臺灣博碩士論文加值系統

莉莉‧布朗潔(Lili Boulanger, 1893-1918)為二十世紀早期法國重要作曲家，雖然因病早逝，但在短短24年內也有五十幾部作品，作品總數仍算是位多產的作曲家。她的音樂風格融合吸收了許多當代大師的作曲技巧特色，如佛瑞、德布西和華格納，並結合著自身在音樂上的個性想法，。透過她的音樂表現，能從中發現她的才智、創造力和藝術能力的養成，特殊的音樂才能與個人特質，造就出莉莉特殊的音樂特徵。此份論文將會探討莉莉在音樂上早熟的作曲能力，特別是在她的聯篇歌曲《天空裡的清澄》之中，歌詞採用法國詩人雅姆(Francis Jammes, 1868-1938)的詩作，筆者也將就此組聯篇歌曲中採用的詩詞，探究與法國二十世紀象徵主義文學運動的關聯性，及莉莉本身於音樂中將個人投射在詩詞其中的想像。歌曲裡的音樂編排包含旋律與歌詞裡的情緒關聯、和聲上的語法與詩詞的氛圍安排、節奏與素材上的運用、鋼琴與聲樂間的關係，可看出莉莉努力將音樂與詩詞精心巧妙的搭配在一起，並將詩詞裡的戲劇張力帶入音樂中，極具表現力。

LiliBoulanger was an important composer of early twentieth centry French music. Although she had an early death due to Crohn‟s Disease at the age of twenty-four, she completed more the fifty pieces.Also she can considerate a productive composer. Her compositional style represents a development and mastery of musical techniques of the great composers of her time including Fauré, Debussy and Wagner combined with her own creative expression. Through her music, we can find vivid evidence of her intelligence, creativity, and artistic growth. Her musical and personal qualities were extraordinary.This essay will discuss her mature compositional style, specifically as it is reflectedin her song cycle, Clairières dans le ciel. The text will be examined in conjunction with the literary movement of symbolism in 20thcentury France and thesymbolist poet, Francis Jammes, with special attention to the composer‟s personal identification with the poetry. Considerations of the musical setting ofthe cycle will include the melodic style as it relates to the text, the harmonic idiom and its relation to the poetry, rhythmic and metrical devices use, formal devices and the relationship of the piano accompaniment and the voice.We can find that Lili get effortto put the poetand music toghther. The music of this song cycle is more abundant in form,dramatic tensionand expression.

第一章緒論
第一節研究動機與目的..............................1
第二節研究方法...............................................2
第二章莉莉‧布隆潔
第一節當代文藝背景..........................................3
第二節生平.................................5
第三節創作風格.............................13
第三章詩人佛朗西斯‧雅姆
第一節生平.................................17
第二節創作風格...............................................18
第四章《天空裡的清澄》
第一節詩作與創作背景...............................................20
第二節分析與詮釋
她順著下坡走到了草地的底部(Elle était descen due) .....22
她是神聖但歡愉(Elle estgravementgaie) ....27
有時，我感到憂傷(Parfois, je suistriste) .........31
詩人說(Un poètedisait) ........................38
在我的床腳(Au pied de mon lit) ..................44
沒更什麼能比夢想來的重要(Si tout cecin‟estqu‟unpauvreréve)50 我們必當深愛著彼此超越言語(Nous nousaimeronstant) ......55
你以全心看我(Vous m‟avez regardéavec toute cotre âme) 60
紫丁香在去年盛開(Les lilas qui avaientfleuri)..........64
兩株夢幻草(Deuxancolies)...................72
因為我痛苦過(Par cequej‟aisouffert)...............78
我保存著他的雕像(Je garde une médaille)............85
明天剛好一年(Demain fera un an)....................88
第五章
結論..................................................104

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