臺灣博碩士論文加值系統

摘 要

本文以探討自我創作歷程與演變為主，筆者應用版畫之版種特質、版材特性與間接製版、印製等技法，試圖呈現出有別於傳統平面繪畫質地的作品表現。在創作歷程上筆者思索與實踐關於不同版種所衍生的造形可能，首先釐清版畫的繪畫性與繪畫的繪畫性彼此間的關聯與異同，再以版畫特有的材料屬性作為創作之主要元素，將創作歷程產生的直覺性繪畫要素與視覺語彙和製版、印製過程產生的間接性繪畫質地，轉化成有效的版畫語法。
在實踐過程中，也針對版畫與印刷的本質差異作進一步探討，如：手操作版畫製作所產生的身體勞動，在印製過程中的必然性與必要性及版印反覆操作所顯現的美學特質。在製版過程中的肌理探討則來自刀刻的殘痕、油墨重疊的厚度質地、印壓遺留的凹凸起伏。而基底質材在作品中亦扮演重要角色，影響油墨的滲透性、覆蓋性及演色性。畫面上利用油墨之彩度、明度、不透明性與演色效果，構成不同比例之配置，並利用具有穿透性基底材質的加入，在視覺上形成具有空間感的圖層效果。
最後探討版畫觀念的擴張與延伸，將平面性版畫介入三度立體空間，利用空間維度構築版畫場域，使版畫與既存實體場域相互滲透，探討實體與概念的同時並存，形成空間的複製，讓「複製」與「再製」在異質空間中流轉。其他媒介如：打字機、多媒體材的運用等亦成為版畫造形可能的探討。

關鍵詞：版畫、間接性、反覆操作、肌理、複製、空間

Abstract
This dissertation is mainly study the progress and evolves of original creation; the author adopts several techniques of printmaking such as the character of plate type, specific of plate material, indirect process and printing, attempts to present a representation what is different from the traditional plane drawing quality.
During the process of creation, the writer speculates and practices about the modeling possibility that develops from various types of plates. The primary task is to identify the relationship and diversity between the painterly of printmaking and the painterly of drawing, afterward, to use the specific material attribute of printmaking as the main element, and then turn something into an effective printmaking syntax what are brought out from the process of creation such as instinctive drawing element and visual vocabulary, and the indirect drawing quality which is produced by plate making and printing.
Within the practicing, here also makes a further probe into the intrinsic diversity of printmaking and printing, for instance, physical labor that brought out through print by hand- operating, the inevitability and necessity during the process of printing, and the appearing aesthetics characteristic through operates repeatedly.
Texture researching comes from the marks of carving, the depth quality of overlapping ink and the remaining heave of impression. The base material also plays a significant role, it affects the permeability, covering and color rendering index of the inks. To adopts the effects of chrominance, values, opacity and color rendering, constituting a disposition of distinct proportion on the picture, besides, adding penetrative base material to form a spatial layer effect on the sense of sight.
Finally, to study the expansion and the extension of printmaking concept, to permeate plane printmaking into the three-dimensional space, constructing printmaking sites by using spatial dimensions, so that result in inter- infiltration between printmaking and existing sites, and researching the simultaneously coexist of substance and concept, it develops a spatial duplication, making “duplication” and “reproduce” rotate in the heterogeneous space. It also becomes a possible discussion of printmaking modeling of using the other media such as a typewriter and mixed media.
Keywords: printmaking, indirectly, operates repeatedly, texture,duplicate, space

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