臺灣博碩士論文加值系統

演奏會曲目
葛拉祖諾夫：吟遊詩人之歌，op. 71

布拉姆斯：F 大調大提琴與鋼琴奏鳴曲，op. 99
I. 活潑的快板
II. 深情的慢板
III. 熱情的快板
IV. 甚快板

皮亞佐拉：華麗的探戈

巴伯：C 小調大提琴與鋼琴奏鳴曲，op. 6
I. 不太快的快板
II. 慢板
III. 熱情的快板

輔助資料
(一) 演奏會錄音
上列曲目已於2021年12月29日(星期三) 晚間七時於國立陽明交通大學人社三館HC105演講廳演出，該次演出錄音 CD 附錄於本文封底。

(二) 樂曲解說

(三) 室內樂演奏會錄音
下列曲目已於2020年11月11日(星期三)晚間七時於國立交通大學演藝廳演出，該場演奏會錄音 CD 附錄於本文封底。

莫札特：G 小調第一號鋼琴四重奏，K. 478
舒曼：降 E 大調鋼琴四重奏，op. 47

Program
Alexander Glazunov: Chant du Ménestrel, op. 71

Johannes Brahms: Sonata for Cello and Piano in F Major, op. 99

I. Allegro vivace
II. Adagio affettuoso
III. Allegro passionato
IV. Allegro molto

Astor Piazzolla: Le Grand Tango

Samuel Barber: Sonata for Cello and Piano in C Minor, op. 6
I. Allegro ma non troppo
II. Adagio
III. Allegro appassionato

Supporting Documents
1. Recording of the Recital

The program above was performed on Wednesday, December 29, 2021 at 7:00 p.m. in HC105, College of Humanities and Social Sciences, National Yang Ming Chiao Tung University. The performance recording is appended inside the rear cover.

2. Program Notes

3. Recording of the Chamber Music Recital
The program below was performed on Wednesday, November 11, 2020 at 7:00 p.m. in the Recital Hall of National Chiao Tung University. The performance recording is appended inside the rear cover.

W. A. Mozart: Piano Quartet No. 1 in G Minor, K. 478

R. Schumann: Piano Quartet in E-flat Major, op. 47

演奏會曲目及輔助資料.................................................i
Recital Program and Supporting Documents.............iii
目錄.............................................................................v
譜例目錄.....................................................................vi

樂曲解說

葛拉祖諾夫：吟遊詩人之歌，op. 71.............................1
布拉姆斯：F 大調大提琴與鋼琴奏鳴曲，op. 99...........5
皮亞佐拉：華麗的探戈...............................................16
巴伯：C 小調大提琴與鋼琴奏鳴曲，op. 6..................21
參考文獻....................................................................31
兩場音樂會節目單......................................................33

許函潔。〈布拉姆斯F大調大提琴奏鳴曲，作品99之創作背景與演奏技巧探討〉。高雄市：國立中山大學音樂學系碩士論文，2006。

鄭月。〈反結構與解構：阿根廷酷兒探戈的多元性別實踐〉。台北市：國立臺灣大學文學院人類學系碩士論文，2012。

王慧君。〈皮耶佐拉與其探戈音樂〉。《議藝份子》No. 13 (九月號，2009)：247-267。

林張郁。〈撒姆爾．巴伯大提琴奏鳴曲，作品六之分析與演奏詮釋〉。台北市：國立臺灣師範大學表演藝術研究所鋼琴合作組詮釋報告，2019。

Azzi, María Susana. Le Grand Tango: The Life and Music of Astor Piazzolla. Oxford: Oxford University Press, 2000.

Béhague, Gerard. “Tango.” In Grove Music Online. Oxford Music Online, https://doi.org/10.1093/gmo/9781561592630.article.27473 (Accessed November 17, 2021).

Bozarth, George S., and Walter Frisch. “Brahms, Johannes.” In Grove Music Online. Oxford Music Online, https://doi.org/10.1093/gmo/9781561592630.article.51879 (Accessed August 10, 2021).

Broder, Nathan. “The Music of Samuel Barber.” The Musical Quarterly 34, no. 3 (1948): 325-35.

Campbell, Stuart, ed. Russians on Russian Music, 1880–1917: An Anthology. Cambridge: Cambridge University Press, 2003.

Geiringer, Karl. Brahms: His Life and Work. New York: Da Capo Press, 1981.

Heyman, Barbara B. Samuel Barber: The Composer and his music. Oxford: Oxford University Press, 1992.

Huang, Jia, Yuan Xie, and Xuedong Jin. “The Lyrical Illustration of Neo-Romanticism – A Research on Samuel Barber’s Music Style.” International Journal of Literature and Arts 6, no. 2 (2018): 35-8.

Schwarz, Boris. “Glazunov, Aleksandr Konstantinovich.” In Grove Music Online. Oxford Music Online, https://doi.org/10.1093/gmo/9781561592630.article.11266 (Accessed October 17, 2021).

Wright, L. M. “Misconceptions Concerning the Troubadours, Trouvères and Minstrels.” Music & Letters 48, no. 1 (1967): 35-9.