analyzed
for example to represent how these tenor registration techniques
could be applied to artistic singing. Register regers to
homogeneous tone qualities produced by the same mechanical
system, and the term registration refers to the process of
usingand combining the registers to achieve artistic singing. In
the chest register, or heavy mechanism, the vocalis muscle is
the most highly contracted.In the head register, or light
mechanism, the vocalis is more passive whilethe cricothyroid--
the primary regulator of vocal pitch --is more contracted.In
falsetto, the vibration of the vocal folds is restricted to the
verymedial edges of the cover, while the body of the folds
apears inactive.For singers, according to Venturi effect, the
condition of the glottalopening is of greater importance than
attempting to manipulate pressurefrom the lungs. The techniques
of registration are directly related to the way of singingor
phonating. A healthy and efficient method to play the vocal
instrumentincludes: comfortably full breath, onset with inhaling
tendency, developingboth the musculature and the the
coordination remaining near the inspiratoryposition, the feeling
of a beginning yawn, and keeping an inner-smile. Withgrowing and
maturating of vocalis and intrinsic laryneal muscles, a tenor
eventully learns to carry register 3 almost to the bottom of his
range, and the tone qualities of register 2 and 3 will become
much more approximate.When dealing with the registration
problems in any situation, it is the veryessential way to
investigate and modify the singing process based on the
scientific and physiological fundamentals.