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本文以蕭士塔高維契的天鵝之歌－中提琴奏鳴曲，作品147號為研究範疇，從作曲家的「晚期風格」探討此奏鳴曲的演奏表現。試圖藉由蕭士塔高維契的背景介紹與奏鳴曲的分析，探究蕭士塔高維契的晚期風格，並且透過晚期風格中的「死亡」觀點，以尋得此奏鳴曲合適的詮釋方法。

This paper is focused on Dmitri Shostakovich’s swansong, his Sonata for Viola and Piano, op.147. This paper discusses the idea of Spätstil (late style) manifested in various theoretical discourses in the nineteenth and the twentieth centuries, and in the last compositions of Shostakovich. In particular, by documenting the composer’s own testimony and analytical evidences, this essay traces passages of the “death message” in his Viola Sonata

目 錄
頁次
演奏會曲目與輔助文件摘要……………………………....................…….............................i
Recital Program and Paper Abstract....……………………………………..............................ii
謝誌..............................................………………………………………………….................iii
李雅芳中提琴畢業演奏會錄音CDs............................…………………………………........iv
目錄...................................................…………………………………………………..........v
譜例目錄.........………………………………………………...................................................vi

輔助文件：蕭士塔高維契中提琴奏鸣曲，作品147號：從晚期風格中的「死亡」觀點來探討此奏鳴曲的詮釋方法

一、背景………………..……………………..………………………………………………..1
� 1.1 蕭士塔高維契的生平介紹…………………………………………………………...1
1.2 中提琴在蕭士塔高維契作品的運用………………………………………………...3
二、分析……..……………………...…………………………………………………….……6
� 2.1 奏鳴曲分析……..………………………………………………..…………………...6
2.1.1 第一樂章………………………………………………………………………6
2.1.2 第二樂章……………………………………………………………………. 12
2.1.3 第三樂章……………………………………………………………………..24
2.2 晚期風格…………………………………………………………………………….32
2.2.1 晚期風格的定義……………………………………………………………..32
2.2.2 蕭士塔高維契與此奏鳴曲的晚期風格……………………………………..35
三、從晚期風格中的「死亡」觀點來探討此奏鳴曲的詮釋方法…………………………36
3.1 第一樂章…………………………………………………………………………….36
3.2 第二樂章…………………………………………………………………………….41
3.3 第三樂章…………………………………………………………………………….44
參考文獻.……………………..…………………………...…….…………………………….50

參考文獻
西文書目
Barone, Anthony. “Richard Wagner’s Parsifal and the theory of late style.” Cambrige Opera Journal 7（1995）：37-54.

Barach, Daniel. “A Conversation with Fedor Drushynin.” Journal of the American Violin Society 6, no.3 (1983)：75-77.

Brown, Malcom H. “The Soviet Russian Concept of Intonazia and Musical Imagery.” The Musicl Qarterly 60, no.4 (Octorber 1974)：557-567.

Christopher Norris, ed. Shostakovich: the Man and His Music. Boston: M. Boyars, 1982.

Dahlhaus, Carl. Ludwig van Beethoven : Approaches to His Music. Translated by Mary Whittall . Oxford : Clarendon Press ; New York : Oxford University Press, 1991.

Fanning, David, ed. Shostakovich Studies. Cambridge: Cambridge University Press, 1995.

Fay, Laurel Elizabeth. Shostakovich : A Life. New York: Oxford University Press, 2000.

———. “The Last Quartets of Dmitri Shostakovich: A Stylistic Investigation.” Ph.D. diss, Cornell University, 1978.

Grigorev, L. and Y. Platek, compilers. Dmitri Shostakovich About Himself and His Times. Translated by Angus and Neilian Roxburgh. Moscow：Progress Publishers, 1981.

Johnson, Leslie Faya. “The Shostakovich Viola Sonata: An Analytical Performer’s Guide,” University of Washington, D.M.A. thesis, 1991.

Kay, Norman. Shostakovich. London: Oxford University Press, 1971.

Maurice, Donald. “Schostakovich’s Swansong,” Journal of American Viola Society Vol.16, no.1（1977）：13-20.



Schwartz, Boris. “Shostakovich, Soviet Citizen and Anti-Stalinist.” In Music and Civilization: Essays in Honor of Paul Henry Lang, Edmon Strainchamps and Maria Rika Manisyes eds., in collaboration with Cristopher Hatch. New York: W.W. Norton, 1984.

Volkov, Solomon, ed. Testimony:The Memoirs of Dimitri Shostakovich. New York: Harper, 1979.

Wilson Elizabeth, Shostakovich: A Life Remembered. Princeton: Princeton University Press, 1978.

中文書目
波尼亞夫斯基，《中提琴藝術史》，吳育紳譯，人民音樂出版社，北京，1996。

艾瑞克.羅斯伯利(Eric Roseberry)著，《偉大作曲家群像－蕭士塔高維契》，楊敦惠譯，智庫出版社，台北，民國八十五年。

音樂之友社編，《蕭士塔高維契》，林勝儀譯，美樂出版社，台北，民國八十九年。

岸本英夫著，《凝視死亡之心》，闞正宗譯，東大出版社，台北，民國八十六年。

米奇.艾爾邦(Mitch Albom)著，《最後14堂星期二的課》，白裕承譯，大塊文化出版社，台北，民國八十七年。

伊莉莎白.庫伯勒.羅斯(Elisabeth kubler-Ross)著，《你可以更靠近我－教孩子怎樣看待生命與死亡》，林瑞堂譯，張老師出版社，台北，民國八十九年

樂譜
Dmitri Shostakovich. Sonata for Viola and Piano, Op. 147. Hamburg：Sikorski Edition, 2003.

有聲資料
Dmitri Shostakovich. Sonata for Viola and Piano, Op. 147. Feodor Drushynin. Columbia Records M35109.
———. Sonata for Viola and Piano, Op. 147. Thomas Riebl and Cordelia Höfer. Pan Classic 510 111, 1999

———. Sonata for Viola and Piano, Op. 147. Yuri Bashimet and Mikhail Muntian. BMG Classic 09026-61273-2, 1992

———. Sonata for Viola and Piano, Op. 147. James Creitz and Mihail Sarbu. Dynamic CDS 61, 1994