臺灣博碩士論文加值系統

本文以米亞斯可夫斯基的第一號大提琴奏鳴曲，作品12為研究範圍，從作曲家的「早期風格」探討此奏鳴曲的演奏詮釋。透過二十世紀初期俄羅斯當代音樂發展概況與米亞斯可夫斯基的生平與背景介紹，以及奏鳴曲的分析，探究米亞斯可夫斯基的早期風格，瞭解作曲者之個人音樂語言以及其所欲傳達的意念，尋求此曲合適的詮釋方法。

This paper is focused on Nikolai Yakovlevich Miaskovsky’s Sonata for Cello and Piano, op.12 (1911). The Sonata exemplifies Miaskovsky’s exploration of modernism with an inclination toward late romantic traditions. This paper discusses the aesthetic origins and compositional philosophy of Miaskovsky’s early style in the first decade of the twentieth century. In particular, this paper shows his struggle to establish a personal musical style and demonstrates his remarkable craftsmanship, accompanied with a detailed analysis of the stylistic practice and musical structure.

目 錄
頁次
演奏會曲目與輔助文件摘要……………………………....................…….............................i
Recital Program and Paper Abstract....……………………………………................................ii
謝誌..............................................………………………………………………….................iii
李易真大提琴畢業演奏會錄音CDs............................…………………………………........iv
目錄...................................................…………………………………………………..........v
譜例目錄.........………………………………………………...................................................vi
表目錄.........................................…………………………………………………..................viii
輔助文件：前衛或傳統？米亞斯可夫斯基之風格與俄羅斯現代主義的融合：以第一號大提琴奏鳴曲作品十二之分析與詮釋為例
一、緒論.……………………..……………………...………………………………………….1
二、米亞斯可夫斯基（N. Miaskovsky）的創作背景……………………..…………………3
� 2. 1 米亞斯可夫斯基的生平概述..…………...…….…...……………………………….3
� 2. 2 二十世紀初俄羅斯音樂文化背景….….…………...……………………….………7
2. 2. 1 國民樂派的餘韻與現代主義的激盪………..……………..………...…..…..7
2. 2. 2 米亞斯可夫斯基的養成背景….….………………………………….………8
三、樂曲分析……..………………...……………………………………….…………….… 10
� 3. 1 米亞斯可夫斯基早期創作風格概述……………………………….…………..… 10
3. 2 第一號大提琴奏鳴曲之分析…………………...………………………………….13
3. 2. 1 調性與段落分析……………..………...…………...……………………….13
3. 2. 2 音樂素材的設計……………..………...…………...……………………….15
3. 2. 3 「未完成」的第一樂章……..………...…………...……………………….17
3. 2. 4 線性風格-新的和聲語言…..………...…………...………………………...20
3. 2. 5 半音的運用………...…………………………………………………….… 26
四、從米亞斯可夫斯基的早期風格詮釋此奏鳴曲…..……..…….……….……………….31
4. 1 過往的回顧與自我的建立：由「形」的多樣性到演奏詮釋……………………….31
4. 1. 1 序奏：「線」的單一……..……..……...…………...……………………….31
4. 1. 2 第一樂章：由單純到複雜…..………...…………...……………………….33
4. 1. 3 第二樂章：邁進、回歸、底定……...…………...………………………...37
五、結語……....……......……..……….…..………..……….…..…..………………………...43
參考文獻.……………………..…………………………...…….…………………………….44

西文書目
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Bowers, Faubion. Scriabin, a Biography. Mineola, New York：Dover, 1996.

Campbell, Stuart. ed. and trans. Russians on Russian Music, 1880-1917 : An Anthology. Cambridge, U.K. ;Cambridge University Press, 2003.

Cone, E. T. Musical Form and Musical Performance. New York：W. W. Norton, 1968.

Dahlhaus, Carl. Between Romanticism and Modernism : Four Studies in the Music of the Late Nineteenth Century. Berkeley, University of California Press, 1980.

Fiess, Stephen C. E. The Piano Works of Serge Prokofiev. London：The Scarecrow Press, 1994.

Foreman, G. The Symphonies of Nikolai Yakovlevich Miaskovsky. Ph.D. diss, University of Kansas, 1989.

Haeseler, Lynn Cheryl. Sonata No.2 in F Sharp Minor, Op.13 by Nikolai Yakovlevich Miaskovsky：A Detailed Analysis and Comparative Study. Ph.D. diss, University of Arizona, 1995.

Ho, Allan and Dmitry Feofanov. Biographycal Dictionary of Russian/Soviet Composers. New York：Greenwood Press, 1989.

Ikonnikov, Alexei A. Myaskovsky：His Life and Work. New York: Greenwood Press, 1969.

Leonard, Richard Anthony, A History of Russian music. New York, Macmillan, 1957.

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Roberts, Peter Deane. Modernism in Russian Piano Music：Skriabin, Prokofiev, and Their Russian Contemporaries. 2 vols. Bloomington：Indiana University Press, 1993.

Seroff, Victor. Sergei Prokofiev, a Soviet Tragedy：The Case of Sergei Prokofiev, His Life and Work, His Critics, and His Executioners. New York：Funk and Wagnalls, 1968.

Straus, Joseph N. Remaking the Past : Musical Modernism and the Influence of theTonal Tradition. Cambridge, Mass. :Harvard University Press, 1990.

Taruskin, Richard. Defining Russia Musically : Historical and Hermeneutical Essays. Princeton, N.J. : Princeton University Press, 1997.

Taruskin, Richard. The Oxford History of Western Music, vol. 4：The Early Twentieth Century. New York: Oxford University Press, 2005.

Wachtel, Andrew Baruch. ed. and with an introduction. Intersections and Transpositions / Russian Music, Literature, and Society. Evanston, Northwestern University Press, 1998.

Yuzefovich, Victor A. Aram Khachaturian. New York：Sphinx, 1985.

中文書目
約瑟夫-馬吉利（Joseph Machlis），《當代音樂介紹》，蘇同右譯，台北，1990。

劉志明，《西洋音樂史與風格》，台北，全音樂譜出版社，1995。

網路資源
Nikolay Myaskovsky：The official site (Accessed 5 July 2006), <http://www.myaskovsky.ru>
Leon Botstein: ' Modernism ', Grove Music Online ed. L. Macy (Accessed 5 July 2006), <http://www.grovemusic.com>
Iosif Rayskin: ' Myaskovsky, Nikolay Yakovlevich ', Grove Music Online ed. L. Macy (Accessed 5 July 2006), <http://www.grovemusic.com>
Dorothea Redepenning: ' Prokofiev, Sergey ', Grove Music Online ed. L. Macy (Accessed 5 July 2006), <http://www.grovemusic.com>
Jonathan Powell: ' Skryabin, Aleksandr Nikolayvich ', Grove Music Online ed. L. Macy (Accessed 5 July 2006), <http://www.grovemusic.com>