中文參考書目
陳幼媛著，帕噶尼尼<第二十四號A小調小提琴隨想曲>版本比較與技巧
分析。碩士論文，台北市：東吳大學，民85。
黃采文著，探討布拉姆斯作品<帕噶尼尼主題變奏曲，作品三十五，第二冊>鋼琴演奏技巧之運用。碩士論文，台北市：東吳大學，民88。許郁梅著，布拉姆斯”韓德爾主題變奏曲與賦格”演奏之探討。碩士論文，台北市：東吳大學，民88。
陳玉芸著，由教學觀點探討李斯特「鐘」。研討會論文，台北市：師範大學，民90。
葉蕙蘭著，探討拉赫瑪尼諾夫作品《繪畫練習曲 op.33》：從音樂創作題材到鋼琴演奏技巧的運用。碩士論文，台北市：東吳大學，民90。林婉菁著，探討巴爾托克三首練習曲『Etudes Op.18, 3 pieces』寫作手法與技巧的運用。碩士論文，台北市：東吳大學，民91。
邵義強編譯，貝多芬：Beethoven, <中>，名曲殿堂2。台北市：天同出版社，民75。
邵義強編譯，貝多芬：Beethoven, <下>，名曲殿堂3。台北市：天同出版社，民75。
葉綠娜著，詮釋蕭邦練習曲。台北市：大呂出版社，民76。
李哲洋編輯，「李斯特專集」全音音樂文摘月刊，第十卷第五期。台北市：全音音樂文摘雜誌社，1986。
馬清著，鋼琴藝術史：A History of Piano Art。台北市：揚智文化，民87。
梁憲怡著，鋼琴教學研究。台北市：全音樂譜出版社，民87。
楊沛任著，音樂史與欣賞：A History of Western Classical Music。台北市：美樂出版社，民90。
丰子愷著，近世西洋十大音樂家的故事。湖南省：湖南文藝出版社，2001。
翻譯參考書目
井口基成著，彈奏鋼琴的技巧。邵義強譯，台北市：全音樂譜出版社，
民90。
Abraham, Gerald，The Concise Oxford History of Music History。錢仁康等校訂，上海市：上海音樂出版社，1999。
Ammer, Christine，音樂辭典。貓頭鷹編輯小組譯，台北市：貓頭鷹出版社，民90。
F•華卡，傳記小說：帕加尼尼。林勝儀譯，台北市：全音出版社，民73。
Goulding, Phil G，作曲家排行榜(中) ：古典音樂入門。雯邊等譯，台北市：世界文物出版社，民86。
Morrison, Bryce，偉大作曲家群像：李斯特。賴慈芸譯，台北市：智庫出版，民84。
Schonberg, Harold C，不朽的鋼琴家。顧連理，吳佩華譯，台北市：世界文物出版社，民87。
Slenczenska, Ruth，指尖下的音樂：Music at Your Fingertips。王潤婷譯，台北市：大呂出版社，民80。
Sugden, John，偉大作曲家群像：帕格尼尼。楊敦惠譯，台北市：智庫出版，民84。
CD介紹參考
Diabolus in Musica” Accardo Interpreta Paganini. Performed by SalvatoreAccardo, the London Philharmonic Orchestra, and Charles Dutoit. 449 858-2, 1996.
Liszt: The Complete Etudes. Performed by Claudio Arrau ·Nikita Magaloff. 456 339-2, 1997.
Paganini Studies: Liszt, Friedman, Brahms. Performed by Matti Raekallio.ODE 777-2, 1991. Compact disc.
外文參考書目
Cone, Edward T. Musical Form and Musical Performance. New York: W.W.Norton And Company, 1968.
Cooper, Grosvenor and Meyer, Leonard. The Rhythmic Structure of Music.Chicago:Chicago Press, 1963.
Eigeldinger, Jean- Jacques. Chopin: Pianist and Teacher as Seen by His Pupils.New York: Cambridge University Press, 1986.
Fink, Seymour. Mastering Piano Technique: A Guide for Students, Teachers,and Performers. Portland, Oregon: Amadeus Press, 1999.
Ganz, Peter Felix. The Development of the Etude for Pianoforte. Ph.D. diss.,Northwestern University, 1960.
Gat, Joseph. The Technique of Piano Playing. London: Collet’s Holdings Ltd.,1974.
Gerig, Reginald R. Famous Pianists and Their Technique. New York:R.B.Luce, 1974.
Gieseking, Walter, and Karl Leimer. Piano Technique. New York: Dover Publications, 1977.
Gillespie, John. Five Centuries of Keyboard Music. New York: Dover Publications, 1965.
Goode, William Myrick. The Late Piano Works of Franz Liszt and Their Influence on Some Aspects of Modern Piano Composition.
Bloomington, 1965.
Gordon, Stewart. Etudes for Piano Teachers. New York: Oxford University Press, 1995.
Gordon, Stewart. A History of Keyboard Literature. New York: Schirmer Books, 1996.
Green, Douglass M. Form in Tonal Music. New York: Holt, Rinehart and Winston, 1979.
Hervey, Arthur. Franz Liszt and his Music. London: John Lane, 1911.
Horowitz, Joseph. Conversations with Arrau. New York: Limelight Editions, 1984.
Machnek , Elsie Jane.The Pedagogy of Franz Liszt. Ph.D. diss., Northwestern University, 1965.
McIntosh, Wilson Legare, Jr. A Study of the Technical and Stylistic Innovations of Franz Liszt as Demonstrated in an Analysis of Selected Etudes. Ed.D. diss., Columbia University Teachers College, 1983.
Neumann, Frederick. New Essays on Performace Practice. New York: University of Rochester Press, 1982.
Nycz, Audrey. Earlier Sources of “La Campanella”: Analysis and Comparison. M.A. thesis. Chicago Conservatory College, 1975.
Palmieri, Robert, ed. Encyclopedia of the Piano. New York: Garland Publishing,1996.
Perengi, Eleanor. Liszt: The Artist as Romantic Hero. Boston: Atlantic Monthly Press, 1974.
Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth- Century Europe, The Norton Introduction to Music History. New York: W.W. Norton & Company, 1984.
Sadie, Stanly, ed. The New Grove Dictionary of Music and Musicians. 20vols. Lodon: Macmillan Publishers, 1980. S.v. “Etude,” by R.P. Winnington-Ingram.
Sadie, Stanly, ed. The New Grove Dictionary of Music and Musicians. 20vols. Lodon: Macmillan Publishers, 1980. S.v. “Liszt, Franz,” by Humphrey Searle.
Sang Hie, Lee.A Psychophysiological Approach to the Technical Problems Found in the Piano Etudes of Chopin and Liszt and A Compendium of the Solutions. Ed.D. diss., University of Georgia, 1977.
Schumann, Robert. Studies After Caprice by Paganini, Opus 3. Ed. Harold \Bauer. New York: G. Shirmer, 1950.
Searle, Humphrey. The Music of Liszt, 2d ed. New York: Dover Publications, 1966.
Sitwell, Sacheverell. Liszt. New York: Dover Publications, 1967.
Slonimsky, Nicolas. Baker’s Dictionary of Music. New York: Schirmer Books, 1997.
Steinberg, Arne Jo. Franz Liszt’s Approach to Piano Playing. D.M.A. diss., University of Maryland, 1971.
Stolba, K Marie. The Development of Western Music. Iowa: Brown & Benchmark Publishers, 1990.
Uszer, Marienne, Stewart Gordon, and Elyse Mach. The Well-Tempered Keyboard Teacher. New York: Schirmer books.
Walker, Alan. Franz Liszt: The Virtuoso Years, 1811-1847. New York: Cornell University Press, 1983.
Watson, Derek. Liszt, The Master Musicians Series. London: J.M. Dent & Sons, 1989.
Westerby, Herbert. Liszt, Composer, and His Piano Works. London: William Reeves, 1936.
譜例來源
Liszt, Franz. Klavierwerke Piano Works Etüden II. Hungary: Editio Musica Budapest, 1971.
Paganini, Nicolo. Concerto No.2 op.7 for Violin and Piano. Mainz: Schott Musik International GmbH & Co., 1937.
Pikayzen, Victor, ed. Paganini, Nicolo. 24 Caprices for Violin Solo, Opus 1. Taipei: Hsiao- Ya, 2002.
譯名參考
李永剛等審查，國立編譯館編訂，音樂名詞。台北市：桂冠圖書公司，1994。