臺灣博碩士論文加值系統

《交響練習曲》共經歷了四次出版，在第四版中克拉拉及布拉姆斯將舒曼手稿中未被發現的五首變奏以附加的方式加以出版，因而形成此曲在彈奏上對於各段變奏順序安排上的差異。
本文將著重在分析每首練習及變奏過後，探討其中的相關性，進而將十二首練習及五首變奏作結合。同時，在經過分析的過程更加了解舒曼的音樂語彙及特色。
本文除了前言及結語共分為三個章節，第一章說明舒曼的音樂特色以及《交響練習曲》的創作背景；第二章為分析十二首練習的變奏手法；第三章則為分析五首變奏以及探討在本人所選擇的編排方式中，十二首練習及五首變奏的相關性。

Symphonic Etudes was published four times. In the fourth edition, Clara and Brahms published five variations which were undiscovered before in Schumann’s autograph of twelve etudes. That is why there are many differences in the performance order of the pieces in this work.
After observations made on each number, this thesis will focus on investigating the relationship between the original etudes and these added variations, in order to reach a rationale in combining the twelve etudes and five variations. Meanwhile, understanding Schumann’s musical language and characteristic becomes easier after such study.
This paper is divided into three chapters: the first chapter explains the features in Schumann’s music as well as the Symphonic Etude’s background; the second chapter looks closely into the twelve etudes; the final chapter not only looks into the five variations but also investigates the correlation between these etudes and variations in the present choice of order.

前言 ………………………………………………………………………………… 1
一、 創作背景
1.1 舒曼的音樂特色 ………………………………………… 3
1.2 《交響練習曲》的創作背景 …………………… 7
二、 十二首練習的變奏手法
2.1 主題 …………………………………………………………………… 11
2.2 十二首練習之概覽 ………………………………………… 13
2.3 十二首練習之變奏手法 ………………………………… 15
2.4 總結 …………………………………………………………………… 37
三、 補遺五作與十二首練習的相關性
3.1 五首變奏之概覽 ……………………………………………… 38
3.2 五首變奏之變奏手法 ……………………………………… 39
3.3 補遺五作與十二首練習之相關性 ……………… 47
結語 ……………………………………………………………………………………… 62
參考書目 …………………………………………………………………………… 64

外文書目
Abraham, Gerald.” Modern Research on Schumann.” Proceedings of the Royal Musical Association, 75th Sess (1948 - 1949): 65-75.

Chissell, Joan. Schumann Piano Music. London: British Broadcasting Corporation, 1972.

Chissell, Joan. Schumann. London: J. M. Dent &; Sons, 1989.

Daverio, John. Robert Schumann-Herald of a “New Poetic Age”. New York: Oxford University Press, 1997.

Daverio, John. Nineteenth- Century Music and the German Romantic Ideology. New York: Schirmer Books, 1993.

Davies, Fanny and Corder, Frederick. “Robert Schumann. About Schumann's Pianoforte Music.” The Musical Times, Vol. 51, No. 810 (1910): 493-496.

Dill, Heinz J. and Schumann, Robert.” Romantic Irony in the Works of Robert Schumann.” The Musical Quarterly, Vol. 73, No. 2 (1989): 172-195.

Ganz, Peter Felix. The Development of the Etude for Pianoforte. Evanston: Northwestern University, 1960.

Moschenross, Ian James. “Robert Schumann's Symphonic Etudes, Opus 13: A Critical Overview with a Re-evaluation of Editorial and Performance Practice Issues.” The University of Nebraska-Lincoln, DMA, 2003.

Perrey, Beate. The Cambridge Companion to Schumann. Cambridge: Cambridge University, 2007.

Todd, R. Larry. Nineteenth-Century Piano Music. New York: Schirmer, 1990.

Walker, Alan. Robert Schumann: The Man and His Music. London: Barrie and Jenkins, 1972.

網路資料
Daverio, John &; Sams, Eric. “ Robert Schumann. “ In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/40704pg4?q=robert+Schumann&;search=quick&;pos=5&;_start=1#firsthit (accessed November 20, 2013).

Sisman, Elaine. “Variation, The 19th Century.”In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/29050pg9#S29050.9.3 (accessed Dec. 11, 2013).

中文書目
陳玉芸。《舒曼鋼琴代表作之研究》。台北：全音樂譜出版社，1997。

林公欽。《舒曼鋼琴變奏曲》。台北：國立編譯館，2003。

林公欽。《舒曼鋼琴曲集》。台北：國立編譯館，2005。

荀伯格（Harold C. Schonberg）。《修曼生平─溫馴與叛逆集於一生》。《全音音樂文摘》，李鴛英譯，第十卷第十期，民國七十五年十月。

林易臻。〈舒曼《交響練習曲》作品十三之研究〉。高雄：國立中山大學音樂學系研究所碩士論文輔助文件，1995。