臺灣博碩士論文加值系統

本論文以李斯特 (Franz Liszt, 1811-1886)《但丁詩篇讀後感-奏鳴曲風幻想曲》(Après une Lecture de Dante-Fantasia quasi Sonata)為主題，探討但丁 (Dante Alighieri, 1265-1321)《神曲》(La Divina Commedia)與此首鋼琴作品之關聯性。
本論文共分為四個章節：第一章緒論，說明本論文之研究動機與目的及研究範圍與方法；第二章但丁《神曲》與李斯特《但丁詩篇讀後感-奏鳴曲風幻想曲》，概述但丁《神曲》之創作背景與內容，亦簡述李斯特《但丁詩篇讀後感-奏鳴曲風幻想曲》之作曲靈感與來源；第三章樂曲分析與演奏詮釋，首先針對此首樂曲，作詳盡地樂曲分析，包含其樂曲之形式、段落、調性、動機、和聲、速度、術語及技巧，此外在詮釋方面，筆者結合文學內容，將文學融入樂曲當中，並探討彈奏方法，使在演奏此樂曲時，能表現地更具有戲劇張力；第四章結論，浪漫樂派特色為「標題音樂」，李斯特更是其代表作曲家之一，身為一個演奏者，藉由分析及探討，使自己在演奏詮釋上，能有與眾不同的見解，更符合浪漫樂派表達自我，崇尚自由的特性。

This thesis focus on Liszt's Après une Lecture de Dante-Fantasia quasi Sonata, and study the relation with Dante's La Divina Commedia.
This thesis is divided into four chapters: the first chapter illustrates this thesis research motive and objectives, the scope of the study and methods. The Second chapter, Dante's La Divina Commedia and Liszt's Après une Lecture de Dante-Fantasia quasi Sonata, an overview of Dante's La Divina Commedia, the background and its content. But also briefly touches on Liszt's Après une Lecture de Dante-Fantasia quasi Sonata in composition and sources of inspiration. The third chapter analysis and performance interpretation of this piece, first of all to analyze the composition in detailed, containing its structure, tonal, motives, harmonic analysis, tempo and musical terms. In addition, in respect of interpretation, the author combines content of literature, and combine it into the music, so that playing this music, it’s able to bring more dramatic tension from the piece. The fourth chapter is the conclusion, the character of Romantic music was "program music", and composer Franz Liszt is one of representatives. As a performer, one through analysis and study, so that can have different opinions in interpretation when performing. This is more in line with Romantic music struggled to express themselves, advocating free features.

摘要............................................i
英文摘要........................................ii
目錄...........................................iii
表目錄..........................................iv
譜例目錄.........................................v
第一章 緒論..................................1
第一節 研究動機與目的.........................1
第二節 研究方法與範圍.........................3
第二章 文學與音樂.............................4
第一節 但丁《神曲》...........................4
第二節 李斯特《但丁詩篇讀後感-奏鳴曲風幻想曲》...6
第三章 分析與詮釋............................10
第一節 樂曲形式..............................10
第二節 樂曲分析..............................14
第三節 演奏詮釋..............................55
第四章 結論..................................91
參考文獻.........................................94

一、樂譜

Liszt, Franz. Années de pélerinage. Budapest: Editio Musica Budapest, 1974-1976.

Liszt, Franz. Années de pélerinage. Dover :

恩斯特‧赫特利照編訂，漢斯-馬丁‧特爾伯指法。《李斯特：巡禮
之年第二年-義大利》。台北：全音。

二、英文書目

Brook, Donald. Master of The Keyboard. London: Salisbury Square, 1947 2nd Edition.

Gillespie, John. Five Centuries of Keyboard Music. New York: Dover Publications, Inc., 1972.

Gordon, Stewart. A History of Keyboard Literature: Music for the Piano and Its Forerunners. New York: Schirmer, 1996.

Grout, Donald Jay, Peter, J. Burkholder and Claude V. Palisca. A History of Western Music, 7th ed., New York: W. W. Norton, 2006.

Lenz, Wilhelm von. The Great Piano Virtuoso of Our Time: A classic account of studies with Liszt, Chopin, Tausig & Henselt. London: Kahn & Averill, 1995.

Letñanová, Elena. Piano Interpretation in Seventeenth, Eighteenth and Nineteenth Centuries: Astudy of Theory and Practice Using Original Documents. North Carolina: McFarland & Company, Inc., 1991.

Todd, R. Larry. Nineteenth-Century Piano Music. New York: Routledge, 2004 2nd Edition.

Sachs, Harvey. Virtuoso: the life and art of Niccolo Paganini, Franz Liszt, Anton Rubinstein, Ignace Jan Paderewski, Fritz Kreisler, Pablo Casals, Wanda Landowska, Vladimir Horowitz, Glenn Gould. New York: Thames and Hudson, 1982.
Searle, Humphrey. The Music of Liszt. New York: Dover Publications, Inc., 1966.

Sitwell, Sacheverell. Liszt. New York: Dover Publications, Inc., 1967.

Sullivan, Jack edited. Words on music: from Addison to Barzun. Ohio: Ohio University Press, 1990.

Watson, Derek. The Master Musicians Serie: Liszt. London: J. M. Dent & Sons, 1990.

Williams, Adrian. Portrait of Liszt. New York : Oxford University Press, 1990.

三、中文書目

王潤婷。《鋼琴演奏的藝術》。台北：全音，1996。

但丁 (Dante Alighieri) 著。《神曲：地獄篇、煉獄篇、天堂篇》(La Divina Commedia)。黃國彬譯。台北：九歌，2003。

亨利‧涅高茲著。《論鋼琴表演藝術》。林道聲校訂。台北：樂韻， 1989。

李明蒨。《鋼琴演奏的理論與實際》。基隆：國立台灣海洋大學亞太
區域研究中心，2002。

林錦昌。《神曲：一本以義大利‧但丁的史詩《神曲》(Divine comedy) 為藍本再創作的小說》。台北：時報文化，1995。

約瑟夫‧雷賓 (Joseph Lhevinne) 著。《鋼琴彈奏的基本原則》(Basic Principles in Pianoforte playing)。陳芳玉譯。台北：全音，1997。

陳玉芸。《李斯特《但丁詩篇讀後感》與《B小調鋼琴奏鳴曲研究》》。 台北：全音，2006。

莫利森 (Bryce Morrison) 著。《偉大的作曲家群像：李斯特》(Liszt)。 賴慈芸譯，黎國媛審定。台北：智庫，1995。

理查‧路易斯 (R. W. B Lewis)著。《但丁-地獄與天堂的導遊》 (Dante)。劉會梁譯。台北：左岸，2006。

劉志明。《曲式學》。台北：全音，2003六版。

潘惜蘭 (Siglind Bruhn) 著。《鋼琴演釋指南》(Guidelines to Piano Interpretation)。湯亞汀譯。香港：友聯，1993。

四、中文期刊

吳雅婷。〈李斯特鋼琴作品特色之研究〉。《台南女院學報》24期， 頁355-389。

黃久玲。〈李斯特式風格之研究及其影響-從鋼琴作品探討〉。《嘉義 大學人文藝術學院 藝術研究期刊》3期 (12月，2007)，頁 127-170。

五、有聲資料

Ogdon, John. Great pianists of the 20th century. Philips, 456 916-2.

Kovacs, Kriszta. Kriszta Kovacs plays Liszt. Doremi, DDR-71113.

Arrau, Claudio. Liszt Piano Music. Philips, 411 055-2.

Grimaud, Hélène. Ballade no. 1 in G minor, op. 23 / Frederic Chopin. Apres une lecture de Dante / Franz Liszt. Sonata for piano in F-sharp minor, op. 11 / Robert Schumann. London : Brilliant, 921173.

六、網路資料

Alan Walker, et al. "Liszt, Franz." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/ article/grove/music/48265 (accessed March 26, 2010).

Christopher D.S. Field, et al. "Fantasia." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/ subscriber/article/grove/music/40048 (accessed March 26, 2010).

Hugh Macdonald. "Transformation, thematic." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/ subscriber/article/grove/music/ 28269 (accessed March 25, 2010).

Latham, Alison. "transformation, thematic." In The Oxford Companion to Music, edited by Alison Latham. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/opr/t114/e6 884 (accessed March 25, 2010).

Roger Scruton. "Absolute music." In Grove Music Online. Oxford Music Online http://www.oxfordmusiconline.com/subscriber/ article/grove/music/00069 (accessed March 26, 2010).

Roger Scruton. "Programme music." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/ article/grove/music/22394 (accessed March 26, 2010).

Stephen Davies and Stanley Sadie. "Interpretation." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/ subscriber/article/grove/music/13863 (accessed March 24, 2010).

Tucker, G. M. and Kenneth Chalmers. "programme music." In The Oxford Companion to Music, edited by Alison Latham. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/ article/opr/t114/e5370 (accessed March 26, 2010).

White, Bryan. "interpretation." In The Oxford Companion to Music, edited by Alison Latham. Oxford Music Online, http://www.oxford musiconline.com/subscriber/article/opr/t114/e346(accessed March 25, 2010).