臺灣博碩士論文加值系統

史特拉汶斯基為二十世紀最偉大的作曲家之一，他的創作不斷地走在時代的前端，運用大膽前衛的設計向傳統的音樂風格挑戰。本論文所研究的主題《四首練習曲，作品7》為作曲家早期俄羅斯時期的作品，也是創作生涯中唯一的一組鋼琴練習曲。筆者透過本作品觀察出某些作曲家在此時期獨特的創作手法：史克里亞賓的模仿、同音型反覆以及小節線與節奏型態的藩籬等特徵；而筆者也將於本論文中一一分析並探討史特拉汶斯早期俄羅斯時期的創作特徵，並與作曲家同時期之作品交互比較其節奏、樂念以及各種特有素材之來源與運用，期望對本作品的創作背景做一個較為全面重點式的研究。

As one of the greatest composers in the twentieth century, Stravinsky, who utilized daring forward approaches challenging traditional music styles, was on the cutting edge. The subject of this paper, 《Four Etudes, Op.7》, was composed in his early Russian period, and also served as the only set of piano etudes in his career. Through this work, the author has discovered some of Stravinsky’s distinct techniques featured specifically in this period, such as imitation on Scriabin’s compositional style, the use of repetition on the same figures, and the displacement between bar lines and rhythmic patterns. These features are discussed individually here in this thesis, and through making comparisons with other same period works of Stravinsky’s, in rhythmic structure, musical conception, and other compositional elements, the author seeks for a better understanding on the contextual background to this work.

中文摘要......................................................i
English Abstract..............................................ii
誌謝..........................................................iii
演奏會曲目表..................................................iv
Recital Program...............................................v
目錄..........................................................vi
圖目錄........................................................vii
譜例目錄......................................................viii
前言..........................................................1
第一章 史特拉汶斯基早期創作生平與《四首練習曲》的創作背景.....3
第一節 早期創作生平：1882~1920...........................4
第二節 《四首練習曲，作品7》的創作背景....................11
第二章 《四首練習曲》與俄羅斯時期之創作風格與特徵之探討.......15
第一節 模仿史克里亞賓的創作風格..........................17
第二節 工整的同音型反覆..................................29
第三節 小節線與節奏型態的藩籬............................35
第三章 演奏詮釋之探討.........................................45
第四章 結語...................................................56
參考書目......................................................57

中文書目
康謳主編。《大陸音樂辭典》。台北市：大陸書店，2006第十六版。
潘皇龍著。《現代音樂的焦點》。台北市：全音樂譜出版社有限公司，1983。
潘皇龍著。《讓我們來欣賞現代音樂》。台北市：全音樂譜出版社有限公司，1999。
羅貝爾•西約昂著，汪純子、王紅川譯。《斯特拉文斯基畫傳》。北京：中國人民大學出版社，2004。
羅伯特•克拉夫特著，李毓榛、仁光宣譯。《斯特拉文斯基訪談錄》。北京：東方出版社，2004。

中文期刊論文
曾欣怡。《探討史特拉汶斯基〈四首練習曲〉作品7 (Four Etudes, op.7) 寫作手法與技巧的運用》。東吳大學音樂系碩士論文，台北市：東吳大學，2008。

西文書目
Cross, Jonathan. The Cambridge Companion to Stravinsky. Cambridge: University of Cambridge Press, 2003.
Cross, Jonathan. The Cambridge Companion to Stravinsky. Cambridge: University of Cambridge Press, 2003.
Drusin, Mikhail. Igor Stravinsky: His Life, Works and Views (Martin Cooper, Trans.). New York: University of Cambridge Press, 1983.
Oliver, Michael. Igor Stravinsky. London: Phaidon Press Limited, 1995.
Pople, Anthony. Skryabin and Stravinsky 1908-1914: Studies in Theory and Analysis. New York: Garland Publishing Inc, 1989.
Stravinsky, Igor. Craft, Robert. Memories and Commentaries. Berkeley and Los Angeles: University of California Press, 1981.
Stravinsky, Igor. Craft, Robert. Expositions and Developments. Berkeley and Los Angeles: University of California Press, 1981.
Taruskin, Richard. Stravinsky and the Russian Traditions: A Biography of the Words Through Mavra. Berkeley and Los Angeles: University of California Press, 1996.
Walsh, Stephen. Stravinsky: A Creating Spring: Russia and France,1882~1934. Berkeley and Los Angeles: University of California Press, 2002.
White, Eric Walter. Stravinsky : The Composer and His Works. Berkeley and Los Angeles: University of California Press, 1966.
Whittall, Arnold. Neo-classical : The New Grove Dictionary of Music and Musicians, ed. S. Sadie, vol. 13, 104~105. London: Macmillan, 1980.

樂譜
Scriabin, Alexander. Polnoe sobranie sochinenii dlia fortepiano, vol.1. Moscow: Muzgiz, 1947.
Scriabin, Alexander. Polnoe sobranie sochinenii dlia fortepiano, vol.2. Moscow: Muzgiz, 1948.
Stravinsky, Igor. Four Etudes Opus 7. USA: Edwin F. Kalmus &; Co, [No Date].
Stravinsky, Igor. The Rite of Spring. Mineola: Dover Publications, 1989.