臺灣博碩士論文加值系統

中文提要：
作曲家兼鋼琴家—韋伯，其室內樂作品中只有一首以長笛、大提琴及鋼琴為組合的樂曲--《G小調三重奏》作品六十三。這類的室內樂組合在浪漫時期相當少見，而這首作品是韋伯所有室內樂作品中自己最滿意的一首。此研究之主要目的在於探討這首三重奏之創作風格，研究方向從韋伯的音樂學習歷程、韋伯的奏鳴曲式、三種不同的樂器在鋼琴三重奏中所扮演的角色、以及創作背景出發，接著分析此作品之曲式、三個樂器間的相互關係、及戲劇性等。最後就先前之討論作歸納與總結。
由於年幼時期並沒有固定的音樂學習方式，使得韋伯奏鳴曲之創作很少使用典型的動機發展手法，其曲式結構也與貝多芬之奏鳴曲相當的不同。因此藉由探討韋伯四首《鋼琴奏鳴曲》中奏鳴曲式之優缺點，以深入瞭解此三重奏作品之架構。而鋼琴三重奏中三種樂器所扮演的角色，已由古典時期的三重奏之主奏與伴奏的關係，演變至韋伯此作品三個樂器間的互動達到相當的平衡。此外，韋伯音樂中戲劇性之特色，亦在此作品中充分發揮。此研究透過曲式、戲劇性、及三種樂器性格與組合上的分析，提供演奏者詮釋這類樂器組合的作品時，能有更深入的瞭解，以使能完美的演奏此類型的室內樂作品。

Carl Maria von Weber— composer and pianist, wrote quite a few chamber music during his life time. However, he only composed one trio for flute, cello and piano. Such combination of chamber music is quite rare in Romantic Era, yet this piece—Trio in G Minor, Op. 63 is Weber’s most satisfactory one. The purpose of this research is to study Weber’s Trio in G Minor, Op. 63. First, Weber’s musical learning process will be discussed. Then the sonata form of Weber, the role of the three different instruments of piano trio, and the background of this piece will also be investigated. Later, according to the discussion above, an analysis of this Trio in three directions-- the form, the relation of the three instruments, and the dramatic intenseness will also be discussed. The last part concludes the research of this thesis.
Due to the poor musical learning process at childhood, the construction of Weber’s sonata form is not traditional classical motivic development, so the structure of the sonata form of Weber is quite different from the sonatas of Beethoven. By analyzing the form of the four piano sonatas of Weber will help the understanding of the structure of the Trio. Not like the classical piano trio, the three instruments’ relationship of this Trio is rather balance. Moreover, Weber’s talent of creating dramatic atmosphere is quite obvious in this piece. Hopefully, because of this research, the performers should have more information about interpretation on such combination of chamber music in order to perfect their performance.

目 錄
韋伯的音樂學習歷程…………………………………………………… 4
韋伯的奏鳴曲式…………………………………………………………. 6
從歷史的演進探討鋼琴三重奏中三種樂器所扮演的角色………… 9
韋伯《G小調三重奏》作品六十三創作背景……………………….14
曲式………………………………………………………………………..16
三個樂器間的相互關係…………………………………………………23
戲劇性……………………………………………………………………..31
結論………………………………………………………………………..35
參考書目………………………………………………………………… 38

Bibliography

外文部分
Arnold, Denis and Fortune Nigel. The Beethoven Companion. London: Faber and Faber, 1973.
Berger, Melvin. Guide to Chamber Music. New York : Dodd, Mead & Company,1985
Cobbett, Walter Willson. Cobbett's Cyclopedic Survey of Chamber Music. Oxford : Oxford University Press, 1986.
Gillespie, John. Five Centuries of Keyboard Music. New York: Dover Publications, 1965.
Gordon, Stewart. A History of Keyboard Literature. New York: Schirmer books, 1996.
Fuller, David. “Accompanied Keyboard Music.” Musical Quarterly 60(1974), 222.
Hefling, Stephen E. Nineteenth-Century Chamber Music. New York :Schirmer Books, 1998
Hiebert, Elfnieda Franz. “The Piano Trio of Beethoven: An Historical And Analytical Study.” Ph.D. diss., University of Wisconsin, 1970.
Hinson, Maurice. The Piano in Chamber Ensemble: An Annotated Guide. Bloomington : Indiana University Press, 1978.
Horan, Catherine Anne. “A Survey of the Piano Trio from 1800 Through 1860.” Ph.D. diss., Northwestern University, 1983.
Kirby, Frank E. Music for Piano: A Short History. Oregon: Amadeus Press, 1995.
Langley, Robin. “Weber and the Piano.” Musical Times 127(November 1986): 604-608.
Marinaro, Stephen John. “The Four Piano Sonatas of Carl Maria von Weber.” D.M.A. diss., The University of Texas at Austin, 1980.
Newman, William. S. The Sonata Since Beethoven. North Carolina: The University of North Carolina Press, 1969.
Ringer, Alexander. The Early Romantic Era. London: The Macmillan Press, 1990.
Smallman, Basil. The Piano Trio: Its History, Technique, and Repertoire. New York: Oxford University Press, 1992.
Simposon, J. Palgrave. Carl Maria von Weber: The Life of An Artist. Boston: Oliver Ditson and Company.
Smith, Robert Ludwig. “A Study of Instrumental Relations: The Piano Trios of Beethoven.” Ph.D. diss., The Flordia State University, 1971.
The New Grove Dictionary of Music and Musicians (1980). S.v. “Chamber Music” by Michael Tilmouth.
The New Grove Dictionary of Music and Musicians (1980). S.v. “Piano Trio” by Michael Tilmouth.
The New Grove Dictionary of Music and Musicians (1980). S.v. “Carl Maria von Weber” by Philipp Spitta and John Warrack.
Todd, Ralph Larry. Nineteenth-Century Piano Music. New York: Schirmer books, 1990.
Tovey, Donald Francis. Essays in Musical Analysis: Chamber Music. Oxford: Oxford University Press, 1944.
Warrack, John Hamilton. Carl Maria von Weber. New York: Cambridge University Press, 1976.
Westerby, Herbert. The History of Pianoforte Music. New York: Da Capo Press, 1971.
Ulrich, Homer. Chamber Music; The Growth & Practice of An Intimate Art. New York: Columbia University Press, 1948.
Ulrich, Homer. Chamber Music. New York: Columbia University Press, 1966.

中文部分
安東尼•費利斯—格林著，黃幸華譯。 《偉大作曲家群像：韋伯》。第一版。台北市：智庫文化出版，一九九五年。
萊納特著，陳鳳凰譯。《韋伯傳》。初版。台北市：全音樂譜出版社，民國七十五年。