臺灣博碩士論文加值系統

本篇論文以文字與音樂的結合作為研究動機，藉由不同演唱風格的結合，以及人聲與樂器的搭配，談論筆者自身的作品「凌晨三點三十」。在此篇論文中，筆者所提及的「文字」為歌詞、為歌者演唱時的符碼，並非指歌詞之來源。在第一章「文字與音樂的關係」中，筆者將不同的歌唱類型或風格依照其文字與音樂上的偏重的比例差異進行分類，提出各類別的特性與代表作品。在第二章「影響自我創作的音樂作品」中，以陳銀淑（Unsuk Chin, b. 1961）的作品《雜技雙關語》（Akrostichon-Wortspiel）為例，探討文字與音樂上的設計與呈現方式。在第三章「自我音樂創作的體現」中，講述文字在筆者的作品《凌晨三點三十》中如何與音樂結合。

This thesis uses the combination of text and music as the research motivation. Through the combination of different singing styles and the collocation of voice and instruments, the author talks about the work "3:30 a.m." In this thesis, the "text" mentioned is the lyrics or the symbol sung by singer, not the source of the lyrics. In the first chapter, "Relationship between Text and Music", the author classifies different singing types or styles according to the difference in the proportion of the emphasis on text and music, and proposes the characteristics and representative works of each category. In Chapter two, "Music Works Affecting Composing" take the work of "Akstichon-Wortspiel" by Unsuk Chin (b. 1961) as an example, and explore the design and presentation methods of text and music. In Chapter three, " Exemplification of My Own Work", it describes how the text combined with music in the author's work "3:30 a.m."

摘要 i
序言 ii
誌謝 iii
目錄 iv
表目錄 v
譜例目錄 vi
圖示目錄 viii
第一章 文字與音樂的關係 1
第一節 文字的使用與音樂的結合 2
第二節 強化歌詞的音韻以及音樂風格的改變 4
第三節 歌詞的演變和轉換 7
第二章 影響自我創作的音樂作品–陳銀淑《雜技雙關語》 9
第一節 文字的使用 11
第二節 風格的展現與素材的使用 14
第三節 人聲與器樂的呈現 19
第三章 自我音樂創作的體現 26
第一節 創作想法與作品論述 26
第二節 文字與音樂透過不同風格結合 28
第三節 歌詞與聲樂的呈現 35
第四節 聲樂與器樂的音高使用 39
結語 從文字與音樂的結合談自身創作 44
參考書目 46
作者簡介 49
附錄一 50
附錄二 作品《凌晨三點三十》樂譜 51

英文書面資料：
Barker, Paul. Composing for Voice: A Guide for Composer, Singers, and Teachers. New York: Routledge, 2004.
Edwards, J. Michele. "North America Since 1920" in Women & Music: A History, ed. Karin Pendle. Bloomington: Indiana University Press, 2001.
Morgan, Robert. Modern Times: From World War I to the Present. Englewood Cliffs: Prentice Hall, 1994.
Morgan, Robert. Twentieth-century Music: A History of Musical Style in Modern Europe and America. New York: W. W. Norton & Company, 1991.
Roig-Francoli, Miguel. Understanding Post-Tonal Music. Boston: McGraw-Hill Education, 2008.
Strunk, Oliver. Source Readings in Music History. New York: Norton, 1950.

中文書面資料：
李永剛。《實用歌曲作法》。台北市：全音樂譜出版社，1977。
潘皇龍。《讓我們來欣賞現代音樂》。台北市：全音樂譜書版社，1987。

論文資料：
車炎江。《Sprechstimme風格探討－以荀貝格〈月光小丑〉為例》。國立臺北藝術大學音樂學研究所碩士論文，2005。

網路資料：
Berio, Luciano. “Sequenza Ⅲ (Author’s Note)” Centro Studi Luciano Berio. Accessed Jul. 28, 2019. http://www.lucianoberio.org/node/1460?1487325698=1.
Branscombe, Peter. "Melodrama." Grove Music Online. 2001. Accessed Aug. 12, 2019. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000018355.
Carter, Tim. "Word-painting." Grove Music Online. 2001. Accessed Aug. 31, 2019. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000030568.
Chew, Geoffrey, Thomas J. Mathiesen, Thomas B. Payne, and David Fallows. "Song." Grove Music Online. 2001. Accessed Jul. 23, 2019. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000050647.
Dromey, Christopher. "Pierrot ensemble." Grove Music Online. 1 Jul. 2014. Accessed Jul. 12, 2019. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0002261027.
Griffiths, Paul. "Sprechgesang." Grove Music Online. 2001. Accessed Aug. 1, 2019. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000026465.
Haggett, George. “The Rules of The Game: Analyzing Ambiguity In Unsuk Chin’s Acrostic Wordplay.” Last modified May 15, 2018. Accessed Sep. 10, 2019. http://georgekhaggett.blogspot.com/2018/05/the-rules-of-game-analysing-ambiguity.html?m=1.

Whittall, Arnold. “Unsuk Chin in Focus: Meditations & Mechanics.” The Musical Times 141, no. 1870 (2000): 21–32. Accessed Sep. 26, 2019. https://www.jstor.org/stable/1004366.
"Sprechstimme." Grove Music Online. 2001. Accessed Aug. 1, 2019. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000026466.

樂譜資料：
Berio, Luciano. Sequanza Ⅲ for Female Voice. Wien: Universal Edition, 1986.
Chin, Unsuk. Akrostichon-Wortspiel: Seven Scenes from Fairy-tales for Soprano & Orchestra. London: Boosey & Hawkes, 1996.
Nono, Luigi. Canti di vita e d’amore: Sul Ponte di Hiroshima. Mainz: Ars Viva Verlag, 1963.
Schoenberg, Arnold. Pierrot Lunaire, Op. 21. Wien: Universal Edition, 1941.