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目次 口試委員審定書 # 目次 II 致謝 VII 摘要 IX ABSTRACT X 第一章 緒論 1 第一節 研究動機 1 第二節 文獻回顧 5 第三節 普法戰爭、國家主義、自我認同與雄性氣慨 9 第四節 研究方法與論文架構 16 第二章 東方主義歌劇與東方主義 17 第一節 17到19世紀的東方主義歌劇劇情與音樂以及它們和薩伊德的東方主義的關係 17 第二節 19世紀普法戰爭前後東方主義歌劇剖析 22 第三章 德利伯的《拉克美》、馬斯奈的《泰綺絲》和聖桑的《黃膚公主》與東方主義和法國國家主義的關係與音樂分析 30 第一節 《拉克美》、《泰綺思》、《黃膚公主》和薩伊德《東方主義》以及普法戰爭後的法國國家主義的關係 32 第二節 音樂分析:「自我」與「他者」的區別 35 自我的界定 35 自我和他者的區別 39 《拉克美》 40 《泰綺思》 44 《黃膚公主》 58 小結 60 第三節 西方男性征服東方女性 61 《拉克美》 61 《泰綺思》 67 小結 71 第四章 結論 72 附錄一 74 《拉克美》、《泰綺思》、《黃膚公主》歌劇背景和劇情簡介 74 附錄二 譜例 82 譜例2 LAKM&;Eacute;, ACT I, NO. 3 QUINTET AND COUPLETS (英國人們說著各地的女人不同) 82 譜例3 LAKM&;Eacute;, ACT I, NO. 3 QUINTET AND COUPLETS(弗雷德里克和艾倫表達西方和東方女人的不同) 83 譜例4 LAKM&;Eacute;, ACT I, NO. 3 QUINTET AND COUPLETS(弗雷德里克和艾倫表達西方和東方女人的不同) 84 譜例5 LAKM&;Eacute;, ACT I, NO.4, ARIA(傑拉爾德想要畫河邊的珠寶) 85 譜例6 LAKM&;Eacute;, ACT I, NO.6, DUET (傑拉爾的初次見到拉克美) 86 譜例7 LAKM&;Eacute;, ACT II, NO.13, DUET(傑拉爾德和拉克美在市集重逢) 87 譜例8 LAKM&;Eacute;, ACT I, NO. 1 INTRODUCTION: CHORUS AND PRAYER (當尼拉坎特第一次出現時,他對印度群眾說對祭司獻上敬意的人將被保佑) 88 譜例9 LAKM&;Eacute;, ACT I NO. 1 INTRODUCTION: CHORUS AND PRAYER) 89 譜例10 LAKM&;Eacute;, ACT I ,NO. 1B ,SCENE(尼拉坎特向族人說話) 90 譜例11 LAKM&;Eacute;, ACT I ,NO. 1B ,SCENE(尼拉坎特要侍從照顧拉克美) 91 譜例12 LAKM&;Eacute;, ACT I ,NO. 2 ,DUET(拉克美向瑪莉卡訴說) 92 譜例13 LAKM&;Eacute;, ACT II ,NO. 9 ,SCENE AND STANZAS(尼拉坎特進入市集) 93 譜例14 LAKM&;Eacute;, ACT II ,NO. 12 ,SCENE AND CHORUS(尼拉坎特想包圍杰拉爾德時) 94 譜例15 LAKM&;Eacute;, ACT II ,NO. 12 ,SCENE AND CHORUS(尼拉坎特向共謀者商量) 95 譜例16 LAKM&;Eacute;, ACT II ,NO. 13 ,DUET(杰拉爾德在市集中找到拉克美) 96 譜例17 LAKM&;Eacute;, ACT I ,NO. 3 ,QUINTET AND COUPLETS(杰拉爾德、弗雷德里克、艾倫、她姊姊蘿絲和她們的家庭教師班森女士爭議著每個地方的女人是否不同) 97 譜例18 LAKM&;Eacute;, ACT I ,NO. 1 , INTRODUCTION: CHORUS AND PRAYER (一群印度人唱著他們要用祈禱來撫平婆羅門神的憤怒) 98 譜例19 LAKM&;Eacute;, ACT II ,NO. 12 ,SCENE AND CHORUS (共謀者回應尼拉坎特) 99 譜例20 LAKM&;Eacute;, ACT II, NO.10 SC&;Eacute;NE ET L&;Eacute;TENDE DE LA FILLE DU PARIA (鍾之歌) 100 譜例23 THA&;Iuml;S, ACT I, FIRST TABLEAU (修士們用餐時說話和祈禱上帝賜給安達那埃力量) 101 譜例24 THA&;Iuml;S, ACT I, FIRST TABLEAU (修士們用餐時說話和祈禱上帝賜給安達那埃力量) 102 譜例25 THA&;Iuml;S, ACT I, FIRST TABLEAU (修士們用餐時說話和祈禱上帝賜給安達那埃力量) 103 譜例26 THA&;Iuml;S, ACT I, FIRST TABLEAU(安達那埃返回修道院向修士們訴說亞力山卓城正處於罪惡之中) 104 譜例27 THA&;Iuml;S, ACT I, FIRST TABLEAU(當安達那埃說他會為上帝贏得泰綺思墮落的靈魂) 105 譜例28 THA&;Iuml;S, ACT I, FIRST TABLEAU(安達那埃不能看著泰綺思墮落而決定拯救她) 106 譜例29 THA&;Iuml;S, ACT I, FIRST TABLEAU(長老帕勒蒙勸告安達那埃) 107 譜例30 THA&;Iuml;S, ACT I, FIRST TABLEAU(安達那埃決定啟程) 108 譜例31 THA&;Iuml;S, ACT I, SECOND TABLEAU(安達那埃抵達亞歷山卓城) 109 譜例32 THA&;Iuml;S, ACT I, SECOND TABLEAU(安達那埃見到了尼西亞) 110 譜例33 THA&;Iuml;S, ACT II, FIRST TABLEAU(安達那埃祈求上帝不要讓泰綺思的美貌使他迷失) 111 譜例34 THA&;Iuml;S, ACT II, FIRST TABLEAU(安達那埃向泰綺思說有一種愛是她所未知的) 112 譜例35 THA&;Iuml;S, ACT III, FIRST TABLEAU(修女們唱聖詩) 113 譜例36 THA&;Iuml;S, ACT III, THIRD TABLEAU(泰綺思病重時,修女們圍繞著她唱聖詩) 114 譜例37 THA&;Iuml;S, ACT III, THIRD TABLEAU(修女ALBINE問安達那埃) 115 譜例38 THA&;Iuml;S, ACT III, THIRD TABLEAU(修女們讓安達那埃和泰綺思獨處,離開時唱著聖詩) 116 譜例39 THA&;Iuml;S, ACT II, SECOND TABLEAU (泰綺思皈依天主教後,向安達那埃訴說她祈禱並哭泣) 117 譜例40 THA&;Iuml;S, ACT II, SECOND TABLEAU(安達那埃說天快亮了,他們要找個地方休息) 118 譜例41 THA&;Iuml;S, ACT II, SECOND TABLEAU(泰綺思說ALBINE是上帝的子民) 119 譜例42 THA&;Iuml;S, ACT II, SECOND TABLEAU(泰綺思說她的過去沒有甚麼好保留的) 120 譜例43 THA&;Iuml;S, ACT III, FIRST TABLEAU(泰綺思抱怨炙熱的太陽使她承受不住) 121 譜例44 THA&;Iuml;S, ACT III, FIRST TABLEAU(泰綺思則同意要忘記自己的肉體) 122 譜例45 THA&;Iuml;S, ACT III, FIRST TABLEAU(泰綺思說她要懺悔) 123 譜例46 THA&;Iuml;S, ACT III, FIRST TABLEAU(泰綺思則說她會懺悔) 124 譜例47 THA&;Iuml;S, ACT I, SECOND TABLEAU(安達那埃抵達亞歷山卓城時,他先訴說亞歷山卓城的墮落,之後則讚美神) 125 譜例48 THA&;Iuml;S, ACT II, FIRST TABLEAU(安達那埃到泰綺思的住所向他訴說上帝的偉大) 126 譜例49 THA&;Iuml;S, ACT II, SECOND TABLEAU(泰綺思決定皈依天主教後,她說她不後悔把上帝當主人) 127 譜例50 THA&;Iuml;S, ACT III, FIRST TABLEAU(泰綺思說上帝使者的折磨是如此的仁慈) 128 譜例51 THA&;Iuml;S, ACT I, SECOND TABLEAU (第二景開始時) 129 譜例52 THA&;Iuml;S, ACT I, SECOND TABLEAU (尼西亞對安達那埃說不要對他的女僕們的嘲笑生氣) 130 譜例53 THA&;Iuml;S, ACT I, SECOND TABLEAU(克羅比和馬爾泰想要替安達那埃裝扮時) 131 譜例54 THA&;Iuml;S, ACT I, SECOND TABLEAU(尼西亞說泰綺思從他的懷抱裡溜走了) 132 譜例55 THA&;Iuml;S, ACT I, SECOND TABLEAU(泰綺思則回答尼西亞說明天她將不再是他的了) 133 譜例56 THA&;Iuml;S, ACT II, FIRST TABLEAU, MIRROR ARIA (泰綺思對著鏡子訴說她的靈魂是空的) 134 譜例57 THA&;Iuml;S, ACT II, FIRST TABLEAU, MIRROR ARIA (泰綺思對著鏡子訴說她即將變老) 135 譜例64 LA PRINCESSE JAUNE, SC&;Eacute;NE, VISION DONT MON &;Acirc;ME &;Eacute;PRISE (柯爾內理幻想) 136 譜例65 LA PRINCESSE JAUNE, SC&;Eacute;NE,CH&;#338;UR, CHAUSON, ET DUO (雷娜諷刺柯爾內理) 137 譜例66 LA PRINCESSE JAUNE, RECIT ET ARIETTA, OUTSOU SEMI SI KAMINI (雷娜讀日文信) 138 譜例67 LA PRINCESSE JAUNE, SC&;Eacute;NE,CH&;#338;UR, CHAUSON, ET DUO (兒童合唱) 139 參考文獻 140
內文譜例目次 譜例1 LAKM&;Eacute;,ACT II, NO.10 SC&;Eacute;NE ET L&;Eacute;GENDE DE LA FILLE DU PARIA (鐘之歌) 39 譜例21 日課 45 譜例22 祈禱文 46 譜例58 THA&;Iuml;S, ACT I, SECOND TABLEAU (泰綺思:哪裡來的這麼嚴肅的人?把自己的頭戴上玫瑰吧!) 49 譜例59 THA&;Iuml;S,ACT I, SECOND TABLEAU (安達那埃拒絕泰綺思等人的邀請) 50 譜例60 THA&;Iuml;S,ACT I, SECOND TABLEAU (泰綺思等人第二次邀請安達那埃戴上玫瑰) 53 譜例61 THA&;Iuml;S,ACT I, SECOND TABLEAU (安達那埃第二次拒絕泰綺思等人的邀請) 54 譜例62 THA&;Iuml;S,ACT I, SECOND TABLEAU (泰綺思等人第三次邀請安達那埃) 55 譜例63 THA&;Iuml;S,ACT I, SECOND TABLEAU (安達那埃第三次拒絕泰綺思等人的邀請) 56 譜例68 LAKM&;Eacute;, ACT I, NO. 6, DUET (拉克美第一次見到杰拉爾德而驚嚇) 63 譜例69 LAKM&;Eacute;, ACT I, NO. 6, DUET (杰拉爾德訴說著是春之神和愛情帶來了迷惑的情緒) 64 譜例70 LAKM&;Eacute;, ACT I, NO. 6, DUET (拉克美跟著回應杰拉爾德) 65 譜例71 LAKM&;Eacute;, ACT I, NO. 6, DUET (拉克美真正的被杰拉爾德同化) 66 譜例72 THA&;Iuml;S, ACT II, FIRST TABLEAU (安達那埃向泰綺思說明上帝的愛) 68 譜例73 THA&;Iuml;S, ACT II, FIRST TABLEAU (安達那埃說信仰上帝會有永恆的生命) 69 譜例74 THA&;Iuml;S, ACT II, FIRST TABLEAU (泰綺思願意接受上帝) 70
表目次 表 2-1 十九世紀法國東方主義歌劇 25 表 3-1 LAKM&;Eacute;, ACT II, NO.10 SC&;Eacute;NE ET L&;Eacute;GENDE DE LA FILLE DU PARIA (BELL SONG) 歌詞 38 表 3-2 LAKM&;Eacute;, ACT I NO. 3 QUINTET AND COUPLETS歌詞 44
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專書
中文書目
愛德華˙薩伊德著。2009。《東方主義》。王志弘等譯。台北;立緒文化。 劉志明。2000。《西方歌劇史》。台北市:大陸書局。
西文書目
Abbate, Carolyn. Unsung Voices: Opera and Musical Narrtive in the Nineteenth Century. Princeton: Princeton University Press,1996. Anderson, Benedict. Imagined communities : reflections on the origin and spread of nationalism. New York : Verso, 1991. Atkin, Nicholas, Michael Iiddiss and Frank Tallett. The Wiley Blackwell Dictionary of Modern European History since 1789. West Sussex: Blackwell, 2011. Arac, Jonathan and Harriet Rivo, eds. Macropolitics of nineteenth-century literature. London: Duke University Press, 1995. Bellman, Jonathan, ed. The Exotic in Western Music. Boston : Northeastern University Press, 1998. Berenson, Edward. The Trial of Madame Caillaux. California: University of California Press, 1992. Berlin, Isaiah. The Proper Study of Mankind. New York: Farrar, Straus, &; Giroux, 1998. Biddle, Ian and Kristen Gibson, eds. Masculinity and Western Musical Practice. Burlington, VT : Ashgate, 2009. Blom, Ida, Karen Hagemann and Catherine Hall, eds. Gendered Nations: Nationalisms and Gender Order in the Long Nineteenth Century. New York: Berg, 2000. Bohlman, Philip V.. The music of European nationalism: cultural identity and modern history. California: ABC-CLIO, 2004. Bohlman, Philip V.. Focus: music, nationalism, and the making of the new Europe. New York: Routledge, 2011. Born, Georgina, and David Hesmondhalgh, eds. Western music and its others : difference, representation, and appropriation in music. Berkeley : University of California Press, 2000. Budden, Julian. The operas of Verdi: Volume 1: From Oberto to Rigoletto. Oxford: Clarenden Press, 1992. Clayton, Martin, and Bennett Zon, eds. Music and Orientalism in the British Empire, 1780s to 1940s: portrayal of the East. Burlington, VT : Ashgate, 2007. Dahlhaus, Carl. Nineteenth-Century Music. Trans. J. Bradford Robinson. Berkeley: Berkeley and Losangeles, 1989. Datta, Venita. Birth of a National Icon: The Literary Avant-Garde and the Origins of Intellectual in France. Albany: State University of New York Press, 1999. ---------------. Heros and legends of fin-de si&;egrave;cle France. Cambridge: Cambridge University Press, 2011. Fisher, Burton D.. Lakm&;eacute;. Coral Gables, FL : Opera Journeys Pub., 2006. Fischer, Jens Malte. “Sprechgesang or Bel Canto: Toward a History of Singing Wagner,” in Wagner Handbook, ed. Ulrich M&;uuml;ller and Peter Wapnewski and trans. John Deathridge. Cambridge: Harvard University Press, 1992. Gellner, Earnest. Nations and Nationalism. Ithaca : Cornell University Press, 1983. Gibson, Ralph. A Social History of French Catholicism 1789-1914. London ; Routledge, 1989. Gildea, Robert. The Past in French History. New Haven and London: Yale University Press, 1994. Gilley, Sheriadan and Brian Stanley, eds. World Christianities: c.1815-1914. Cambridge: Cambridge University Press, 2006. Grout, Donald Jay, J. Peter Burkholder, &; Claude V. Palisca, eds. A History of Western Music. New York: W.W. Norton &; Company, 2010. Hall, Stuart. Representations. Cultural Representations and Signifying Practices. London: Sage and The Open University, 1997. Head, Matthew. Orientalism, Masqueerade and Mozart’s Turkish Music. London : Royal Musical Association, 2000. Hibberd, Sarah. French Grand Opera and the Historical Imagination. Cambridge: Cambridge University Press, 2009. Hobsbawm, Eric. Nations and nationalism since 1780 : programme, myth, reality. Cambridge: Cambridge University Press, 1990. Holden, Amanda, ed. The New Penguin Opera Guide. London: Penguin Books Ltd., 2001. Howard, Michael Eliot. The Franco-Prussian War: the German invasion of France 1870-1871. London : Routledge, 1991. Huebner, Steven. French Opera at the Fin de Si&;egrave;cle: Wagnerism, Nationalism, and Style. Oxford: Oxford University Press, 1999. Johnson, Victoria, Jane F. Fulcher, and Thomas Ertman, eds. Opera and Society in Italy and France from Monteverdi to Bourdieu. Cambridge: Cambridge University Press, 2007. Kelly, Barbara L.. French Music, Culture, and National Identity, 1870-1939. Rochester, NY : University of Rochester Press, 2008. Kelly, Nigel and Greg Lacey. Modern World History for ORC Specification 1937. Oxford: Heinemann Educational Publishers, 2001. Leoussi, Athena S. Nationalism and Classicism: The Classical Body as National Symbol in Nineteenth-Century England and France. London: Macmillan Press Ltd., 1998. Lindenberger, Herbert. Opera in History: From Monteverdi to Cage. Stanford: Stanford University Press, 1998. Locke, Ralph P.. Musical and Exoticism: Images and Reflections. Cambridge: Cambridge University Press, 2011. Mackenzie, John M.. Orientalism: History, Theory and the Arts. Manchester. Manchester University Press, 1995. Macleod, Jenny, ed. Defeat and Memory: Cultural histories in military defeat in the modern era. New York: Palgrave Macmillan, 2008. Martin, Michaele. Image at War: Illustrated Periodicals and Constructed Nations. Toronto: University of Toronto Press, 2006. Morey, Peter and Alex Tickell, eds. Alternative Indias: Writing, Nation and Communalism. New York: Rodopi, 2005. McClary, Susan. Feminine Endings: Music, Gender and Sexuality. Minneapolis : University of Minnesota Press, 1991. Motyl, Alexander J., ed. Encyclopedia of Nationalism: Fundamental themes. University of Michigan: Academic Press, 2001. Orrey, Leslie. Opera: A Concise History. Thames and Hudson: London, 1987. Orwicz, Michael R. “Nationalism and Representation, in Theory.” In Nationalism and French Visual Culture, 1870-1914, edited by June Hargrove and Neil McWilliam, 9-35. London : Distributed by Yale University Press, 2005. Pasler, Jann. Composing the Citizen. California: University of California Press, 2009. Pavis, Patrice. Dictionary of the Theater: Terms, Concepts and Analysis. Toronto: University of Toronto Press, 1998. Renan, Ernest. “Qu’est-ce qu’une nation?” In Qu’est-ce qu’une nation?: et autres essays politiques, edited Jo&;euml;l Roman. Paris: Presses Pocket, 1992. Rietbergen, Peter. “Singing of Conquest? Opera, History and the Ambiguities of European Imperialism,” in Free Access to the Past: Romanticism, Cultural Heritage and the Nation, edited by Lotte Jensen, Joep Leerssen &; Marita Mathijsen. Leiden, The Netherlands: Koninklijke Brill NV, 2010. Rij, Jan Van. Madame Butterfly: Japonisme, Puccini, and the search for the real Cho-Cho-San. Berkele: Stone Bridge Press, 2006. Russel, Mona L., ed. Egypt. California: ABC-CLIO,LLC,2013. Sadie, Julie Anne. Companion to Baroque Music. Berkeley: University of California Press, 1998. Said, Edward. Orientalism. London: Penguin Books, 2003. Samson, Jim, ed. The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press, 2002. Schwarz, Paul, “Sacred VS Secular Music”, review on Church Music, by Archibald T. Davison. Boston: Harvard University Press, 1952. Shrock, Dennis. Choral Repertoire. Oxford: Oxford University Press, 2009. Smith, Anthony D.. Nationalism and Modernism. London: Rougledge, 1998. Smith, Richard Langham and Caroline Potter, eds. French Music since Berlioz. Burlington: Ashgate Publishing Company, 2006. Strunk, Oliver. Source Readings in Music History. W.W. Notorn&; Company: New York, 1998. Taylor, Timothy Dean. Beyond exoticism : western music and the world. Durham : Duke University Press, 2007. Varley, Karine . “The taboos of defeat : Unmentionable memories of the Franco-Prussian war in France, 1870-1914.” In Defeat and Memory: cultural history of military defeat in the modern era, edited by Jenny Macleod,62-80. Basingstoke: Palgrave Macmillan, 2008. Wallbank, Thomas Walter and Arnold Fletcher. Living World History. 1985. Wawro, Geoffrey. The Franco-Prussian War: The German conquest of France in 1870-1871. Cambridge: Cambridge University Press, 2003. White, Harry and Michael Murphy, eds. Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945. Cork: Cork University Press, 2001. Wicks, Rodney. Words of a Demented Wiseman. Houston: Strategic Book Publishing, 2013. Williams, Bernard. On Opera. New Haven: Yale University Press, 2006.
期刊論文
Bowlby, Rachel. “ The Feminine Female.” Social Text, No. 7 (Spring-Summer, 1983),pp.54-68. Capdevila, Luc. “The quest for masculinity in a defeated France 1940-1945.” Contemporary European History 10, no.3(2001). Hussey, Dyneley. “Nationalism and Opera.” Music &; Letters 7, no. 1 (1926): 3-16. Locke, Ralph P.. “Beyond the Exotic: How ‘Eastern’ is Aida?” Cambridge Opera Journal 17, no. 2 (2005):105-139. -------------------- “Constructing the Oriental ‘Other’: Saint-Sa&;euml;ns’s “Samson et Dalila.”” Cambridge Opera Journal 3, no. 3 (1991):261-302. ------------------- “Reflections on Orientalism in Opera and Musical Theater.” The Opera Quarterly 10, no. 1(1993):48-64. Mahrt, William Peter. “Gregorian Chant as a Fundamentum of Western Musical Culture: An Introduction to the Singing of a Solemn High Mass,” Bulletin of the American Academy of Arts and SciencesVol. 33, No. 3 (Dec., 1979), pp. 22-34 Patrick, Jonathan. “Maupassant’s Men: Masculinity and the Franco-Prussian War.” Fin de Si&;eacute;cle (2003):17. P&;eacute;tridis, P&;eacute;tro J..”The European War and its Influence on the Evolution of Musical Tendencies in France.” The Musical Times 57, No. 875 (Jan. 1, 1916):12-17. Pratt, Michael. “A Fallen Idol: the Impact of the Franco-Prussian War on the Perception of British Intellectuals.” The International History Review 7, no. 4 (1985):543-575. Scott, Derek B.. “Orientalism and Musical Style.” The Musical Quarterly 82, no.2 (1998):309-335.
博士論文
Floyd, Phylis Anne. “Japonisme’ in Context: Documentation. Criticism, Aesthetic Reactions.” PhD. diss., University of Michigan, 1983. Raymond, Dora Neill. “British Policy and Opinion during the Franco-Prussian War.” Ph.D. diss., Columbia University, 1921.
網路資料
Historique de la Soci&;eacute;t&;eacute; Nationale de Musique (1871-1939) (Accessed January 16,2013) <http://mediatheque.ircam.fr/HOTES/SNM/SNMhist.html> IMSLP, Petrucci Music Library < http://imslp.org/> (Accessed 27 October 2012) Locke, Ralph P.. “Orientalism,” Grove Music Online. Ed. L. Macy (Accessed 19 November2012), <http://www.oxfordmusiconline.com/subscriber/article/grove/music/40604?q=orientalism&;search=quick&;pos=1&;_start=1#firsthit> Leoussi, Athena S.. “Nationalism,” Blackwell Encyclopedia of Sociology. Ed. George Ritzer (Accessed 3 November 2012) <http://www.blackwellreference.com/subscriber/uid=896/tocnode?id=g9781405124331_chunk_g978140512433120_ss1-4> Sadler, Graham. “Les Inde galantes,” Grove Music online Ed.L. Macy (Accessed 18 August 2013) <http://www.oxfordmusiconline.com/subscriber/article/grove/music/O005181?q=Les+Ind>
樂譜
Delibes, L&;eacute;o. Lakm&;eacute;. Auguste Bazille, arranged. Paris: Heugel &;Fils, 1883.(From IMSLP, Petrucci Music Library< http://imslp.org/>) Massenet, Jules. Tha&;iuml;s. L&;eacute;on Roques, arranged. Paris: Heugel &;Fils,1894. (From IMSLP, Petrucci Music Library< http://imslp.org/>) Saint-Sa&;euml;ns, Charles-Camille. La Princesse Jaune. Paris: Durand &; Fils, 1906. (From IMSLP, Petrucci Music Library< http://imslp.org/>)
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